LECTROSONICS ANNOUNCES THE DIGITAL SECURE WIRELESS SYSTEM

** Photo: Lectrosonics Digital Secure Wireless system **

Rio Rancho, NM – April 2014… Lectrosonics, recognized the world over as a leading manufacturer of wireless microphone systems and audio processing products, is pleased to announce the introduction of the Digital Secure Wireless system. Featuring AES-256-CTR (Advanced Encryption Standard) encryption technology, the new Digital Secure Wireless system is ideal for use in environments where privacy is of paramount concern, such as corporate boardrooms, shareholder meetings, and government facilities. As a rugged and high-quality wireless microphone system, the new products will also find a home in theaters, film making, touring and other demanding applications. more…

Sennheiser supports Dante™

Las Vegas, NV, April 7, 2014 – At NAB 2014, audio specialist Sennheiser has announced its support for the Dante™ multi-channel audio networking standard. “By joining this standard, we will be able to optimally cater to our customers in the broadcasting and live sound worlds,” explained Claus Menke, Head of Portfolio Management Pro for Sennheiser’s Professional Division. The first product to make use of the network technology will be the company’s Digital 9000 wireless microphone system. A Dante-enabled expansion card for the receiver will be launched in summer 2014.

Sennheiser electronic GmbH & Co. KG signed the Dante License Agreement with Audinate Pty Ltd at the end of March, just ahead of NAB. In 2013, Sennheiser had signed the RAVENNA Partnership Agreement with ALC NetworX GmbH, following in the footsteps of its subsidiary Georg Neumann GmbH. Sennheiser has also been a member of the AVnu Alliance since 2010.

“The future belongs to digital networking. We see the digital distribution of audio and control signals becoming more and more widespread in all areas of production,” said Claus Menke. “The flexibility and modularity of our Digital 9000 wireless system allows the seamless integration of networking technologies, making this and subsequent microphone systems a future-proof investment.”

“Sennheiser is recognised globally for its uncompromised performance,” stated Lee Ellison, CEO of Audinate. “The Sennheiser Digital 9000 microphone receiver combined with Audinate’s Dante networking further enriches the broad suite of Dante products available for audio over IP networks in broadcast, live sound, theatre, and professional audio markets.”

About Audinate and Dante™:

Dante™ is the digital audio networking solution of choice for over 140 professional audio manufacturers in the broadcast, live sound, commercial installed and conferencing markets. Audinate’s Dante solution builds on existing Internet (IP) and Ethernet networking standards and offers a migration path to emerging standards like AES67. Dante networking replaces point-to-point cabling and matrix switching solutions offering hundreds of channels of high-performance audio, control and monitoring across existing network infrastructure. Installation and management is simplified through a unique combination of plug and play technologies, saving enormous installation and long-term ownership costs. Audio sources attached to any network port are available everywhere throughout the network with signal routing defined by software, not physical cabling. Audinate also offers a comprehensive set of interfacing options for PC and Mac equipment (Dante Virtual Soundcard and Dante PCIe card) enabling simple integration of existing software applications with the audio network.

About Sennheiser:

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Caption:
Claus Menke, Head of Portfolio Management Pro for Sennheiser’s Professional Division (Photo credit: Rita Kruse)

Refinement, redefined: Sennheiser expands studio microphone range with the MK 8

Las Vegas, April 7, 2014: At NAB Show, the world’s largest annual conference and expo for professionals who create, manage and distribute entertainment across all platforms, audio specialist Sennheiser [booth C3217] will unveil the MK 8 large-diaphragm, multi-pattern condenser studio microphone.

The new microphone features five selectable polar patterns (omni-directional, wide cardioid, cardioid, super-cardioid, figure-of-eight), a low cut/roll-off filter and selectable pad. “The MK 8 expands Sennheiser’s successful series of large-diaphragm condensers, and professional users will appreciate its versatility,” said Sebastian Schmitz, microphone product manager. “Its sound is direct and harmonious, characterized by a defined bass, beautifully rounded mids and an open treble. Overall, it has a very musical sound.”

