Audio Engineering Society Announces Event Details for 136th International AES Convention in Berlin

The Audio Engineering Society has announced new details regarding the 136th AES Convention, which will be held in Berlin, Germany on April 26th – 29th, 2014 at the Estrel Hotel and Convention Center. The third AES International Convention to be hosted in Berlin, this year’s event will feature a full Technical Program of Papers, Posters, E-Briefs, Tutorials and Workshops covering a comprehensive range of audio-related topics, and featuring top professionals from every aspect of the industry. The 136th Convention co-chairs are Sascha Spors and Umberto Zanghieri.

The AES136 Convention will bring together audio engineers from around the world to share the latest knowledge in audio research, development and applications. Additionally, the Berlin convention will feature a strong focus on Sound for Picture, Recording, and Broadcast aspects of audio engineering, in addition to the popular off-site Technical Tours and social events.

Following the success of the Project Studio Expo at recent AES conventions in San Francisco and New York, the PSE will also make its European debut at AES136, and a special Technology Showcase will provide participating companies with a chance to interface directly with interested end users and customers.

Additional information on the 136th AES International Convention will soon be available on the AES136 home page at http://www.aes.org/events/136/.

Guitar Center Names Kristy Porter as Director of Merchandising, General Accessories

Porter is focused on growing GC’s accessory business by ensuring the category is “customer-centric”

Guitar Center, Inc (GCI), the largest retailer of musical instruments and gear in the U.S., announces that Kristy Porter has been promoted to Director of Merchandising, General Accessories. The announcement was made by Michael Walter, Senior Vice President, Guitar Center Merchandising. Kristy is recognized in the industry as one of the most analytical and experienced category merchants and is respected by the vendor community she supports for her history of tenaciously driving sales in accessory categories on their behalf.

Kristy’s career with Guitar Center started in 2001 as a customer service associate at the Oxnard, California store. In 2005, after four successful years as a top salesperson, Department Manager and Assistant Store Manager, she moved to Guitar Center’s headquarters in Westlake Village as an Assistant Category Manager. She was quickly promoted to Category Manager, General Accessories, and over the past five years has helped her department grow into one of the largest in the company. Porter emphasizes the continued importance accessories have in attracting customers to retail stores on a more frequent and loyal basis.

Kristy Porter said, “I am very excited and honored to be promoted to Director of General Accessories. This business is a vital part of Guitar Center’s overall success, and these high-frequency categories draw customers into our retail stores. We want to ensure our department is very customer-centric: easy to learn, easy to shop and easy for our MI customers to buy. I look forward to helping grow our business in 2014 and beyond.”

Michael Walter, Senior Vice President, Guitar Center Merchandising, said, “This is a great move for Kristy but an even better one for Guitar Center. Expanding her role and breadth allows her to more positively impact even more business here at GC. We love her experience – forged on the front lines in the stores and honed here in Westlake Village over the last few years. She’s well-positioned for success in this and future roles.”

Waves Audio Announces the Waves Dugan Automixer

Waves Audio announces the availability of its new Dugan Automixer plugin. Developed in association with sound engineering legend Dan Dugan, the Waves Dugan Automixer is a software version of the popular Dugan Speech System Automatic Mixing Controllers used the world over. Available for every console, the Dugan Automixer is MultiRack SoundGrid®- and MultiRack Native-compatible and works on 32 or 64 channels.

Using Dugan’s proprietary voice-activated process, the Waves Dugan Automatic Mixing Controller plugin automatically controls the gains of multiple live microphones in real time while preventing feedback and excessive noise pickup. Maintaining the gain of one mic in the room even when multiple speakers are talking simultaneously, it makes perfectly matched transparent cross-fades.

Dugan notes, “People have been asking for a Dugan plugin for a long time. I’m very pleased be able to realize it with the premier publisher of plug-ins.”

