Jünger Audio Gives US Broadcasters The Tools To ‘CALM’ Audio Loudness at NAB 2012

Dynamics specialist Jünger Audio will be attending the NAB 2012 convention (Booth SU3604) with two new additions to its *AP family of loudness control processors. These units are specifically designed to help US broadcasters stay within the parameters of the newly introduced CALM legislation.

The *AP family all incorporate Version II of Jünger Audio’s renowned LEVEL MAGIC™ adaptive loudness algorithm, which is compliant with all current broadcast audio loudness recommendations including ITU 1770 (versions 1 and 2), ATSC A/85, ARIB TR-B32 and EBU R128. Based on a Multi-Loop dynamic range control principle where slow changes (AGC), fast changes (Transient processing) and Look Ahead peak limiting are handled simultaneously, LEVEL MAGIC offers level management with exceptionally high audio quality and without coloration, pumping, breathing, distortion or modulation effects.

Peter Pörs, managing director of Jünger Audio, says: “When it comes to controlling audio loudness and ensuring that broadcast audio stays within the law, our *AP family provides broadcasters with all the tools they need. Major broadcasters around the world are choosing these products because they allow loudness consistency to be maintained in a very easy and cost effective way – and without any detrimental effects on sound quality.”

At NAB 2012, Jünger Audio will show its Award-winning T*AP TV Audio Processor, which made its operational debut at the 2011 Eurovision Song Contest and has now being installed in numerous broadcast facilities. Primarily designed for TV playout, the device provides Loudness control, Upmix and surround sound processing for up to eight channels of audio (8×1, 4×2, or 6+2).

T*AP focuses on automatic and adaptive loudness control and also offers Jünger Audio’s Spectral Signature™ as standard. This remarkable proprietary technology gives TV and radio broadcasters the ability to create a signature mask as a template so that they can recreate the same atmosphere and dynamics on subsequent audio content. Optional Dolby Decoding and Encoding (D, D+, or Pulse), as well as metadata management, are also provided along with 5.1 Downmix and Jünger Audio’s 5.1 UPMIX circuit, which has been upgraded to deliver greatly improved performance and a range of new settings.

The two new additions to the *AP family, which will be on show for the first time in the USA, include the D*AP LM4 and the D*AP LM2.

The D*AP LM4, a four-channel Digital Audio Processor aimed at television broadcasters and video production and post production companies that need to control audio loudness while creating and editing broadcast content. Similar in concept to the hugely popular Jünger Audio B46 processor, which it replaces, the D*AP LM4 also features on board AES/EBU digital I/O, along with optional 3G/HD/SD-SDI I/O or analogue I/O. This combination of formats is likely to open up many new markets for the unit. Control of this 19” rack-mountable unit is via a smart new front panel or via a Web interface for those who wish to operate it remotely.

The D*AP LM2 is a two-channel Digital Audio Processor that replaces Jünger Audio’s ground breaking D06 unit. The D*AP LM2 offers a powerful combination of dynamics and loudness control, making it suitable for a wide range of applications including television, radio, music production and PA. It can handle both analogue and digital (AES/EBU) audio and features an automatic input switchover with parallel output formats. It also fits neatly into a rack and is controllable through a newly designed front panel or via a Web based interface.

Both the D*AP LM2 and D*AP LM4 come with optional redundant PSU and a power fail bypass to ensure maximum operational security. They also feature Jünger Audio’s Adaptive Dynamics as standard, allowing customers to incorporate additional processing blocks such as compressors and expanders. Spectral Signature™ will become an option for these processors.

Jünger Audio will also be showing a prototype of the V*AP two-channel voice processor, a new addition to the *AP family that will be officially launched at IBC 2012.

The development of this unit has been driven by market demand for a voice processor that allows TV and radio journalists to capture their own narrative style, particularly when operating outside the studio. The V*AP will come with either a microphone (optional dual high end Mic preamps) or AES I/Os so that it can be used with a mixing desk as a high end outboard dynamics processor. Featuring Jünger Audio’s renowned audio quality, this 19” 1RU device will combine classic dynamics processing, filters, EQ and Spectral Signature, Jünger Audio’s new dynamic equalization algorithm. It is designed to be extremely easy to use and will have powerful User Interfaces including front panel operation, GUI selection and API for third party application (HTTP, Ember).