Designed and manufactured in Germany, the MK 8 echoes the sleek design of the MK 4 studio microphone. Where the fixed cardioid MK 4 was designed for plug-and-play simplicity, the multi-pattern MK 8 offers additional control for the refined recording engineer. The new microphone features a one-inch, dual-diaphragm capsule, precisely spattered with 24-carat gold and elastically mounted to reduce structure-borne noise. In addition, a three-position filter allows the user to either eliminate low-frequency noise below 60 Hz (-18 dB/octave, low-cut position) or introduce a softer roll-off effect from 100 Hz down to compensate for the proximity effect in close miking (-6 dB/octave, roll-off position).

The MK 8 is also fitted with a switchable pad (off, -10 dB, -20 dB). A -10 dB reduction in the capsule protects against excessively loud audio sources, while an additional -10 dB reduction in the microphone electronics avoids overloads in connected mic pre-amps and subsequent recording equipment.

The five switchable pick-up patterns exhibit relatively constant characteristics, especially in the low end. This ensures better, more defined sound, as the selected pattern is maintained over frequency. For example, the super-cardioid pattern will not “blur” but remain precise, providing the same high attenuation of lateral sound sources regardless of frequency.

Encased in a sturdy metal housing, the MK 8 has relatively low sensitivity to humidity as the impedance conversion is done within the capsule. It is packaged with a microphone clip and a protective pouch, and optional accessories include an elastic suspension, a foam windshield, a pop filter and a hard case. The new MK 8 microphone will be available in late summer.

Technical data of the MK 8:

Transducer principle externally polarised condenser microphone
Diaphragm diameter 1” (25.4 mm)
Pick-up patterns omni-directional, wide cardioid, cardioid,
super-cardioid, figure-of-eight
Frequency response 20 to 20,000 Hz
Sensitivity 17.4 mV/Pa (–35 dBV)
Maximum sound pressure level 140 dB (pad: 0 dB)
Equivalent noise level 10 dBA, 16 dB CCIR
Dynamic range 130 dB
Nominal impedance 50 ohms
Min. terminating impedance 1 kohm
Power supply 48 V phantom power (P48)
Low-cut/roll-off filter, switchable roll-off: -6 dB/oct. from 100 Hz
low-cut: -18 dB/oct. from 60 Hz
Switchable pad 0 db, -10 dB, -20 dB
Current consumption 4.1 mA
Diameter approx. 57 mm
Length approx. 160 mm
Weight approx. 485 g
Operating temperature 0° to +40°C
Storage temperature -10° to +60°C

Optional accessories:

MKW 4 Windshield
MZP 40 Pop filter
MKS 40 Elastic suspension
MKC 4 Hard case

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headsets and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Captions:
1) The MK 8 recording microphone
2) The MK 8 offers the recording engineer a full set of control options

Middle Atlantic Unveils New Customer-Focused Website

Fairfield, NJ––Middle Atlantic Products has launched a new, totally re-imagined website to improve the user experience and help its customers find the exact information they need from the company’s extensive product offering.

Exceptionally useful, middleatlantic.com features an elegant new look, easy to navigate design and a wealth of downloadable information including Revit®, CAD and Visio™ drawings, Designer™ and Racktools® free design software, white papers, and easy to reference A&E specifications.

The new website includes a separate page for every rack model offered by Middle Atlantic with dynamic specification information and complementary products for that specific model. For example, a customer can simply click to a specific rack to see a variety of appropriately sized vertical power strips for that model.

A unique Market Solutions section demonstrates how Middle Atlantic products are used to build systems for Commercial A/V, Broadcast, Residential A/V, Security, Structured Cabling and Education applications.

New videos are constantly being loaded onto the website as an easy and effective way of helping customers find and evaluate the right product with tips and tricks to facilitate and improve their installation and use.

A Live Chat feature demonstrates Middle Atlantic’s commitment to its customers by providing a new means to communicate directly with the company’s support team during support hours.

Interactive, wide-ranging and entirely dedicated to the customer, middleatlantic.com marks a significant evolutionary step for the company.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com, or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

EASTWEST Launches Educational Program

Industry Leader Launches Aggressive Educational Program for Budding Composers and Music Professionals

Hollywood, CA (April 2, 2014) – EASTWEST has been the market leader in virtual instruments and sound libraries for the past 25 years and their products have been used by leading composers for countless scores in blockbuster movies, video games, TV shows, and music production. Hollywood’s elite composers like Danny Elfman, James Newton Howard, David Newmann, JJ Abrams, and more, rely on EASTWEST/Quantum Leap instruments for their realism, depth and accessibility in scoring today’s biggest films, while musicians look for the same quality in their own productions. A high percentage of the music produced for all media today is produced using EASTWEST/Quantum Leap Virtual Instruments.

