Neumann Digital Microphones Shine in Digital Surround Recording of Landmark Organ Recital at Denver’s St. John’s Cathedral

Neumann Digital Microphones and KH 120 Monitors Used to Capture Performance on W.W. Kimball Organ, Following Recent $2 Million Restoration

Denver, CO, March 17, 2014: Last month, Julliard scholar and organist extraordinaire Michael Hey took the seat at the Platt Rogers pipe organ located in the narthex of Denver’s St. John’s Cathedral. The formidable instrument, a one of a kind W.W. Kimball that was built to specification almost a century ago, recently completed a painstaking 3-1/2 year, $2.5 million renovation to bring it as close as possible to its original splendor. The landmark performance on February 14th was recorded in high-resolution surround using a variety of well-placed Neumann digital microphones positioned throughout the venue.

To capture the complete sonic depth of such an instrument, St. John Cathedral’s Music Administrator, Alberto Gutierrez, turned to veteran recording engineer Mike Pappas, owner of Denver-based Pappas Consulting LLC. Pappas, who has worked extensively with The Colorado Symphony Orchestra, The Aspen Music Festival and others in the past, recorded the recital in 88.2kHz resolution/24-bit digital audio.

“I’ve worked with Alberto for several years with the Colorado Symphony, and he told me about the gargantuan restoration of this magnificent organ and Mr. Hey’s upcoming recital,” said Pappas. “I’d been eager to capture such an organ for a number of years and this was the perfect chance to make an audiophile grade recording using my collection of Neumann digital mics.”

An Instrument Suited for Digital:

The Platt Rogers organ is the largest intact American cathedral organ currently in use that was built before World War II. It has 96 ranks, 5,961 pipes and is powered by an enormous 25 horsepower motor. With such a large organ, which was being played in a very large cathedral with 60′ cielings and a 3-1/2 second reverb time, one of the primary goals was to capture the entirety of the instrument’s massive dynamic range: “An organ of this size can generate frequencies as low as 11 Hz, so I had to choose the right microphones to accommodate this,” explains Pappas.

Pappas deployed left, center and right microphone arrays, positioned equal distances apart by about 9′, placed 21′ high, and 20′ away from the organ. He chose the Neumann KM 133 D digital microphones, which he says are are his ‘go-to’ microphones for symphony work and which use the legendary Neumann M50 titanium capsule and diaphragm. Pappas appreciates this microphone’s flat low frequency response and omni-directional pattern.

“Back in 1938 when they built the organ, they weren’t too concerned with being able to record at 138 dB of dynamic range,” says Pappas. “This organ is capable of generating 11 Hz notes. Using the Neumann KM 133 Ds, we were able to get a very smooth response while accurately capturing every nuance in these lower frequenicies.” For the two rear channels, Pappas opted for a mid-side pair arrangement, using the Neumann KM 184 D for the mid and the KM 120 D — which has a figure-of-eight capsule pattern — for the side. The entire recording was monitored on location using several Sennheiser headphones including an HD 600 and HD 800 open aire models.

Trailblazing with Neumann Digital Microphones:

The signal flow for the digital microphones was simple: each microphone was connected to the Neumann Digital Microphone interface — which also served as the clocking device for the entire recording system — and then was output via AES/EBU to a RME ADI 6432 converter. This outputs a MADI signal, which was then sent into Pappas’ Apple MacBook Pro running Logic X.

Simplicity is a key reason why Pappas was initially drawn to Neumann digital microphone technology: “For remote recording, using digital microphones means I have a lot less gear.” he explains. “At one point, we had 40 channels of preamps running into A to D converters, but now I am down to just 8 channels of digital — this greatly simplifies my set up.” He also realizes several advantages in audio quality. “Nothing else can give me comparable resolution, dynamic range or signal to noise ratio. Conventional signal chains include mic preamplifiers and A to D converters, and these can impart subtle colorations onto what you are trying to record. For us doing symphony work, all we want to hear is the microphone capsule.”

