Myers Returns to Content & Communications World 2013 With Latest Edition of ProTrack

CCW BOOTH # 765

Northampton, MA — CCW 2013 will set the stage for Myers – the highly respected developer of broadcast traffic, business, and content management software – to officially launch the significantly enhanced 6.07 version of its flagship ProTrack broadcast management solution. ProTrack, available in radio and television-specific editions, connects Traffic, Scheduling, Sales, Engineering and IT departments. The scalable and affordable software suite serves as the unifying element within the broadcast operation and integrates seamlessly with existing infrastructure to optimize workflow.

The new edition of ProTrack will be demonstrated in Booth 765 at CCW in New York City’s Javits Convention Center, November 13-14.

Built on a more powerful SQL database management engine, the enriched Radio and TV versions reflect feedback and requests from end-users and further streamline facility workflows. Numerous functionality and enhancements make information more accessible and facilitate growth and expansion, especially at the Enterprise level.

ProTrack offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.

ABOUT MYERS
Until recently known as Myers Information Systems, the company has been developing broadcast management software since 1989. Myers provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

Myers contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

NETIA MAM Solution Grows Even More Powerful With Integration of MediaSpeech Speech-to-Text Engine

CLARET, France — Nov. 7, 2013 — NETIA today announced a partnership with Vecsys, a leader in the speech-to-text market, through which the latter company’s MediaSpeech(R) “speech2text” engine will be integrated into the NETIA MAM (media asset management) solution to make full-text transcription and search capabilities available alongside video in the MAM interface. This new capability enables the automated transcription of audio tracks accompanying any ingested video as well as greater control over indexing, enriching, storing, retrieving, and monetizing A/V content.

“By converting audio tracks into searchable transcriptions, the MediaSpeech engine not only supports faster and more effective content searches, but also enables more comprehensive extraction of metadata and more extensive automated indexing,” said Paul Henri Oltra, vice president and CTO at NETIA. “These benefits are significant individually, and together they yield a tremendous boost in the efficiency with which users can find and use the content they want or need.”

“Vecsys is very excited about this partnership with NETIA,” said Béatrice Bacconnet, Vecsys CEO. “Video and audio productions are extremely precious assets, but they are often underutilized because traditional searches are blind to their true content. The combination of the NETIA MAM with our Vecsys MediaSpeech speech-to-text solution is cracking the code to deep audio and video content management; it’s opening a range of new possibilities for producers, broadcasters, journalists, and analysts, as well as the public at large.”

The incorporation of proven MediaSpeech technology into the NETIA MAM makes it even easier for media companies to deliver content according to their customers’ demands. From ingest to distribution in applications ranging from media logging to production, postproduction, and archiving, NETIA MAM users can very simply access, search, browse, and retrieve content through a single interface tailored to their work.

More information about NETIA and its product portfolio is available at www.netia.com.

Photo Link: www.wallstcom.com/NETIA/Vecsys.zip
Photo Caption: NETIA Transcription With Vecsys

# # #

About Vecsys
Vecsys is a leader in the speech technology industry, providing speech-to-text software and services that unlock value from audio and video sources. The company’s acclaimed MediaSpeech(R) engine is used by media-monitoring companies, online press groups, contact centers, and other institutions across France, the U.K., Spain, the U.S., and Gulf countries.

Vecsys is also present in the automotive, aerospace, health, and entertainment sectors with embedded mobile solutions. Started in 1979, Vecsys is now a Bertin Technologies subsidiary and part of the CNIM Group. It is traded on the Euronext market and operates worldwide with their HQ in France and offices in 15 countries.

About NETIA
NETIA, a Globecast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices. NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include SBS and ABC in Australia, RAI Italy, RTBF in Belgium, MediaCorp Singapore, RTL France, Radio Globo in Brazil, RTM Malaysia, Radio France, the Associated Press, France Télévisions, and Canal+. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

Sound Devices Latest Firmware Adds Additional Inputs to 664 Production Mixer

Unit offers 12 Analog Inputs and 16 Recording Tracks

REEDSBURG, WI, NOVEMBER 5, 2013 — Sound Devices, experts in portable audio and video products for field production, continues its tradition of adding significant features to its products through regular firmware updates. The latest update, Version 2.00 for its flagship 664 Production Mixer, unlocks six additional line-level inputs on this already powerful field mixer. The 664 now offers 12 analog inputs and 16-track recording without requiring the CL-6 Input Controller.