Musical instrument collections of this caliber come at a price that reflects their quality. They are often unattainable for the next generation but in order to compete with the world’s top composers, today’s young musicians need the same composing tools. For this reason, EASTWEST is launching an educational program with special pricing for active students and educators, starting with the Complete Composers Collection 2. This bundle, already discounted 70%, is now available for students at an additional 50% off. Qualifying students and music educators can choose any 7 or more collections from a total of 20, including:

Hollywood Strings Gold
Hollywood Brass Gold
Hollywood Orchestral Woodwinds Gold
Ministry of Rock 2
The Dark Side
Solo Violin
Spaces
Fab Four
Goliath
Gypsy
Ministry of Rock
Pianos Gold
Ra
Silk
Stormdrum 2
Stormdrum 2 Pro Bundle
Symphonic Choirs Platinum Bundle
Symphonic Choirs Platinum
Symphonic Orchestra Gold
Voices of Passion
If students were to choose the default set with the first 7 collections listed above, they would pay only $399.50 for this selection while the combined retail value of the individual collections is $2,685. The educational price represents an 85% savings! Students may customize their CCC2EDU by choosing any 7 or more of the 20 collections listed. While customization may change the CCC2EDU price, the discount will be at 85% off, regardless of which and how many products are selected.

Pricing & Availability
All of these EASTWEST collections are available for download athttp://www.soundsonline.com/Educational-Program. The price varies depending on the products selected and will be discounted by 85% off MSRP. The CCC2EDU may also be ordered pre-installed on a USB3 Pocket HD for an additional $99.
iLok is required. First time customers may purchase an iLok for 50% off: $20.

This limited time offer is valid for active students and educators enrolled in an accredited educational facility. Educational pricing for EASTWEST products is available exclusively at http://www.soundsonline.com/Educational-Program. EDU discounts of 50% on single collections will be available here as well throughout the year.

About EASTWEST
EASTWEST (www.soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality of Sample Libraries and Virtual Instruments for 25 years, setting the industry standard as the most critically acclaimed soundware developer. More about EASTWEST at soundsonline.com and soundsonline-europe.com.

Sound Devices Hosts Lineup of Renowned Industry Professionals at Its Booth During NAB 2014

Hear from the Pros as They Discuss Today’s World of Audio and Video Production

LAS VEGAS, APRIL 4, 2014 – Sound Devices, specialists in audio and video products for production, will host several presentations from leading industry professionals at its booth throughout the 2014 NAB Show (Booth C2546).

“Sound Devices is thrilled to welcome Alex Lindsay, Eliot Mack, Dave Ruddick and Drew Taylor to provide their expert insight and experience in various aspects of audio and video production,” says Paul Isaacs, vice president of marketing for Sound Devices. “I encourage all of those in attendance at NAB to come be a part of these informative sessions.”

These leading industry influencers will share their first-hand production experience with multimedia workflows, extreme location audio and video capture, and other challenging scenarios, providing their insights into the real world of production from both the audio and video perspective. The NAB seminar lineup includes:

Monday, April 7, 2014 – 2:00 p.m.
Alex Lindsay – Founder, Pixel Corp.

Alex Lindsay has been working in computer graphics and video production for over 25 years. Starting in programming and computer aided drafting, Lindsay has worked in radio, print, games, interactive, broadcast and film. He spent three years working at Lucasfilm and Industrial Light and Magic on Star Wars: Episode 1 before starting his own companies, dvGarage, which builds tools for the visual effects community, and Pixel Corps, a world leader in live interactive streaming events — producing over 300 events per year around the world. Lindsay will discuss the audio and video challenges of multi-site live stream productions.

Tuesday, April 8, 2014 – 2:00 p.m.
Eliot Mack – CEO, Lightcraft Technology

Lightcraft Technology was founded in 2004 by mechanical engineer and MIT/University of Michigan graduate Eliot Mack. Mack has worked at Walt Disney Imagineering, where he led the mechanical engineering effort on the iRobot Roomba before applying his skills and dedication to the development of the Previzion virtual studio system. In this presentation, he will walk through the details and benefits of how Lightcraft’s Previzion virtual studio system embeds tracking data into Apple ProRes Quicktime files captured by the Sound Devices PIX 240i, which can then be transferred into traditional post-production tools or played back in real time from the PIX 240i into Previzion.