Ideal for:

Broadcast news panels and discussion programs
Television talk shows and game shows
Conference sound reinforcement and video trucks
Dialog recording for film and television
Multiple wireless mics on stage
Houses of worship
Boardrooms and civic meeting rooms
Community television
Teleconferencing
Distance learning

The Dan Dugan Automixer is compatible only with MultiRack Native and MutiRack SoundGrid. It is not included in any Waves bundle; it is only available separately. The Dan Dugan Automixer will be available with a U.S. MSRP of Native $500 and SoundGrid $750. Visit www.waves.com for more information.

Waves Audio Now Shipping Waves Loudness Meter Plus (WLM Plus)

Waves Audio, the industry-leading developer of professional audio digital signal processing technologies and the recipient of a Technical GRAMMY® Award, is now shipping the Waves Loudness Meter Plus (WLM Plus) plugin. The next generation of the 2012 TEC Award-winning WLM Loudness Meter plugin, the WLM Plus brings anticipated enhancements and features new correction and adjustment tools. Ideal for content creators, post-production houses and cable head-end facilities, WLM Plus is an affordable, all-in-one cross-platform, multi-format loudness metering software solution.

WLM Plus is fully compliant with all current ITU, EBU and ATSC specifications, including new, dedicated presets meeting ARIB TR-B32, OP-59 and the current Discovery Channel requirements. The WLM Plus also includes two presets useful for gaming content creators for leveling, when working on Sony ASWG (Audio Standards Working Group) loudness scanner – geared towards portable and home based devices.

It offers comprehensive Momentary, Short Term, Long Term and True Peak readouts, as well as a unique warning and logging system that keeps track of users’ levels and alerts them when they have exceeded them or fallen short. WLM Plus now features Gain and Trim controls for correction of loudness levels and a True Peak Limiter, which saves users the need to use additional equipment or software.

WLM Plus Controls

Short Term displays (in LUFS) perceived short term loudness.
Long Term displays (in LUFS) perceived loudness averaged across the program signal.
Range displays (in LU) the overall loudness range across the program signal
Momentary displays (in LUFS) momentary loudness levels, according to the Momentary scale control settings.
True Peak displays (in dBTP) inter-sample peaks that do not register in the sample data but may occur during reproduction of the digital signal.
Unders displays the number of times the signal goes below the specified Short Term Min value indicated in the settings panel.
Overs displays the number of times the signal exceeds the specified Short Term Max value indicated in the settings panel.
Measurements Play/Pause determines if program loudness is registered in the WLM memory for averaging long-term loudness range.
Short Time selectable duration of short time measurement.
True Peak Limiter on/off activates and deactivates the limiter.
Follow Transport determines if measurement starts and stops according to host application transport controls.
Timer indicates the amount of time measurements that have been taken and integrated.
Reset resets the Long Term, Range, Overs and Unders counters and returns the integration timer to 00:00:00.
Method determines the measurement method.
Weighting determines the type of weighting filter.
Channel determines the channels being measured.
Short Term Max determines the maximum short term level.
Short Term Min determines the minimum short term level.
True Peak Max determines the maximum true peak level.
Target determines the target level.
Custom Pre Filtering provides low pass (LPF) and high pass (HPF) filters that pre-filter the audio prior to loudness measurement.
Momentary Scale determines the scale displayed in the momentary bar meter.
Logging displays CSV logging file options.
Gain input gain
Trim calculates the difference between the long-term measurement and target. Trim button sets gain per calculation.

The Waves WLM Plus Loudness Meter is currently available with a U.S. MSRP of Native $400 and SoundGrid $600. WLM Plus is available at no additional charge to all WLM owners who have valid coverage under the Waves Update Plan. Visit www.waves.com for more information.

Sound Devices Named 2013 Business of the Year by Reedsburg Area Chamber of Commerce

REEDSBURG, WI, JANUARY 29, 2014 – Sound Devices, specialists in portable audio and video products for field production, has been named 2013 Business of the Year by the Reedsburg Area Chamber of Commerce.

“On behalf of our employees, we are very proud to receive this recognition from the Reedsburg Chamber of Commerce,” says Matt Anderson, President of Sound Devices. “Sound Devices prides itself on playing a vital part in the economic development of the local community, and we look forward to doing so for many years to come.”