Sound Devices 664 features six ultra-low-noise, high-dynamic-range preamps that accept mic- or line-level signals and include analog peak limiters, high-pass filters, and input trim control. Version 2.0 firmware provides access to six additional, menu-controlled, line-level inputs for a total of 12 inputs. Inputs 7-12 appear on TA3 connectors shared with the direct outputs. Inputs 1 and 6 can be set to accept AES3 or AES42 for digital microphones, each with its own SRC for simplicity in system clocking.

With version 2.00, the 664 can record 16 track files, which include all 12 inputs plus its four outputs, without requiring the CL-6 Input Controller. The CL-6 continues to be an important accessory for users requiring hardware fader control of inputs 7 through 12. Firmware revision 2.00 also brings additional LCD metering modes to support the expanded input capability. Three menu-set metering modes are selectable from the front panel meter button. Meter modes offer combinations of input and output levels.

The 664 records 16-track monophonic or polyphonic broadcast WAV files or stereo MP3 files to SD and/or CompactFlash cards. All inputs and outputs are individually selectable for recording, and feature up to three seconds of record pre-roll. With its dual card slots, the 664 can record content to either or both cards simultaneously, with the ability to assign different tracks to each memory card. With cards not optimized for multi-channel monophonic file recording or if the monophonic 10-track limit is exceeded, a warning message is displayed on the LCD display when starting a recording. In addition, when formatted in the 664, SD cards 64 GB and larger are automatically formatted as ExFAT (in accordance with the SD Association’s recommendation). All CF cards and lower-capacity SD cards remain FAT32.

The 664 offers greater flexibility and ease-of-use with its “LCD Daylight Display” mode, which incorporates a daylight-specific color scheme and solid-bar metering option for improved readability in direct sunlight. In addition, it includes a high-precision, Ambient-based timecode generator/reader for multi-camera and double-system sound applications.

Existing 664 users can download version 2.00 for free by visiting http://www.sounddevices.com/download/664-firmware/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Myers Announces the Rollout of ProTrack v6.07

ENHANCEMENTS AND NEW FEATURES OFFERED FOR BOTH RADIO & TV EDITIONS

Northampton, MA – Myers – the highly respected developer of broadcast traffic, business, and content management software – today announced the immediate availability of v6.07, a significant upgrade to ProTrack, the company’s flagship software suite. Built on a more powerful SQL database management engine, the new Radio and TV versions further streamline facility workflows and incorporate numerous functionality and user-experience enhancements. Among them:
For ProTrack TV
• New Log Manager to centralize logging tasks
• A Consolidated Interstitial Search screen
• Customizable Interstitial Field defaults
• Streamlined Scheduling Grid screens
For ProTrack Radio
• New single or multi-channel “Master” Template
• Improved As-Run functionality
• Enhanced Broadcast Log toolbar
• New Channel Groups to assign Spot/Interstitial eligibility
“Our development team incorporated numerous end-user ideas and requests; we’ve improved the workflow and made information more accessible,” said Crist Myers, company CEO and president. “Many enhancements are ‘behind the curtain,’ especially the migration of ProTrack’s core architecture to a more robust and capable database structure; it’s a fundamental shift that enables more advanced techniques for growth and expansion, especially at the Enterprise level. We’re indebted to the ProTrack community for their ongoing feedback, support and partnership.”

ProTrack, Myers’ proven flagship suite, is available in both radio and television editions. It offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.

ABOUT MYERS
Formerly known as Myers Information Systems, Inc., the company has been developing broadcast management software since 1989. Myers provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

Myers Information Systems contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmoon.tv

NOV. 5TH PBS JIMI HENDRIX AMERICAN MASTERS SPECIAL FEATURES ELECTRIC LADY STUDIOS PROFILE

NEW YORK: On Tuesday, November 5th at 9PM, PBS American Masters Series will premiere Jimi Hendrix: Hear My Train A Comin,’ a 2-hour biography of the iconic guitar hero. In addition to rare performance footage and interviews with Paul McCartney, Steve Winwood, Lou Adler and other music industry notables, the program will highlight the compelling history of Electric Lady, Hendrix’s personal recording studio. Still cranking out hits 43 years after opening it’s doors on West 8th Street, in the heart of NYC’s Greenwich Village, ELS was conceived by Hendrix’s producer/engineer Eddie Kramer, and designed by Walters-Storyk Design Group co-founder/architect/acoustician John Storyk, both of whom provide personal reminiscences of working with Jimi on the creation of Electric Lady. For a preview of this not-to-be missed program, please visit:

http://www.pbs.org/wnet/americanmasters/episodes/jimi-hendrix/electric-lady-studios/2735/