Neumann KH 120: Revealing the Essence of a Unique Instrument:

Following the recording, which took place on a Thursday evening, the recording stems were transported to the Colorado Symphony Hall, where Pappas has a 5.1 mix set up featuring Neumann KH 120 monitors and a Neumann KH 810 subwoofer. “The first thing we listened for was the left-right-center stereo channels to confirm all our mic placements,” recalls Pappas. “Once we knew we had that right, we added the rear channels to the mix to provide ambience.”

Pappas favors the KH 120s because of their revealing quality and dynamic response. “They are just spectacular,” he says. “What you hear is what you actually get on the mix, and it all translates. There are never any nasty surprises.” “The integration of the KH 810 subwoofer has been spectacular,” he adds. “It doesn’t call attention to itself, yet fills in exactly what you want. We never worry about how much low end is going into the mix.”

The exquisite recording of the Platt Rogers Pipe Organ is being prepared for a summer release on Chesky Records. To learn more about Neumann digital microphones, please visit http://www.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1) Michael Hey sits at the Platt Rogers pipe organ at Denver’s St. John’s Cathedral.

2) Neumann KM 133Ds capture the Platt Rogers pipe organ at Denver’s St. John’s Cathedral.

Photographs provided by Mike Pappas

Audiofile Releases Fidelia 1.5

A major update to the popular high definition music player for OSX

Audiofile, a leading music technology company, today announced an update to Fidelia, the acclaimed premium music player for Mac. Fidelia 1.5 introduces AirPlay, support for Notification Center, Improvements to FHX™, significant improvements to reliability and performance, as well as an updated interface and branding.

“The sophisticated music lover will always be looking for the best listening experience,” says Matthew Foust, Audiofile Managing Partner and co-founder. “Fidelia offers what many digital music players can’t: support for the highest quality formats. But it’s not enough to simply support the best formats. Fidelia also provides users with tools that allow them to control nearly every parameter of the sonic experience.”

Fidelia 1.5 also introduces an updated design for Fidelia Remote for iOS. Fidelia Remote for iOS turns your iPhone or iPod touch into a full-featured remote control for the Fidelia music player. Browse your Fidelia library and playlists, adjust playback volume and navigate between or within tracks from as far away as your wireless network allows.

Fidelia 1.5 is the first in a series planned set of updates.
For more information about Fidelia, visit http://www.audiofile-engineering.com/fidelia/.

Pricing & Availability
Fidelia 1.5 is available on the Mac App Store starting at $19.99 or at audiofile-engineering.com.

About Audiofile
Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name. Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

The Audio Engineering Society Appoints Graham Kirk as International Sales Manager

– Organization expands its marketing efforts with addition of Kirk to business development team –

New York, NY, March 11, 2014 — As part of its newly focused business and marketing efforts, the Audio Engineering Society has appointed industry executive Graham Kirk to the position of International Sales Manager. The announcement was made by Bob Moses, AES Executive Director, and further underscores the AES’s bolstered business development campaign, which began with the 135th AES Convention in New York, resulting in record attendance, this past fall. In his new position, Kirk will spearhead sales for AES exhibition partners and sponsors, as well as work closely with Moses and Steve Green, AES Business Development Manager.

Leveraging his experience in the music and professional audio industries, Kirk has previously managed sales and marketing efforts for Audio Media magazine and as the European Sales Director for the NewBay Media Group. Further, Kirk will be at the upcoming Musikmesse 2014 International Music Fair (March 12 – 15) to meet with exhibitors and potential participants about partner and sponsorship opportunities at the upcoming 136th AES Convention in Berlin and the 137th Convention in Los Angeles.

“We are very excited to have Graham on board as we continue to gain momentum for our two International Conventions coming up this year, in both Berlin and L.A.,” states Bob Moses. “We have worked hard to provide new opportunities for both attendees and exhibitors at our upcoming events and we feel that Graham has an excellent background and skill set to help maximize these efforts and to help the AES grow as the number-one professional and educational resource for the industry.”

Exhibitors and potential sponsors are encouraged to contact Graham Kirk to discuss exhibition and advertising opportunities for upcoming conventions, newsletters and more, at graham.kirk@aes.org or via phone at: +44 (0) 787-246-1938 or +1 212-661-8528 ext. 114.