Junger Audio is completing its NAB line up with Loudness Logger, a powerful tool that offers customers of all Jünger Audio levelling processors an easy way to monitor the development of the loudness over time. This innovation is critical to all broadcasters who now need to show precisely how their audio levels are performing in order to comply with new legislation on Loudness. Using this new software, broadcasters can monitor in real time or by analyzing previously stored loudness log files. The software, which is an MS Windows application, can be purchased from Jünger Audio on a license basis per PC and is protected by an USB dongle. The Loudness Logger works with Jünger Audio’s entire range of new box processors as well as with recent versions of LEVEL MAGIC™ cards in the modular C8000 system.
If you would like more information about these products please visit Junger Audio at NAB 2012 – Booth SU3604 – for a demo.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

German Radio Group Tunes In Sonnox Broadcast Bundles

LUDWIGSHAFEN, GERMANY: Attracting over 10 million daily listeners, RPR1., Radio Regenbogen and bigFM are three of Southwest Germany’s largest privately-owned radio stations. Featuring three distinctive formats, AC, Hot AC and CHR,
each of the stations share a single ‘Service Center Production’ Sound Department. Head of Production, Stefan Müller, recently purchased Sonnox Broadcast Bundles for each of the Sound Department’s 11 workstations.

“I had considerable experience with Sonnox plug-ins as a film mixing engineer prior to joining the Radio Group,” Müller says. “Their overall sound quality and flexibility is simply the best you can get in the plug-in market, so I knew they would provide excellent audio processing for radio production where sound is the major priority.”

“One of the most important jobs is to get the voice through to our listeners as clearly and effectively as possible, without being harsh or unpleasantly loud,” he adds. “Of course the sound of voices, music beds and FX varies from format to format, so we needed a plug-in bundle that would suit all our needs; aggressive for one radio format, and more transparent for another without losing loudness.”

The Service Center Production Sound Department utilizes Sonnox plug-ins differently for each station. “The Oxford EQ is engaged for virtually every track, shaping detail and emphasizing transparency, but tailoring the finished mixes for specific audiences,” Müller explains. “The Oxford Dynamics plug-in’s built-in modules are particularly well suited to our bigFM audience, and to CHR where voices are more directly in the listeners’ face. The SuprEsser plug-in gets deeper into our AC and Hot AC workflows, enabling us to dynamically reduce ‘overemphasized’ frequencies. The Oxford Limiter and Inflator are our primary weapons in the ‘Loudness War.’ I’m not a fan of indiscriminately increasing volume. That translates to lost punch and transparency,” he says. “By creatively employing the Limiter and Inflator plug-ins in our summing busses and masters, we can achieve excellent loudness levels and retain the details, emotions and dynamics that make compelling broadcasts.”

“The Sonnox Broadcast Bundles have proved themselves the perfect solution to all our radio sound design challenges,” Müller concludes.

Photo: Stefan Müller, Service Center Production Sound Department Head of Production

###

For information on Sonnox Plug-Ins please visit: www.sonnox.com

Middle Atlantic Introduces HRF Series Half Rack Systems

HRF Series Half Frame Rack In Lectern

Fairfield, NJ––Middle Atlantic Products is introducing the new HRF Series Half Rack family of products that will also serve to help develop an ECIA standard for the half-width rack format.

The new HRF Series half racks–which incorporate the dimensions of the proposed standard–feature a low profile design and compact dimensions. An offset cable tie area keeps their overall width to a slim 10 5/8”, which makes them an important off-the-shelf solution for maximizing the amount of usable rack space in confined areas. These dimensions also allow the HRF Series to be used with half rack equipment from a variety of manufacturers.

The HRF Series half racks also feature a strong welded frame that enables equipment to be pre-loaded and transported to the installation site. Initial models are available in 8 and 12 space useable racking height configurations with available mounting shelves that include a pattern of holes and slots that accommodate any device-mounting pattern. The line of complementary accessories for the Half Rack Series also includes a high-static pressure blower to exhaust heat, as well as blank and vented panels to complete the installation.