Tuesday, April 8, 2014 – 4:00 p.m.
Dave Ruddick – Location Sound Mixer

Dave Ruddick records audio in some of the most beautiful, treacherous and remote locations in the world. An accomplished mountain climber and outdoorsman, Ruddick is in demand when the conditions are the most challenging, including productions taking place on the summit of Mount Everest, following the Iditarod in Alaska and scaling glaciers in Greenland. His customers include National Geographic, Discovery Channel, PBS Nova, WGBH Boston, History Channel and Skywalker Sound. Dave will discuss the challenges of audio production in extreme locations, far from mains, technical support and hot showers.

Wednesday, April 9, 2014 – 11:00 a.m.
Drew Taylor – Business Development, HRS Control

HRS Control is a four-year-old company with a deep background in corporate rental, staging, live event production and concert touring that has also expanded into broadcast and commercial system integration. The company develops its own products for AV system control. Taylor will talk about how HRS Control products control and automate the PIX 260i, taking advantage of the frame synchronous playback and record.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Guitar Center Announces Improved Capital Structure, Now Poised to Accelerate Growth

Announcement Highlights:

Guitar Center improves capital structure through debt-to-equity exchange between Bain Capital & new partner Ares Management
Transactions reduce debt by approximately $500 million and reduces annual cash interest expense by over $70 million
Guitar Center now positioned to make substantial investments in people, stores and products to scale operations in 2014 and beyond

Guitar Center, the world’s largest retailer of musical instruments and recording equipment, today announced the successful completion of financial transactions that greatly improve the company’s financial position. As a result of these transactions, Guitar Center’s total debt has been reduced by approximately $500 million and annual cash interest expense has been reduced by over $70 million. The improved financial position of the company will enable Guitar Center’s management team to further invest in its people, store base and brands to accelerate growth.

As part of the transactions, affiliates of the Private Equity Group of Ares Management exchanged a portion of their holdings of Guitar Center’s debt into preferred stock and assumed a controlling interest in the company. Affiliates of Bain Capital retained partial ownership of the company, along with representation on the Board of Directors.

Concurrently with the partial debt-to-equity exchange, Guitar Center completed a refinancing of its remaining indebtedness with proceeds from new senior secured notes, senior unsecured notes, and a new revolving credit facility. Aside from carrying a lower interest burden, the company’s new debt structure provides for substantially more flexibility and improved credit terms over the next five years.

“This new capital structure is the culmination of a lot of hard work over the last year. Further, it marks a significant moment for Guitar Center as we strengthen our company and welcome Ares Management and its retail expertise alongside that of Bain Capital. We now have the necessary resources to expand our footprint and to invest in our people, stores and product assortment. Guitar Center is well positioned to expand our multi-channel offering nationally and to significantly accelerate growth through new services and a strong focus on improving our customer experience. We believe that 2014 is going to be a landmark year of exciting change for Guitar Center and our valued vendor partners.” – Mike Pratt – CEO, Guitar Center

“These transactions significantly enhance Guitar Center’s financial position. On a cash flow basis, we expect to save more than $70 million a year in cash interest expense. In addition, the removal of the restrictive term loan covenant and extension of the maturity dates of our facilities provides us with financial flexibility to execute our strategic plan and to grow the business.” – Tim Martin, Chief Financial Officer, Guitar Center

Proskauer Rose LLP acted as legal advisor to Ares. Kirkland & Ellis LLP acted as legal advisor to Bain Capital and to Guitar Center. BofA Merrill Lynch, Deutsche Bank Securities, J.P. Morgan and RBC Capital Markets acted as joint bookrunners on the new Secured and Unsecured Notes. Wells Fargo Capital Finance and Bank of America Merrill Lynch acted as joint lead arrangers on the new revolving credit facility.