Antelope Audio Announces Zen Studio, the First Portable Audio Interface with 20 Analog Inputs, 12 Mic Preamps and DSP effects

Zen Studio, featuring 38 simultaneous input and 32 output channels in a sleek, easy to carry ergonomic box, to be first seen at Musikmesse, hall 5.1, booth C60

Frankfurt, Germany, March 12, 2014: Leading professional audio gear manufacturer Antelope Audio introduces Zen Studio, a professional, portable audio interface with the most competitive analog and digital connectivity. The 12 world-class mic pres, Antelope’s signature clocking, the on-board DSP effects with multiple monitor mixers and the proprietary low-latency USB connectivity make Zen a world-class mobile recording system, that can fit easily inside a backpack or gear bag. Zen Studio is designed to meet the needs of the modern day producer or engineer on-the-go, as well as location sound engineers, sound designers, independent bands and musicians in search of greater sound quality and flexibility.

Supreme sound:
Antelope Audio Acoustically Focused Clocking guarantees the most authentic analog sounding A/D & D/A conversion on the market. Antelope’s clocking and conversion along with the custom USB technology implemented in Zen are identical to the ones in the top-selling 32-channel Orion interface which is a centerpiece in the playback rigs for artists such as Rihanna, Jay-Z and Justin Timberlake, and inside the mixing and mastering studios of engineers like Eric Sarafin (aka Mixerman), Brian Vibberts, Howie Wienberg or electronic music producers like Robert Babicz and Dusty Kid.

Power and flexibility:
In addition to proven sound quality, Zen Studio offers an extremely powerful DSP, based on a custom FPGA device with massive parallel processing capabilities. The proprietary FPGA makes the DSP chip in Zen Studio eight times more powerful than the ones used in similar devices. This allows fast and easy simultaneous processing of multiple effects, enhancing the workflow like no other device on the market.

Unique versatility:
All audio I/O is available simultaneously for a total of 38 possible input and 32 output channels, plus 24 simultaneous I/O channels via custom USB. Users can create up to four independent zero-latency mixes assignable to any outputs, including the two independent headphone outputs and monitor outputs. The unit is fully controllable using an intuitive desktop application on both PC and Mac, offering flexible signal routing and DSP-based effects alongside custom presets.

Zen Studio is a versatile stand-alone device as well as a perfect companion to Orion32. Zen was born out of the need for a studio-quality portable solution that can easily be taken with you, while your main interface remains in the rack. Zen Studio is based on proven technologies used in Orion32. Whereas the rack-mountable Orion32 stands out with its MADI connectivity and unmatched channel count available over USB, Zen Studio delivers a breakthrough number of mic pres and DI instrument inputs for a mobile-sized interface, along with exceptional monitoring and tracking DSP capabilities to be used on-the-go.

Zen studio is planned to start shipping by the end of Q2 2014 with a prospected price of $2,495.

Connectivity:

• 12 Class A mic preamps, with phantom power
• 8 mic/line inputs
• 4 mic/line/instrument inputs
• 2 Independently assignable headphone outputs
• 2 DSUB-25 connector (8 channels I/O)
• 1 Stereo monitor out
• 4 ADAT connectors (up to 16 channels I/O)
• 2 SPDIF RCA connectors (I/O)
• 2 Inserts over TRS
• 2 Word Clock BNC connectors (I/O)
• 1 Low-latency high-bandwidth USB 2.0

About Antelope Audio:

Antelope Audio is a leading manufacturer of master clocks, A/D & D/A converters and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 32-channel AD/DA USB audio interface and extremely precise master clock in only 1U. Orion32 is a breakthrough technology, offering both studio and live-recording audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

GeerFab Acoustics Chosen by NAMM to Provide Acoustic Treatment for Technical Excellence and Creativity (TEC) Awards

Custom MultiZorber Solution Brings Sonic Consistency and Even FrequencyResponse During Winter NAMM Week, Including 29th Annual TEC Awards

Anaheim, Calif. – March 11, 2014 – GeerFab Acoustics announced its was chosen by NAMM, the National Association of Music Merchants, to provide temporary acoustic treatment to the Anaheim Hilton’s Pacific Ballroom during the 2014 NAMM Show held in Anaheim, CA be-tween January 23 and 26th. The Pacific Ballroom is host to many key activities during the NAMM Show, including important industry events such as the TEC Awards, the Breakfast of Champions, the NAMM Best in Show Awards and others.