According to Mark Tracy, Director of Product Management, “There was a real need for a smaller, space-saving solution when rackmounting a variety of half-width components in lecterns, credenzas, and in-wall. Thanks to the feedback from our installer and consultant partners, as well as the participation of several manufacturers, this system accommodates the vast majority of smaller components currently available and provides installers with a useful new choice for mounting electronics.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

NETIA 2012 NAB Show Preview

2012 NAB Show Preview April 16-19, 2012 Las Vegas NETIA Exhibiting With GlobeCast, Booth SU812
NETIA 377 Chemin de Farjou 34270 Claret France

NETIA Contact: Isabelle Sost Michoux Communication and Field Marketing Manager Tel: +33 4 67 59 97 47 Email: i.michoux@netia.com Website: www.netia.com

Agency Contact: Samantha Drazin Wall Street Communications Tel: +1 786 464 9724 Email: samantha@wallstcom.com

Company Overview: NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world, and recent wins have made the company a significant new player in the telco market, as well. Clients include RAI Italy, France Telecom/Orange, ABC, MediaCorp Singapore, RTL, Radio Globo, Radio France, The Associated Press, France Télévisions, TV Center Russia, and L’Équipe 24/24. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

NETIA Products at the 2012 NAB Show:

New! Radio-Assist(TM) 8.1 — Upgraded Radio Automation NETIA will showcase enhancements to its Radio-Assist(TM) 8 range of digital audio automation software at the 2012 NAB Show. Radio-Assist 8.1 will offer the same robust array of tools for streamlined end-to-end multimedia production, broadcast, and publication workflows, as well as additions including two significant features: a new integrated music scheduling application and new video editing capability from within a single user interface.

NETIA’s Radio-Assist family of digital audio software programs covers each part of the production and broadcast workflow, allowing users to record, edit, or prepare a playlist. In addition to new browse and publishing tools for full multimedia functionality, the software features tools for acquisition, sound-file editing, commercial and music production, newsroom systems, scheduling, multicasting, and administration.

Radio-Assist 8.1 will allow users to leverage built-in music scheduling functionality. With music management tools integrated into Radio-Assist 8.1′s FederAll playlist preparation module, users will be able to automate playlist generation according to preset criteria, business policies, and a wide range of intelligent options for sequencing music.

The video editing tool now available within the Radio-Assist 8.1 interface complements the software’s Snippet and Snippet+ audio editing tools. Offering a convenient editing solution, this enhancement addresses the growing demand for radio broadcasters to provide video via their online portals. This simple and easy-to-use editing tool is available through the same GUI as the Snippet tool, providing familiar utility that allows staff to produce video clips with very little training.

During the 2012 NAB Show, NETIA will highlight further functional and technical enhancements that add to the value of Radio-Assist 8.1 in today’s radio broadcast operations.

Image Link: www.wallstcom.com/NETIA/RadioAssist8.zip Image Caption: NETIA Radio-Assist(TM) 8

New! Content Management System At the 2012 NAB Show, NETIA will launch a new version of its Content Management System (CMS) that allows users to manage all processes within the global production environment — from editing through post and distribution — through simple, easy-to-manage workflows and task automation, accessed through one unique and easy-to-use interface. The NETIA software suite also allows users to connect all of their partners and vendors within a single production ecosystem, simplifying the sharing and managing of media assets.

The CMS that will be presented at the 2012 NAB Show includes enriched features within its metadata management module, as well as in its indexing functionality. The CMS GUI includes a greater number of fields that can be personalized, and the system’s metadata template can be customized by users. A multilingual thesaurus module available in this new CMS release ensures there are endless possibilities for very precisely describing content, in turn making it easier for users to access and retrieve specific content. Finally, the CMS will include an enhanced administration application that further simplifies system management.

Image Link: www.wallstcom.com/NETIA/CMS.zip Image Caption: NETIA Content Management System (CMS)

All trademarks appearing herein are the property of their respective owners.