Photo: John Storyk (left) with Eddie Kramer at the original entrance to Electric Lady Studios. Please credit photo by Howard Sherman

###

Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk (an adjunct professor at Berklee College,) Beth Walters, Sergio Molho and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG has collaborated with such noted architects as: Frank O. Ghery (Novartis Campus,) Rafael Vignoly (Jazz at Lincoln Center,) Norman Foster (El Aleph,) Oscar Niemeyer (CAMG,) Phillipe Stark (Faena Hotel,) Grimshaw (Zurich Airport,) and Santiago Calatrava (Berklee Valencia.) WSDG is a seven time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for NY’s Jungle City. WSDG maintains offices in NY, SF, Miami, Buenos Aires, Belo Horizonte, Basel, Beijing, Barcelona, Mexico City and Mumbai.

Moogfest and Moog Music announce 4th Circuit Bending Challenge

Some Soldering Required*

ASHEVILLE, NC – October 29, 2013Moog Music was born when a young Bob Moog, started tinkering with electronic circuitry. As a boy, Moog built small radios, amps, and theremins in his basement workshop with his father and the rest is history. This experimentation with the inner workings of electronic devices to create new sounds and effects has been developed into an art form known as circuit bending.

Circuit bending is a creative medium that combines technology, sonic artistry and creativity. By altering the internal circuitry of electronic devices such as keyboards, drum machines, and children’s toys, circuit benders are able to produce new sounds not intended in the original design.

In celebration of this creative curiosity that fueled a young Bob Moog and all of those that follow in his footsteps, Moog is sponsoring its 4th annual circuit bending contest.

This year, Moog’s circuit bending contest is challenging entrants to take a battery powered device and circuit bend it into an instrument capable of creating new and unique sounds for a total budget of $70 or less.

Entrants will create and post videos on YouTube featuring their completed instruments and documenting the process of their creation. Moog will select three finalists and invite them to showcase their creations at Moogfest in April of 2014 where Moog’s judges and the general public will decide a winner of the contest.

Grand Prize: Moog Sub Phatty & Two Passes to Moogfest 2014
2nd Place: Moog Slim Phatty & Two Passes to Moogfest 2014
3rd Place: Moog Minitaur & Two Passes to Moogfest 2014

More information on the contest and a full list of rules for entries can be found at www.moogfest.com/circuit-bending.

Stay updated on Moogfest through www.moogfest.com and on Facebook at www.facebook.com/moogfest.

*Actually, soldering isn’t required. You can use any medium you wish in order to bend your device including (but not limited to) bubble gum, bottle caps, foreign currency, used chopsticks, unicorn hair, or a really cool hat.

About Moogfest:

Since 2004, Moogfest has been a gathering for the musicians that worked closely with Bob and his instruments. In 2014, Moogfest is amplifying its vision and becoming a 5-Day event dedicated to the synthesis of technology, art and music. Moogfest honors the inventiveness of Bob Moog and the legacy of the analog synth with an experimental line up of daytime conference programming and landmark nightly performances. Moogfest takes place April 23-27th, 2014 in downtown Asheville, NC. To learn more, visit www.moogfest.com.

About Moog Music:

Moog Music is the leading producer of analog synthesizers in the world. The company and its customers carry on the legacy of its founder, electronic musical instrument pioneer, Dr. Bob Moog. The company hosts Moogfest, a five-day festival celebrating the intersection of music and technology in honor of Moog’s innovative spirit. All of Moog’s instruments are hand built in its factory on the edge of downtown Asheville, NC. To learn more, visit www.moogmusic.com.

Lowell Manufacturing Adds Deep Profiles to Wall-Mount Rack Series

— New 28- and 32-inch-deep racks for LWR Series —

PACIFIC, MO, October 28, 2013 — Lowell Manufacturing Company, a U.S. manufacturer of professional A/V products for more than 65 years, has expanded its LWR Series of wall-mount racks to include two deep profiles—28” and 32”—for applications requiring greater depth for electronics and accompanying cables and wiring. These deeper-profile wall racks feature the time-saving sectional design that allows the backbox to be sent to the job site while the cabinet (mounting section) is filled at the shop.

LWR Series Features:

Heavy duty, swing-open, sectional rack (load capacity to 300 lbs.)
Backbox: 10” square opening in rear, removable knockout panels, lacing points, and provisions to attach board-mounted accessories. Two side locks keyed differently than (optional) front door.
Cabinet (mounting section): 1-pr. adjustable mounting rails, integral rails in top and bottom, vented sides, and knockouts.
Four depths: 19”, 23”, 28”, 32” (varied heights)
Made in USA with 100% certified US steel

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

Broadcast Networks Strengthens Management Team By Appointing Malcolm Robinson

Systems integration specialist Broadcast Networks has strengthened its management team, focus and skillset by appointing Malcolm Robinson as Director – Media & Broadcast Solutions.