This year, the 2014 NAMM Show drew no less than 96,129 industry registrants, making it one of the most important global music industry events. For the fourth year in a row, the Pacific Ball-room, which has a capacity of roughly 1,200, was chosen as the host venue for the TEC Awards. While the space worked for conference events and seminars, the room presented massive acous-tic challenges for a high profile award show featuring live music and attended by the music indus-try’s elite sound engineers, producers and audio product manufacturers.

“The pre-treated room was a sonic mess,” recalls Eric Geer, president and founder of GeerFab Acoustics. “The overabundance of reflective surfaces and a parabolic concave structure that spanned the entire perimeter created a chaotic and uncontrollable acoustic environment.This was marked by out of control mid and high frequencies and excessive bass build up. During the TEC Awards, the room posed enormous intelligibility issues for performing artists, mix engineers and of course the audience.”

“The biggest acoustic problem was the parabolic concave surface which was about 4′ high and several feet deep. This structure disrupted the response of the room, essentially functioning as a slingshot that rocketed unwanted frequencies directly back to the audience,” Geer continued.

Last summer at a NAMM executive meeting, the acoustics of the room became a primary agenda item. “We knew we had to increase the audio intelligibility in The Pacific Ballroom,” says Pete Johnston, supervising producer & technical director of special events at NAMM. “When it came to the TEC Awards, it was an issue of credibility since we were giving out awards to sound engi-neers, producers and product manufacturers. We wanted to get it right and there was no room for compromise.”

Soon after the summer meeting and after consulting with several high profile acoustic designers, NAMM contacted Eric Geer of GeerFab Acoustics to implement an all-encompassing solution that would yield greater sonic accuracy and intelligibility for events held in the Pacific Ballroom during the entire 2014 NAMM Show, especially the 29th Annual TEC Awards.

On the weekend before NAMM week, GeerFab and Freeman, the convention services company that has been supporting NAMM since the 1960s, proceeded to install a temporary, re-usable solution consisting of (200) custom GeerFab MultiZorber panels, each measuring approximately 4′ x 9-1/2′ and consisting of lightweight, acoustically absorbent substrate material wrapped in a black fabric. These panels were strategically mounted on rigging points throughout the venue, suspended approximately a foot off the wall around the entire upper perimeter of the room, which measures roughly 30,000 square feet with a 21’ ceiling. The panels effectively concealed the concave surfaces while creating more even acoustic dispersion across the entire frequency range while also acting as a gigantic, continuous bass trap.

In addition to the room perimeter, Geer also installed a ‘acoustic hat’ above the stage, consisting of (40) 4′ x 8′ MultiZorber panels. This effectively reduced stage noise and eliminated unwanted reflections from drums, amplifiers and other instruments — enhancing overall monitoring accuracy while reducing the potential for on-stage feedback. With the “hat”, the entire installation com-prised over 8,000 square feet of MultiZorbers.

“Before the room was treated by GeerFab, it sounded horrible. There is a section of the wall that has the effect of a parabolic dish,” commented Scott Rodgers, front of house engineer for the TEC Awards. “After the MultiZorber panels were installed, it made a huge difference and the sound of the whole room tightened up significantly.”

“We ran the PA system between 98 and 105 dB and the sound was remarkably clear,” he contin-ued. “I didn’t have to touch the EQ to correct the room and by the end of the evening I had abso-lutely no ear fatigue.”

Now that the MultiZorber solution was successfully implemented in the Pacific Ballroom for the 29th Annual TEC Awards, Johnston says they are now considering a similar solution to provide acoustic treatment during Summer NAMM 2014. “We love the fact that the MultiZorbers are reus-able,” says Johnston. “Bringing great audio to our events increases the credibility of our brand while enhancing the overall experience of those attending our events.”