Operating in Reedsburg for over 15 years, Sound Devices settled into its new 27,000-foot headquarters at E7556 State Road 23 in early 2012, where the company designs and manufactures high-technology audio and video recorders for feature film, episodic television, documentary, news and acoustical test-and-measurement applications. Equipped with state-of-the-art technology, the facility enables Sound Devices to continue to develop new, innovative field-production audio and video products with greater operational capacity. Prior to moving into its new Reedsburg headquarters, the company leased its manufacturing and office space from another Reedsburg company, Hankscraft Inc.

As part of its commitment to the area, the company made the renovation of its new space a community project, donating an existing building on the property to the Sauk County Habitat for Humanity. To develop local talent, Sound Devices established a paid internship program, giving local students from Reedsburg Area High School valuable hands-on engineering and computer-programming experience.

Sound Devices, LLC is an industry-leading company designing and manufacturing portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. Sound Devices sells its products in over 50 countries. For more information, visit the Sound Devices website, www.sounddevices.com.

Sennheiser Digital 9000 Wireless System and HDVD 800 Amplifier Receive Outstanding Technical Achievement Award at 29th Annual TEC Awards

Sennheiser Products Are Recognized During 2014 NAMM Show as Best in Class in Wireless Technology and Amplification Hardware/Studio & Sound Reinforcement Categories

ANAHEIM, CA, January 27, 2014: Audio specialist Sennheiser announced that its Digital 9000 wireless system and HDVD 800 amplifier were both recognized with Outstanding Technical Achievement awards by the TEC (Technical Excellence & Creativity) Foundation. Sennheiser USA president Greg Beebe was on hand to accept the awards during a reception held at the 2014 NAMM show in Anaheim, CA on Friday evening.

Sennheiser’s Digital 9000 Wireless System, which took over a decade to develop, is the most advanced professional wireless system in the world and supports professionals across broadcast studios, theaters, and live performances. The HDVD 800 Headphone Amp/DAC meanwhile allows for optimal performance when paired with any Sennheiser audiophile headphones.

“On behalf of the entire Sennheiser team, I want to express my gratitude to the TEC Foundation for recognizing the Digital 9000 and the HDVD 800 with Outstanding Achievement awards,” said Greg Beebe. “At Sennheiser, we are committed to the Pursuit of Perfect Sound — and this commitment is reflected in products that dramatically improve our customers’ abilities to deliver audio quality that is second to none. The Digital 9000 and HDVD are two such products.”

Since the TEC Foundation was established in 1990, Sennheiser and Neumann have been presented with a cumulative total of 20 Oustanding Technical Achievement awards as well as having five products represented in the TECnology Hall of Fame, including the venerable MD 421 microphone.

The Sennheiser Digital 9000 Wireless System
The Digital 9000 Wireless System offers completely uncompressed and artifact free digital audio, combining sonic purity and outstanding dynamics. It’s the first digital wireless system that works without compression, allowing for full HD audio transmission. The system uses extremely steep filters to allow a very narrow set-up of the respective radio frequencies within the available frequency range. Through this, the risk of intermodulation is eliminated, allowing for the most reliable wireless operation.

Sennheiser HDVD 800 Headphone Amp/DAC
The HDVD 800 Headphone Amp/DAC is a solid-state amplifier that generates the ultimate acoustic performance when paired with any of Sennheiser’s audiophile headphones. It highlights crisp, balanced and distortion-free sound through a high-quality Burr-Brown digital/analog converter (DAC). The amplifier is outfitted with a symmetrical input socket, which allows for incoming signals to be symmetrized before processing takes place. The HDVD 800 also offers an extra USB input, allowing for 24-bit data transmission at 192 kHz.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

WSDG CONTINUES INT’L GROWTH WITH RUSSIA/EASTERN EUROPE REP

ST. PETERSBURG, RUSSIA: Spearheading an ongoing international expansion program, Walters-Storyk Design Group, Co-Principal/Director of New Business Development, Sergio Molho has announced a formal representation agreement, with St. Petersburg, Russia-based audio/video pro Pavel Shemyakin. “With established offices in Switzerland, Argentina, Mexico, Brazil, and India, we are keenly aware of the growing world-wide need for professional architectural acoustics, and technology integration,” Molho said. “As the Russian market continues to gain importance, we felt an Eastern European bureau would be highly beneficial. The timing is particularly appropriate in light of WSDG’s extensive experience with FIFA and Olympic stadiums, and considering Russia’s increased hosting activity of international athletic events.”