A skilled broadcast executive and engineer who gained operational knowledge through experiences with CNN International, NEP Visions and Cine Video, Malcolm brings a wealth of technical knowledge and industry insight to Broadcast Networks. He joins the company from Sony PSE where, as General Manager for Live Production Solutions, he was responsible for the design and build of more than 200 Outside Broadcast vehicles and studios.

Innovation is always a key element to broadcasting and while at Sony Malcolm developed the team bringing leading-edge technologies to market. He was central to the development of HD, 3D and recently 4K into the outside broadcast environment.

Commenting on his appointment, Malcolm says: “Broadcast Networks has always been a strong brand and one I am well acquainted with, having previously subcontracted many Sony Live Production projects to its highly experienced team of solution architects and project managers. Their passion for innovation and customer satisfaction has always set them apart, so I am thrilled to be joining the company as it undergoes major expansion to secure its position as a leading integration partner. These are exciting times – for us and our customers.”

“The broadcast market is evolving to accommodate innovative technologies and new business models. Now, more than ever, broadcasters and media companies value partners who can help them implement game-changing ideas,” says Tom Haye, Managing Director Broadcast Networks. “We’re delighted that Malcolm is joining our team to help align our people, processes and the latest technology so that we can help customers win in this increasingly complex arena.”

As a systems integrator with more than 25 years’ experience, Broadcast Networks has a proven record in the delivery of high-quality broadcast and digital media systems to an international client base. The company specialises in fixed and mobile solutions including live production and studio systems; broadcast infrastructure, transmission and content distribution systems; Outside Broadcast and Satellite News Gathering vehicles. Clients include Chellomedia, News International, UPC, NBC Universal, Bloomberg Television, ITV and OB Team in Norway. Broadcast Networks has recently announced a strategic partnership with IEC Group and investment which will drive the expansion of its operations and capabilities.

-ends-

About Broadcast Networks
Broadcast Networks is a UK-based Systems Integrator with over 25 years’ experience in delivering solutions to clients the world over, including national broadcasters and global media organisations. From live production systems and OB vehicles, studios and broadcast infrastructure, satellite uplinks to content distribution, the company offers totally integrated and innovative solutions. With a highly experienced and knowledgeable team of solution architects and project managers, a flexible approach and a real commitment to customer service, Broadcast Networks works closely with organisations to meet their business and operational objectives and to deliver game-changing ideas.
Learn more: www.bcnet.co.uk

BERKLEE COLLEGE OF MUSIC 160 MASS COMPLEX APPROACHING COMPLETION

BOSTON: 160 Massachusetts Avenue, the Berklee College of Music’s stunning new $100 million, sixteen-story, mixed-use building, is approaching completion. With initial openings planned for January 2014, and full occupancy scheduled for Spring 2014, the 155,000 square-foot tower represents a significant expansion for Berklee. It is also the first ground-up building in the school’s 66-year history. Distinguished by dramatic floor-to-ceiling glass walls, the sprawling music recording/education facility will house eight Walters-Storyk Design Group studios and a live room scaled to host a 50-piece orchestra.

WSDG Partner Sergio Molho, reports “The complex encompasses technical suites, classrooms, practice, ensemble and community rooms, a film dubbing theater and, a unique, three-story 4000 square foot, 400 seat, dual purpose, auditorium/dining hall. Designed by award-winning architects William Rawn Associates, the building will also serve as a residence for the entire 370-member freshman class. This has been one of the most ambitious projects of our 40 year+ company history,” Molho adds, “In addition to an invaluable contribution by our NY-based Sr. Project Manager Romina Larregina, it has engaged the talents and resources of each of our international offices, and virtually every one of our 50+ team members. It will be an extraordinary way to begin the New Year.”