About NAMM:

The National Association of Music Merchants (NAMM) is the not-for-profit association with a mis-sion to strengthen the $17 billion music products industry and promote the pleasures and benefits of making music. NAMM’s activities and programs are designed to promote music making to peo-ple of all ages. NAMM is comprised of approximately 9,000 Member companies located in more than 87 countries. For more information about NAMM or the proven benefits of making music, interested parties can visit www.namm.org, call 800.767.NAMM (6266) or follow the organization on Facebook, Twitter and YouTube.

About GeerFab Acoustics:

GeerFab Acoustics manufactures and implements acoustic solutions for a wide range of clients in entertainment, restaurant, hospitality, healthcare and other industries. The company provides complete custom design and installation services and is the manufacturer of the innovative prod-uct line RoomZorbers, which includes the MultiZorber The company is based in Milwaukee, WI and was founded by Eric Geer. To learn more, visit www.geerfab.com.

Sennheiser launches new training offensive – more RF Experts to support customer projects in future

Old Lyme, CT, March 11, 2014: The Sennheiser Sound Academy has begun a new RF Expert course. From February to September 2014, 23 wireless professionals from the worldwide Sennheiser organisation will be further trained to become RF experts, supporting their customers in the planning and execution of large events involving wireless technology. The first on-site training session took place from 24 to 28 February in Wedemark.

Extensive wireless microphone systems with several dozens of channels are now a matter of course at cultural and sports events, TV shows and large concert tours. At the same time, the complexity of the production environment is constantly increasing: in addition to the microphones for the artists and presenters, more and more channels are required for production staff to communicate and control the equipment as well as for the media reporting on an event. To make matters worse, the frequency spectrum that is available for wireless microphones is shrinking.

It is precisely these situations that are the specialist field of RF experts, who know how to make use of all technical possibilities to make complex projects with wireless systems a success. “Therefore, the course teaches extensive knowledge of the theory and practice of wireless microphone systems and antenna installations,” explained Kirsten Wessendorf, Manager Sennheiser Sound Academy. “Also, the production team at big events is very international, with many different groups of professionals working together. For that reason, intercultural training is a fixed part of the expert course.”

The 23 participants in the course come from 14 countries and, following the on-site week at the company’s headquarters, they will continue to be coached by experienced local tutors in their region. Two further on-site training sessions will round off the RF Expert training programme before it finishes in September. One of the successful projects involving RF experts who have already completed the course was, for example, the last Eurovision Song Contest.

Visit Sennheiser at prolight+sound in Hall 8, Stand A 70.

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Captions:
1: 23 Sennheiser participants from 14 countries have enrolled in the RF Expert course

2: One of the focal points of the training programme is the Digital 9000 wireless microphone system

3: The RF Expert course offers extensive knowledge of the theory and practice of RF wireless transmission and also includes intercultural training

(Photo credit: Karsten Koch)

Attention Music Lovers and Content Creators: Sennheiser Announces Spring Rebate on Select Headphones, Microphones and Wireless Systems

From Now Until April 30th, Customers Can Attain Bonus Savings of Up to $100 On Select Wireless Systems and Up to $50 on Select Headphones and Microphones

Old Lyme, CT, March 10, 2014: Just in time for spring, audio specialist Sennheiser announced a new rebate promotion in which consumers get up to $100 cash back on select wireless systems and $50 cash back on select microphones and headphones purchased at an authorized Sennheiser dealer. Customers can learn more and take advantage of the promotion by visiting http://en-us.sennheiser.com/rebate.