SOLID STATE LOGIC’S BROADCAST EQUIPMENT DEMONSTRATION VEHICLE BEGINS ITS EPIC U.S. TOUR

SSL teams up with technology partners Genelec, Miranda and RTS to showcase the C10 HD Compact Broadcast Console in a state-of-the-art mobile broadcast studio

NEW YORK – Solid State Logic is proud to announce its newly completed Broadcast Equipment Demonstration Vehicle has set out on a non-stop tour of the United States and Canada. The tour began in San Antonio, Texas on Feb 1, 2012 and will continue onwards for the next three years. The custom designed mobile production vehicle features SSL’s C10 HD Compact Broadcast Console and associated routing and I/O solutions in conjunction with all of the key audio and video monitoring and communications systems required for a modern broadcast production facility. Housed in a Russ Berger designed acoustically accurate space, the vehicle enables potential clients to have hands-on experience of SSL’s on-air audio production technology right outside their front door.

“This is an incredibly exciting moment for us,” says Piers Plaskitt, CEO of SSL Inc. “This vehicle gives us a unique opportunity to take a sophisticated broadcast production environment out on the road to connect directly with our customers in their own locality. We know that money is tight and that many organisations simply can’t send as many people to exhibitions like NAB anymore so this vehicle gives us the chance to show the whole production team the benefits of SSL and our partners’ technology. Bringing a mini-NAB to our clients ties in nicely with the way we have designed the product to fit today’s more challenging budgets. The vehicle is equipped to demonstrate a range of broadcast production systems and will be visiting local broadcast stations, sports arenas and houses of worship. This is also a fantastic opportunity for us to visit our extensive network of educational clients to share knowledge and insight with aspiring young audio engineers. We serve up an impressive cup of coffee, too!”

The SSL Broadcast Equipment Demonstration Vehicle, designed by SSL’s Project Engineering team, was built on a 2012 F550 Ford chassis with a custom body and was crafted by leading mobile vehicle specialist Shook Mobile Technology. Russ Berger Design Group (RBDG) provided the acoustic design for the space using both absorbing and diffusing treatments as well as SpaceCoupler technology for the ceiling. The vehicle is presented in association with SSL’s technology partners: Genelec, Miranda, RTS and Savant. The truck demonstrates the capabilities of all of these systems and the integration that is possible between them.

The mobile control room space is completely climate controlled, sound isolated and treated to provide a comfortable and acoustically accurate demonstration environment. The space can accommodate several people and a larger group can watch demonstrations from outside the vehicle via an external audio monitoring system and video display, which is linked to internal cameras.

The audio monitoring system inside the vehicle is a complete Genelec 8020.LSE Espresso 5.1 system, which consists of five Genelec 8020B two-way, bi-amplified active monitors matched with a Genelec 7050B LSE™ Series Active Subwoofer. A pair of 6010A Bi-Amplified Active Monitors for PFL (pre-fade listen) and a pair of 8030A Bi-Amplified Monitors for the outdoor display round out the audio system. A Miranda Kaleido-X16 multi-viewer offers high quality and space efficient monitoring with silent operation, and Miranda’s Densité processing offers simplified signal management using multi-functional modules. An RTS Adam-M system with two key panels is employed for intercom, while a Savant True Image interface handles the vehicle’s lighting and video switching.

The SSL Broadcast Equipment Demonstration Vehicle will visit local U.S. broadcasters, houses of worship, systems integrators, key sports and entertainment events, as well as being showcased at trade exhibitions. The schedule for 2012 begins with demonstrations in Texas, moving on to locations in New Mexico, Arizona and California, stopping in Las Vegas for the NAB Show in April, on to Utah and then the Eastern Seaboard.

You can find out more about the vehicle and the equipment, view a tour schedule (with interactive map) and request a stop at your location online at www.solidstatelogic.com/worldtour.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Prism Sound’s New Loudness Test Suite Allows Broadcasters To Deliver Flawless and Legally Compliant Audio

With the CALM Act now law in the US and compliance soon to be mandatory, Prism Sound is using the NAB 2012 platform to highlight the importance of loudness meter verification by showing a new application for its award-winning dScope Series III audio analyzer.

This unique, freely-available test suite allows broadcasters and manufacturers to determine whether every aspect of their meter design complies with the latest international loudness standards.