Pavel Shemyakin studied Sound Engineering at the St. Petersburg State University of Cinema and Television. He has logged 6+ years as a successful Pro Audio sales and distribution rep, and served as a brand manager for such internationally recognized manufacturers as: SSL, Avid and API. He has also accrued invaluable experience in global trade activity and logistics.

Shemyakin owns Studio Center, a company specializing in Pro Audio Consulting and Systems Integration. In addition to his primary office in St.Petersburg, he maintains a network of partners across Russia. The firm provides services for commercial and private recording, post-production and broadcast studios, theaters, concert halls and educational facilities. A pianist, violinist, and technology enthusiast, Shemyakin also composes electronic music and plays synthesizers and groove-boxes. He has found the ideal field for combining these passions with his primary career.

“WSDG enjoyed great success with a major project for GTRK Kultura, the Russian State TV and Radio Broadcasting Corp.’s Moscow studios,” Sergio Molho concludes. “It was a rewarding experience, and inspired us to contribute our skill set to other Russian projects. Pavel Shemyakin is technically savvy and extremely well connected to Russia’s professional audio/video community. We look forward to a long and mutually beneficial relationship with him.”

Photo: Walters-Storyk Design Group has named Pavel Shemyakin, Russia/Eastern Europe rep

###

Walters-Storyk Design Group has designed over 3000 media facilities worldwide. Credits include Jimi Hendrix’s 1969′s Electric Lady Studios; NYC’s Jazz At Lincoln Center and Le Poisson Rouge; broadcast facilities for The Food Network, ESPN, and WNET; major education complexes for NYU and Berklee College of Music Boston and Valencia, Spain; media rooms for Hoffman La Roche, and other corporate clients. Recent projects include NYC’s TEC award winner Jungle City Studios and private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk (an adjunct professor at Berklee College,) Beth Walters, Sergio Molho and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG has collaborated with such noted architects as Frank Gehry, Rafael Vinoly, Norman Foster, Oscar Niemeyer, Phillipe Stark and Nicholas Grimshaw. WSDG is a seven-time winner of the prestigious NAMM TEC Award for outstanding achievement in Acoustics/Facility Design. The firm maintains offices in NY, SF, LA, Miami, Buenos Aires, Belo Horizonte, Basel, Beijing, Barcelona, Mexico City, Mumbai & St. Petersburg,

RTW International Corp Names 1SourceVideo Its Exclusive U.S. Distributor

LANCASTER, PA, JANUARY 27, 2014 — RTW International Corp., the U.S.-based division of RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to announce the appointment of 1SourceVideo as its new distributor for sales in the United States, effective February 1.

A premier provider of professional audio and video products and solutions, 1SourceVideo will support, in collaboration with RTW International Corp., and its existing dealer network, the entire RTW product portfolio in the U.S. This new partnership further enhances RTW International Corp.’s growing presence in the region, as well as provides additional support to new and existing customers.

“We have monitored the growth of RTW’s metering solutions closely and are thrilled to be offering to our customers RTW products alongside the many other pro audio and video solutions that we stock at 1SourceVideo,” says Frank Conti, President, 1SourceVideo. “Loudness continues to be an important issue not just to broadcasters but to all professionals working in a digital production environment. RTW’s long-standing expertise and proactive approach in providing the tools necessary to combat issues is priceless. We are happy to welcome them aboard.”

As RTW International Corp.’s exclusive distributor the company is poised to work with longtime dealers to help reduce the lead time on product deliveries, as it will be stocking RTW equipment at both of 1SourceVideo’s warehouses in Hazlet, N.J. and Tempe, Ariz. Having products readily available to not only ship, but also to demo on the East and West Coasts of the U.S. is especially helpful, as RTW International Corp. continues to experience an increase of user interest in its products, across the country.