About Guitar Center

Guitar Center is the largest retailer of musical instruments and related products. We operate Guitar Center and Music & Arts retail stores across the United States. We also are the largest direct response retailer of musical instruments and related products through our subsidiaries Musician’s Friend, Inc., Music123, Inc., Woodwind & Brasswind, Inc., and their catalogs and websites. This year marks the 50th anniversary of Guitar Center’s historic first-steps to helping people make music. Guitar Center is all about enabling musicians and non-musicians alike to experience the almost indescribable joy that comes from playing an instrument. All we sell is the greatest feeling on earth.

About Ares Management

Ares Management LLC is a leading global alternative asset manager with approximately $74 billion of assets under management and approximately 700 employees in over 15 offices in the United States, Europe and Asia. Ares Management’s Private Equity Group has approximately $10 billion of assets under management, targeting investments in high-quality franchises across multiple industries, including current retail and consumer investments in 99¢ Only Stores LLC, Floor and Decor Outlets of America, Inc., National Bedding Company LLC (Serta), The Neiman Marcus Group LLC, Simmons Bedding Company and Smart & Final Holdings, Inc. For more information visit: www.aresmgmt.com

About Bain Capital Private Equity

Founded in 1984, Bain Capital one of the world’s foremost privately-held alternative investment firms, with more than $70 billion of assets under management. With deep experience investing in and building businesses around the world, the firm has made private equity, growth, and venture capital investments in more than 450 companies, across a variety of industries including consumer/retail, financial services and institutions, healthcare, industrials, and technology, media and telecommunications. Bain Capital has offices in Boston, New York, Chicago, Palo Alto, London, Munich, Tokyo, Shanghai, Hong Kong, Mumbai and Sydney. For more information please visit http://www.baincapitalprivateequity.com/.

For more information about Guitar Center, please visit http://gc.guitarcenter.com/pressroom/

Audiofile Releases Triumph 2.3

Major update to professional audio editor and post-production tool includes integration of Final Cut Pro X technologies

Minneapolis – April 2, 2014 Audiofile, a leading music technology company, today announced the latest major update to Triumph, their acclaimed audio editor and post-production tool for Mac.

Currently featured as a “Best New App” and “Great App for Final Cut Pro” on the Mac App Store, Triumph 2.3 now supports Final Cut Pro X XML import and export complete with video preview, placing it among the App Store’s most powerful audio editors for sound designers, video editors and filmmakers. 

Triumph_Screenshot

“Triumph 2.3 represents a significant step forward for Final Cut Pro X integration,” according to Matthew Foust, Audiofile Managing Partner and co-founder. “With this release we’ve made it even easier for filmmakers the world over to create sound for their films that is as beautiful and polished as the their visuals.” 

In addition to bridging the gap between sound design and Final Cut Pro X, Triumph 2.3 introduces iCloud support, adding to its already rich list integrated Mac technologies. With the inclusion of iCloud support, users are now able to share Triumph projects across all of their personal or studio machines and iOS devices.

“Support for the latest Apple technologies isn’t just a box we check,” says Ev Olcott, Senior Software Architect and co-founder. “Apple technology—from iCloud to Applescript and nearly everything in between—is quite literally at the core of what we do and it has been since the beginning.”

Triumph_Tools

Triumph has been completely rebranded when Creative Director Joseph Kuefler joined the Audiofile team.

Triumph 2.3 is only the latest in a planned roadmap of major updates, all in an effort to further distinguishes it as the flagship Audiofile app for Mac.

For more information about Triumph, visit http://www.audiofile-engineering.com/triumph/ 

 

About Audiofile
Audiofile is a boutique technology company building apps that power the worlds musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Sound Devices Introduces the ‘970’ Its First Dedicated Rack-Mounted Audio Solution at the 2014 NAB Show

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes Industry Debut

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at the 2014 NAB Show (Booth C2546). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording.

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word clock synchronization from external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names, and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante.

Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and 250i at NAB 2014

New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet offers browser-based transport and setup-menu control of any number of units. In addition, PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX can also be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, and 64 channels of both MADI (coaxial and optical) audio and Dante audio-over-Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio.

With its built-in Ambient Clockit time-code generator/reader with genlock output, the PIX line is designed for multiple-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources. PIX 270i and PIX 250i include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available. Its convenient 1/2-rack, 2-U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through a four-pin XLR connector. The PIX 270i offers a secondary DC input for power supply redundancy.

The newest additions to the PIX line of products feature Sound Devices’ proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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