Rebates are valid on select Sennheiser HD series headphones; evolution, MD and MK series microphones; and XSW and EW series wireless systems purchased from an authorized U.S. Sennheiser dealer between now and April 30th, 2014. Following are rebate values for the various products that are included:

Headphones:

• HD 280 PRO: $10
• HD 380 PRO: $20
• HD6 MIX: $30
• HD7 DJ: $30
• HD8 DJ: $40
• HD 600: $40
• HD 650: $50

Microphones:

• e 604: $10
• e 609: $10
• e 835: $10
• e 602-II: $20
• e 614: $20
• e 935: $20
• THREE PACK e 835: $20
• THREE PACK e 604: $30
• MK 4: $30
• MD 421-II: $40
• e 914: $40
• e 965: $50

Wireless Systems:

• XSW 12: $40
• XSW 35: $40
• XSW 72: $40
• EW 112P G3: $50
• EW 122P G3: $50
• EW 135P G3: $50
• EW 100 ENG: $75
• EW 300 IEM: $75
• EW 300-2 IEM: $100

To receive a rebate on eligible products, customers will need to mail the following to Sennheiser following their purchase (postmarked no later than May 31, 2014):

• A completed rebate form, which can be downloaded from the Sennheiser website at: http://en-us.sennheiser.com/rebate.
• The original UPC and EAN code, cut from the box (no photocopies will be accepted)
• A copy of the sales receipt, dated between March 1, 2014 and April 30, 2014, from an authorized Sennheiser dealer for a product listed above.

All rebates must be postmarked no later than May 31, 2014. For more information, please visit http://www.sennheiserusa.com.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

ZeeVee Product Line Update Enables Interoperability With Monroe Electronics’ One-Net SE EAS System

LYNDONVILLE, N.Y., and LITTLETON, Mass. — March 10, 2014 — Monroe Electronics today announced that ZeeVee, the industry’s leading manufacturer of digital HD video encoder/modulators, is offering an update that makes Emergency Alert System (EAS) capability available across its ZvPro and HDbridge 2000 series at no additional cost. The new update enables ZeeVee’s competitively priced systems to interface with the Monroe One-Net(TM) SE EAS- and Common Alerting Protocol (CAP)-ready encoder/decoder via Monroe’s unique EAS-NET(TM) protocol.

“Adding EAS continues our tradition of providing ongoing functionality improvements across all ZeeVee models, and it is especially satisfying to be able to offer an upgrade of this magnitude for no additional charge,” said ZeeVee CEO Bob Michaels. “Protection of lives is a significant priority for our customers — and one they shouldn’t have to pay extra for in a state-of-the art-video distribution system.”

ZeeVee not only boasts a unique watermarking technology, but also offers the only Clear-QAM solution approved by both DirecTV and Dish Network. The company has once again set the industry standard by including EAS as a standard feature of its encoder/modulators. Within the streamlined EAS workflow supported by this feature, the Monroe One-Net SE system receives emergency alert information, and then processes and transmits the proper EAS information to the ZeeVee encoder/modulators. From there the encoder/modulator broadcasts that alert to all televisions being served. A properly authorized operator can also generate custom alert messages with Monroe’s custom message option.

“Using our One-Net SE/EAS-NET combination along with ZeeVee products, cable operators and campus television stations can implement industry-leading EAS technology simply and at a very attractive price point,” said Bill Robertson, vice president of business development at Monroe Electronics. “Our exclusive EAS-NET communications suite serves as the key interfacing mechanism between these systems, assuring reliable EAS data and audio transmission over a standard TCP/IP network.”

With a wide range of EAS/CAP and A/V products, Monroe is the recognized leader in EAS/CAP equipment for the campus and cable television marketplace. The Monroe One-Net SE is designed as a flexible emergency-messaging platform able to handle all EAS/CAP and custom alert messaging and keep pace with an ever-changing communication environment. With a standard Web-based user interface, the One-Net SE communicates via a network with a variety of digital devices. The system itself can be accessed via an intranet/Internet connection for monitoring or message uploads.

More information on the broad range of ZeeVee encoder/modulators is available at www.zeevee.com.

Further information about Monroe’s One-Net EAS/CAP system is available at www.monroe-electronics.com.