“We are very excited to be working with such a well-known, experienced company as 1SourceVideo,” says Christopher Spahr, Director of Sales and Operations, RTW International Corp. “It has been an exciting time for RTW International Corp. and we are happy to have such an established partner to further help us reach our goals. At the end of the day, it’s all about the customer for us, and now with 1SourceVideo on board, we are confident we will be able to provide an even higher level of quality service that our customers have come to know from RTW.”

About 1SourceVideo
Since 1997, 1SourceVideo has been distributing professional video products to more than 1,000 resellers across North and South America.

1SourceVideo was first founded by President and CEO Frank Conti as Infiniti Sales and Marketing. Since then, the company has grown exponentially and houses two large distribution facilities in Hazlet, N.J. and Tempe, Ariz.

Today, 1SourceVideo distributes a complete range of premiere video editing products and provides support to more than 1,000 resellers throughout the Americas. With more than 4-6 weeks of inventory on-hand, resellers count on 1SourceVideo to distribute all the products they sell to end users every day. Through a combination of inventory and drop shipping services, resellers stay competitive in one of the fastest moving industries in the retail sector.

Known for extreme responsiveness and quality customer service, 1SourceVideo has been described as “…the most valuable resource our business depends on every day.” 1SourceVideo is dedicated to providing resellers with professional, high-level service that reduces overhead and maximizes on product sales margins. www.1sourcevideo.com

About RTW International Corp.
Established in 2013, RTW International Corp. is the U.S.-based branch of RTW. Located in Lancaster, Pennsylvania, the facility is the first U.S. location launched by RTW and is a natural extension of the company’s dedication to supporting its customers and dealer networks in the U.S. RTW International Corp. houses all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For nearly 50 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer and the TouchMonitor range of audio meters, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.
For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130.

DK-Technologies Appoints Maser As Its UK Distributor

Audio and video metering specialist DK-Technologies has appointed the Maser Group as its distribution partner in the UK, with responsibility for handling its entire product range.

Established in 1983, the Maser Group is a multinational company with offices in Australia, New Zealand and United Kingdom, Maser Group supplies communications solutions, products and systems to a large number of market segments including Broadcast, Audio/Video, Fixed/HFC Networks, Industrial, Mobile/Wireless Networks, Public Security & Safety and Defence. Maser Communications (UK) Ltd, located on the south coast is one of the major cable, connectivity and solution distributors to the Broadcast and AV industries.

By adding DK-Technologies to its UK distribution roster, Maser can now offer its customers high quality, Award-winning metering and monitoring solutions.

Graeme Lewis, General Manager of Maser Communications UK, says: “I have been a fan of DK’s products ever since the company captivated the audio industry with the introduction of the world’s first surround sound metering system. Now, as DK-Technologies and with the addition of the video products, I am very happy to finally become a distributor for this unique and innovative company. The introduction of the PT0800 Audio and Waveform monitor and the DK T7 continues the pedigree of the MSD meters and makes this a particularly exciting time to represent DK’s innovative products.”

DK-Technologies has been developing high end audio and video monitoring and metering products for more than 20 years and is renowned for the extreme accuracy and quality of its products. In recent years it has led the market in Loudness metering technology, particularly in portable and affordable solutions such as those exemplified by the DK Meter family – a range of audio and loudness metering products that have been exceptionally well received by broadcasters and post production facilities around the world.

Uffe Kjems Hansen, Product Marketing Director at DK-Technologies, adds: “We are excited about the cooperation with Maser Communications. Maser has tremendous insight and experience in the broadcast industry on both audio and video applications. We see a strong synergy between our product portfolio and Masers access to the UK market and expect that this combination will continue our growth and presence in the UK broadcast industry.”