Developed by Dr Rich Cabot, Founder and CTO of Qualis Audio, and Ian Dennis, joint-founder and CTO of Prism Sound, this comprehensive new suite of audio tests can be used to evaluate the performance and compliance of any loudness meter on the market. As US broadcasters are now legally obliged to comply with the ATSC A/89 standards, Prism Sound’s new test suite enables them to properly evaluate all loudness meters and ensure that their chosen product can deliver both ATSC and ITU BS.1770 compliance.

The new test suite will be on show at Prism Sound’s NAB 2012 booth (C3029). Visitors to the booth can obtain a FREE set of wave files and dScope Series III test files for verifying the performance of their loudness meters. The wave files have been specifically designed to expose any design flaws in a loudness meter, and the dScope Series III programmable test suite replicates these test signals in a highly convenient format, allowing the waveforms to be sourced directly from the dScope Series III digital signal generator.

Prism Sound is widely regarded as the leading expert in the field of audio test and measurement. The company offers a range of audio test solutions including the highly-acclaimed dScope Series III instrument, which incorporates precision, automatic gain-ranging that allows high resolution analogue measurements over a massive range, from a few micro-volts to more than 150 volts RMS, and from less than 1 Hz to over 90kHz. Its dedicated hardware interface uses DSP to provide a wide range of real time measurements, while its software exploits the host PC for almost unlimited number crunching and analysis options such as Fast Fourier Transforms, unique ‘Smart FFT’ soft instruments, swept sine and multi-tone testing. Designed to be highly programmable, the dScope Series III can be automated from a wide range of third-party software applications using Active X controls, or internally using VBScript.

Prism Sound will be showcasing its full range of audio Test & Measurement solutions at NAB 2012, 16–19 April, 2012, Las Vegas Convention Centre, Las vegas UAS, Booth C3029. For further information visit www.prismsound.com

-ends-

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

NEW METRIC HALO WEBSITE DELIVERS A CLEAN, INTUITIVE USER EXPERIENCE

mh_new_website.JPGSAFETY HARBOR, FLORIDA: Metric Halo has completely revamped its website, bringing the crystalline clarity of modern design and functionality to its online presence. The new site, www.mhsecure.com (which is also accessible at the old address, www.mhlabs.com) offers users well-organized access to product information, product support, purchasing, and user-community wikis & list-serves. It is simple and intuitive to navigate and will make more…

RFvenue RELEASES UNIQUE LONG RANGE UHF ANTENNA FOR WIRELESS MICROPHONES AND IEMs

rfvenue_cp_beam.JPGASHLAND, MASSACHUSETTS – FEBRUARY 2012: RFvenue, maker of innovative remote antenna products for production wireless, announced today that it has released its high-gain, foldable, circularly polarized CP Beam(tm) Antenna for sale to audio/visual integrators, location sound mixers, broadcast engineers, and touring companies.

“The patent-pending CP Beam is a convenient, easy-to-use, full-size beam antenna for long-range applications that can be very quickly utilized when needed,” remarked RFvenue CEO, Chris Regan. “Customers wanted a compact and durable high-gain antenna without the size, weight, and additional cost of hard plastic or metal designs. It’s great that it folds up for storage, yet is quickly deployable. There’s no need for a dedicated flight case to store the CP Beam – it fits in a two RU rack drawer when folded.”

Robert J Crowley, inventor of Crowley and Tripp microphone technology, and chief of the company, Soundwave more…

Sennheiser and House of Blues Renew Marketing Alliance

Wedemark, Germany, February 6, 2012: Four years ago, audio specialist Sennheiser teamed up with the House of Blues – creator of a celebrated collection of intimate music venues. Sennheiser supplied a comprehensive set of its evolution series wired and wireless microphones and personal monitors, as well as Sennheiser headphones and Neumann microphones, to each of the House of Blues’ thirteen locations in the United States. The gear allowed House of Blues’ engineers to optimize sound reinforcement and provide robust RF solutions for the diverse performers that nightly take its stages. In addition, each company benefited from the cross-marketing exposure generated by the relationship. With such an obvious win for Sennheiser, the House of Blues, the musicians, and the concertgoers, both parties gladly renewed the marketing alliance.