One of the largest educational studio facilities built in the U.S. this year; the 18,000 SF recording/education complex at 160 Mass. offers students a massive battery of production, post-production and recording technology. Each of the four Production Control Suites is equipped with Genelec 8050A Speakers, MOTU MIDI Express 128, TC Electronics 6000 Remote CPUs, Ephonix MC Control, Akai MPK-61, Crown D75 Cu Amplifiers and a comprehensive collection of outboard gear and software programs. Tech Lab features include: Edirol UM-ONE, Euphonix MC Mix, Dangerous Music ST/ST Dynaudio AIR 15. The Central Machine Room incorporates a Dub Stage Digital Console Computer DF66; a Dub Stage Analog I/O AM713/MA703 console; a Dub Stage Console Sonic Wall Router and a host of high-end technology. The Mastering/Critical Listening Lab is outfitted with Euphonix MC Control, ATC SMC 150 ASL, Lipinski 707 Speakers, JL Audio Subwoofer F113 and Manley Mastering Backbone.

WSDG has a long-standing relationship with Berklee. John Storyk developed the school’s signature studio design course. He is also an adjunct professor, and lectures frequently to Berklee College music production and engineering students. This on-going connectivity with both faculty and students, played a significant role in the design program for 160 Mass. The most advanced predictive acoustic modeling software was engaged in the initial development stage, and the latest acoustical and technical innovations have been incorporated in every facet of the design to insure the highest degree of future-proofing for these studios and teaching labs.

For an overview on Berklee’s 160 Mass complex please visit: http://www.berklee.edu/Berklee160

For video tours visit: http://www.youtube.com/watch?v=Fu_iAWHH8Ho and http://www.youtube.com/watch?v=qo4oaw2ArxY&feature=youtu.be

Photo: Rendering of Berklee College of Music 160 Mass.

http://i41.tinypic.com/2e65uab.jpg

###

Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk (adjunct professor, Berklee College of Music,) Beth Walters, Sergio Molho and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG has collaborated with such noted architects as: Frank O. Ghery (Novartis Campus,) Rafael Vignoly (Jazz at Lincoln Center,) Norman Foster (El Aleph,) Oscar Niemeyer (CAMG,) Phillipe Stark (Faena Hotel,) Grimshaw (Zurich Airport,) and Santiago Calatrava (Berklee Valencia.) WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for NY’s Jungle City. WSDG maintains offices in NY, SF, Miami, Buenos Aires, Belo Horizonte, Basel, Beijing, Barcelona, Mexico City and Mumbai.

Hal Leonard Publishes Power Tools for Cubase 7

Master Steinberg’s powerful multi-platform audio production software

Montclair, NJ (October 25, 2013)Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, is now shipping Power Tools for Cubase 7 by Matthew Loel T. Hepworth.

Cubase is a program that transforms your computer into a complete recording studio, providing every button, knob, switch, and fader found in a hardware-based studio, plus a few extra controls that don’t normally exist in that realm. Cubase 7 offers practically unlimited tracks for musicians, producers, and music enthusiasts alike, limited only by the power of the host computer. With so many options, the processes of composing, recording, editing, mixing, and mastering can be challenging, but Power Tools for Cubase 7 will help the reader easily and efficiently take advantage of all that creative power and flexibility.

Power Tools for Cubase 7 was written with the new user in mind. First, you’ll learn the process of installation and proper studio configuration. Then, you’ll learn the foundations of rudimentary Cubase operations; how to avoid common mistakes; how to properly record and edit MIDI instrument and audio tracks, and how to use techniques that produce smoothly polished and powerful results. Finally, you’ll learn how to add mastering treatments for a professional-sounding, competitive, punchy, shiny, and loud mix!

The included DVD-ROM contains valuable supporting material and actual Cubase session files that add to the in-depth learning experience provided by Power Tools for Cubase 7.

About the Author
Matthew Loel T. Hepworth has been teaching music technology since 1984 and is the author of many how-to videos as well as other books on music and audio software. He consults on, records, mixes, and masters audio projects for many clients, including Air Supply, Devil Driver, Foothill Drive, Gene Swift, the Jonni Lightfoot Band, the Red Rock Hot Club, Supersofar, and many others. The son of two educators, he has the unique ability to thoughtfully teach people how to use complex music products and software. Hepworth plays a variety of instruments, including bass guitar, guitar, and the very unusual Theremin. He also provides video services to various dance companies and corporate clients and uses a 48-input mobile recording system to capture live concert performances into Cubase. He regularly travels the world to consult with recording studios and he frequently provides technical support for motion picture and photographic production teams.

Power Tools for Cubase 7
$39.99 (US)
Inventory #HL 00333397
ISBN: 9781458413680
Width: 7.5″ Length: 9.0″ 328 pages, DVD-ROM included

More information at www.halleonardbooks.com

Media Contact:
Please contact Music Marcom for review copies, author interviews and excerpts:
Music Marcom
Martina McConnon
v: 610-577-4982
e: martina@musicmarcom.com

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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