For more information about DK-Technologies products in the UK, please contact Graeme Lewis at Maser Communications UK. Tel: 01329 236000. Email: graeme@masercomms.co.uk Alternatively please visit www.dk-technologies.com

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Antelope Audio’s Orion32 Helps International DJ/Producer Dusty Kid Usher In the Next Chapter of Electronic Music Creation

Orion32 Serves as Kid’s ‘Digital Hub,’ Providing Unmatched Flexibility and Audio Quality in Routing Hardware and Software Virtual Instruments

Anaheim, CA, January 23, 2014: Antelope Audio [Booth 7118 - Arena] counts international DJ/producer phenomenon Dusty Kid (a/k/a Paolo Alberto Lodde) among its fans. A dedicated electronic music artist since age 12, Dusty Kid is very much in demand among the international DJ circuit, having toured relentlessly for the last seven years. In the studio, the Orion32 has helped Dusty Kid realize his dream of realizing the ultimate ‘modular studio,’ enabling him to seamlessly connect the hardware and software devices he needs for unmatched flexibility and audio quality. We spoke to Dusty, who was born to make music [indeed, he claims his first word was 'vinyl] just before the 2014 NAMM Show to find out how the Orion32 fits into his music creation scheme.

How is being a DJ now different from being one say, ten years ago?
Well, I am not a DJ even though what I do in clubs reflects more or less what a DJ does. But I can tell you that ten years ago being a good DJ was certainly about playing vinyl, having good technique and traveling just about anywhere to get the chance to buy records other people were not able to find. Today, it is quite different as most people use computers to match tempos of digital files and basically anyone can find just about any music on the Internet!

Tell us about where the Orion32 fits into your studio
I use a Mac Pro running Ableton Live. I also use a UAD card with all the available plugins. The rest of my set up is basically hardware. All my synthesizers, vintage mixers, reel-to-reel machines and effect boxes are all connected to the Orion32 so I use it like a sort of ‘digital patch bay.’ Using it this way, I can plug anything to anything with a simple click. So the Orion32 has enabled me to create this big modular set up — this makes everything very interesting, fun and also more experimental. The best thing is that using both Ableton Live and Orion32, I can instantly create very complex chains of machines!

What was your initial draw to the Orion32?
I wanted to see if everything I read about the Orion32 was true, which described a beautifully designed and simple to use interface with multiple I/Os based on USB technology — all in a single rack space and for under $3,000. It was almost too good to be true. My fear was that such a product would be unstable and have poor drivers, but when I got the chance to try it I was pleasantly surprised.

What was your experience with other interfaces before finding Antelope?
I used a big name competitor for three years or so, and I had so many troubles. Besides the limited number of I/O that never seemed to be enough, I found that I had to adapt my work flow with a patch bay. Also the drivers in my last unit were incredibly unstable and I experienced problems with sync, latency and even worse, clicks and pops during recordings. The Orion32 solved all these problems while giving me the opportunity to work 100% inside Ableton Live without having to disconnect or repatch cables. Since using the Orion32, I have never experience problems with drivers and the clocking has been perfect. Since my studio contains so much hardware and digital devices, keeping the clocking perfectly aligned can be problematic.

What do you appreciate most about the Orion32?
Well, with 32 ins and 32 outs, the Orion really does everything for you if you don’t need to mix out of the box — and its price / performance ratio is just ridiculous. I have been using the Orion32 for several months now and everything is working flawlessly. Currently, I only use the Orion32 in the studio, but now I am thinking about how useful it could be in a live performance environment if I decide to include external synths and effects. It would be very easy to set up since I would not require a large mixing console to get all the hardware properly connected.

For more information on the Antelope Orion32, please visit the Antelope Audio website:
http://www.antelopeaudio.com/en/products/Orion32-Multi-Channel-AD-DA-converter.

About Antelope Audio:

Antelope Audio is the brainchild of Igor Levin who has more than 20-year experience and a number of innovations in digital audio and synchronization technology. The company is widely acknowledged as the leading manufacturer of audio master clocks.

In 2009 Antelope Audio launched its product line of high-resolution USB D/A converters, being among the pioneers designing a 384 kHz DAC. Antelope’s DACs employ their renowned 64-bit clocking and jitter management technologies and custom-designed circuits, achieving unprecedented precision and sound clarity.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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