Photo Link: www.wallstcom.com/Monroe/Monroe-OneNetSER189SE.jpg

# # #

About ZeeVee
ZeeVee HD/SD encoders and RF modulators convert video sources such as digital signage players and satellite receivers into digital cable channels that can be broadcast over existing coax cabling to an unlimited number of HDTVs. The company has deployed thousands of channels in corporate centers, sports bars, academia, assisted living, stadiums, casinos, hospitals, houses of worship, hotels, fitness centers, digital signage installations, and more.

More information is available at www.zeevee.com.

About Monroe Electronics
Monroe Electronics began operations in 1954 designing and manufacturing specialized electrostatic discharge (ESD) instrumentation that continues today. From its headquarters in Lyndonville, N.Y. the company provides R&D, manufacturing, sales, and customer service for all Monroe Electronics, One-Net(TM) SE, and Digital Alert Systems brands. Monroe Electronics’ Emergency Alert Systems (EAS) are the widely accepted standard for CATV, with a hard-earned reputation for quality, reliability, and service to valued customers around the world. In October 2009, Digital Alert Systems, the leading innovator of next-generation Common Alerting Protocol (CAP) and EAS merged with Monroe Electronics to further extend its product offerings to radio and television broadcasters and better serve their collective customers into the future.

More information is available at www.monroe-electronics.com.

All trademarks appearing herein are the property of their respective owners.

iZotope Releases New Guide, Mixing with iZotope: Principles, Tips, and Techniques

Valuable tips and tricks for the mixing process

Cambridge, MA (March 10, 2014) - iZotope Inc., a leading audio technology company, announced the release of a new 70+ page guide entitled Mixing with iZotope: Principles, Tips, and Techniques. The publication, available free of charge in the iTunes store and through iZotope’s website, provides valuable instruction and step-by-step guidance for anyone wanting to learn more about the process of mixing recorded audio.

Filled with insight that represents ten-plus years of audio research and development by iZotope, this free guide demystifies the art of mixing by exploring key components of the mixing process. With the added practical experience and perspective of mix engineer Sean McLaughlin of 37’ Productions, this guide is a great starting place to explore a number of common mixing scenarios—from setting up a soundcard to delivering final, polished mixes.

“We’re happy to announce the release of a companion guide to our mixing tools Alloy 2, Nectar 2, and Trash 2,” says Product Manager Brett Bunting. “We hope both iZotope and non-iZotope users will be able to walk away feeling confident about their mixing skills and empowered to take that next step with their audio.”

Key Features:
- Get started by setting up your equipment properly and preparing for your mix
- Understand the many elements of mixing, including level, EQ, panning, and time-based effects
- Learn how to get started with a mix and how to work with clients
- Tackle common elements of a mix with specific recommendations for vocals, drums, bass, and more
- Find out the proper way to finish a mix

Download Link: Mixing with iZotope: Principles, Tips, and Techniques, is free of charge, and is accessible through PDF by visiting: www.izotope.com/mixingguide

The eBook can also be downloaded via iTunes for iPhone and iPad here.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post-production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®

For more information on iZotope products, please visitwww.izotope.com.

WHEATSTONE AND AUDIOARTS ENGINEERING LOOK TO EQUATOR AUDIO FOR SONIC ACCURACY

*** Jeff Keith in Wheatstone’s audio processing lab ***

New Bern, NC – March 2014… As one of the world’s premiere designers and manufacturers of professional broadcast audio equipment under the Wheatstone and Audioarts Engineering brand names, Wheatstone Corporation’s product development labs exercise the most stringent quality control procedures at every step of the development cycle. For this reason, the ability to know precisely how something will sound is a mission critical consideration throughout the development process. To ensure the sonic accuracy of each and every product the company releases, extensive testing and evaluation takes place—and central to this process are D5 and D8 studio reference monitors from San Diego, CA-based Equator Audio.

Jeff Keith, CPBE, NCE, is the Senior Product Development Engineer at Wheatstone Corporation and is the engineer primarily responsible for the development of the company’s audio processing products. Much of his work involves analysis and research of, and ongoing improvement to, the science and algorithms used in the company’s state-of-the-art processing products. Both at his home and work, Keith looks to his Equator monitors to ensure consistency throughout every step of the product development process. He discussed his preference for Equator Audio monitors. more…

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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