Live music powerhouse Live Nation owns the House of Blues, which, in the two decades since opening its doors, has risen to become the USA’s preeminent live music venue for intimate shows. Each location is distinctively decorated with the world’s largest collection of folk art and serves top-drawer food and beverages. The fact that the House of Blues provides state-of-the-art sound reinforcement and lighting makes the venue a top choice of both local and national acts. Sennheiser’s Global Relations Manager for the Americas and Canada, Kristy Jo Winkler, worked with House of Blues to facilitate the renewal. “Our relationship with the House of Blues strengthens Sennheiser’s marketing at the MI and corporate levels,” she said. “Every night, musicians and engineers from around the globe experience the musicality and reliability of our microphones and RF equipment. We’re happy to continue such fantastic exposure.”

Matthew Scoggins, FOH Engineer at the House of Blues Los Angeles, commented, “No matter what the application, when clarity is of the utmost importance, I reach for a Sennheiser mic.” The House of Blues is set up with a full complement of gear, suitable for any of the diverse flavors of contemporary music that the House of Blues hosts. The kits include multiple models of evolution mics for backline and vocals, a couple of Neumann vocal mics and Sennheiser headphones. “The House of Blues prides itself on providing an ideal venue for both our artists and our guests,” said Dan Schartoff, VP Club and Theatre Productions for Live Nation. “Everyone loves the sound we’re getting with the Sennheiser gear, and we’re glad it will continue.”

Brian Fiegelman, A1 tech at House of Blues Dallas, agreed: “The Sennheiser e 900 Series mics are always my first choice. Their tailored frequency responses make it easy to mix everything from gospel to metal. In addition, the durability of their metal casings makes them almost indestructi¬ble… an essential asset that has allowed them to stand up to years of abuse on our Dallas stage!”

House of Blues Dallas production manager Thomas DeBeaudry said that Sennheiser’s robust performance often solves problems and makes Sennheiser devotees of touring engineers and bands. “We sit in a heavily saturated wireless environment,” he said. “On more than a few occasions, we have used our Sennheiser EM 2050 wireless package in place of a touring wireless package because of its ability to continuously scan and eliminate RF interference. We often find that the engineers and musicians prefer our rig due to its ease of use and its bulletproof performance. In addition, the smooth frequency response of the Sennheiser MMK 965-1 capsule generates a lot favorable comments.”

Anthony Wilkins Appointed as RTW’S International Sales Manager

Wilkins’ Extensive Experience in Broadcast and Pro Audio Sales will Bring Continuous Development of RTW’s Presence in the US and International Markets

COLOGNE, GERMANY, 2 February 2012 — RTW, a leading manufacturer and distributor of professional audio metering and control devices for studio recording and radio and TV broadcast applications, , has appointed Anthony Wilkins as the company’s new International Sales Manager. Wilkins is an English native speaker and has lived and worked in Great Britain, Switzerland, Germany and Ireland. His main role will be to control and coordinate RTW’s international sales from the corporate headquarters at Cologne.

Wilkins has more than 25 years of experience in the Pro Audio industry and is currently completing his MBA. He has previously worked for Sony, Analog Devices, DTS and most recently for Linear Acoustic. He is also a member of the EBU P/Loud group, which is in charge of developing the R128 loudness standard; the AES and the IEEE.

“We are very glad that Anthony Wilkins has joined our team and proud to have gained a sales expert with an in-depth understanding of the international broadcast and pro-audio markets,” says Mahmoud Chatah, RTW director of marketing and sales. “Wilkins will significantly increase our brand visibility in the international key markets. In taking over those critical tasks, he will allow me to focus on strategic alignment of RTW’s marketing.”

“I am determined to strengthen RTW’s global sales with effective measures and extensive travel,” adds Wilkins. “Further development of the important US market is my primary objective.”

About RTW
RTW, based in Cologne (Germany), has more than 40 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on peak meters and audio vectorscopes that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio includes the TouchMonitor range, a new series of tools for visual signal analysis, loudness metering, and more. TouchMonitors combine highest flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. In June 2008, RTW was certified for the internationally accepted DIN EN ISO 9001:2000 quality-management standard.

For more information, visit www.rtw.de or www.facebook.com/rtw.de, or call +49 221 709130.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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