EASTWEST’s Flagship Orchestral Series Now Available

The most comprehensive orchestral collection on the market includes Hollywood Orchestral Strings, Brass, Woodwinds, and Percussion

Hollywood, CA (October 29, 2014) – With the recent release of Hollywood Orchestral Percussion, EASTWEST now offers the most detailed and comprehensive orchestral virtual instrument collection on the market: Hollywood Orchestra. The company’s flagship product includes Hollywood Strings, Hollywood Brass, Hollywood Orchestral Woodwinds and Hollywood Orchestral Percussion, all produced by award-winning team comprised of Doug Rogers, Nick Phoenix, Thomas Bergersen, and engineer Shawn Murphy.


“This has been our labor of love – we’ve worked over a five year period as we completed each of the sections,” says Doug Rogers. “We are proud to now offer a complete professional orchestra that is able to meet any demands composers might have. It’s a true EASTWEST milestone.”

Each individual section of Hollywood Orchestra has received multiple awards from the international press for its unprecedented detail, superior true legato, sound quality, and sound control with five user-controllable mic positions, including main pickup (Decca tree), mid pickup, close pickup, surround pickup, and an alternate vintage circa 1945 RCA ribbon room pickup.

Producer Mark Linthicum says: “I love the realism of these Hollywood instruments. For the first time I can go for a big bombastic Hollywood sound, or an intimate sound with the mic options included. There’s really nothing else that can do this. It’s a game changer!”

Truly the Holy Grail for serious film, television, videogame, and music composers, Hollywood Orchestra is the culmination of over five years of recording in the famous EASTWEST Studio 1, the home of major Hollywood Soundtracks and Television Themes. It includes PLAY 4 32-bit/64-bit software, powerful scripting for ease of use, and more user control than any other virtual instrument.

For more details, please visit www.soundsonline.com/Hollywood-Orchestra

System Requirements
680GB free hard disc space, iLok security key (not provided)

Pricing & Availability
Gold and Silver versions are downloadable, Diamond is supplied on a hard drive due to the size of the collection. To purchase and for more information, please visit www.soundsonline.com/hollywood-orchestra

• Diamond Edition: MSRP $2996, Introductory price $1495
• Gold Edition: MSRP $1996, Introductory price $995
• Silver Edition: MSRP $996, Introductory price $495 (coming soon)

About EASTWEST
EASTWEST (www. soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality of Sample Libraries and Virtual Instruments for 25 years, setting the industry standard as the most critically acclaimed soundware developer. More about EASTWEST at soundsonline.com, on Facebook and Twitter.

Audio Engineering Society Welcomes New President Andres Mayo

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New York, NY — Following the highly-successful 137th Audio Engineering Society Convention, which took place Thursday, October 9, 2014, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California, the AES is pleased to welcome new President Andres Mayo as he takes over the leadership role from Dr. Sean Olive. Mayo currently serves as Owner and Senior Mastering Engineer at Andres Mayo Mastering and Audio Post in Buenos Aires, Argentina, and, as an award-winning producer and engineer, he is set to guide the AES into the coming year and through AES138 in Warsaw, Poland and the Convention’s return to New York City for AES139 in the fall of 2015.

Mayo’s skills in the studio have earned him professional success and renown throughout the industry as an audio engineer and producer. He holds a Master’s degree in Electronics Engineering from the National Technology University (U.T.N.) in Argentina. Since 1991, Mayo has been a pioneer in the art of mastering, working for several facilities in Latin America as well as London, New York and Ludwigsburg, Germany. In 1994 Andres was co-founder of Mr. Master, the first pro mastering facility in Argentina, which later became “Andres Mayo Mastering and Audio Post,” boasting full 5.1 mixing and mastering capabilities. With credits on over 2,000 albums, two GRAMMY® Awards as a producer and six Carlos Gardel Technical Excellence Awards, Mayo continues to set a high standard for the AES and for furthering professional audio advancements around the world.

Additionally, Mayo has served as the AES VP for Latin America for two consecutive terms, co-chairing more than 50 AES events in the region, including the first Latin American Conferences in 2007 (Buenos Aires), 2008 (Mexico) and 2009 (Sao Paulo), as well as the first Latin Producers Panel, in Spanish, at an international AES Convention (AES137). Mayo has also served four years as Chair of the AES Argentina Section and still serves the Society as Vice Chairman of the Technical Committee for Recording Technology and Procedures (TC-RTP). Andres speaks fluent Spanish, English and Portuguese and has been invited as keynote speaker to more than 60 conferences held throughout Latin America, the U.S. and Canada. He has been presented with the AES Board of Governors Award (2009) and the AES Citation Award in recognition of outstanding contributions to the Latin American Professional Audio Community (2011).

Commenting on the recent AES137 Convention in Los Angeles, California, as well as his new role as President, Mayo states “I strongly feel that the recent L.A. Convention has been a resonant success in all aspects. With over 300 exhibitors and 350+ presentations, workshops, tutorials and papers, not only have we proved that the AES is alive and kicking, but also that there is absolutely no convention in the world that can provide the audience with such a high level of education in all aspects of Professional Audio. My special thanks to our Executive Director Bob Moses, Co-Chairs Michael MacDonald and Valerie Tyler, and an amazing team of over 50 people, for putting together the best AES Convention ever, and I look forward to serving as President as we expand the reach of the AES in the upcoming year.”

For further information on the Audio Engineering Society and upcoming events, please visit http://www.aes.org/.

Pensado’s Place Has Eventful AES137 Convention

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Program co-hosts Herb Trawick and Dave Pensado were the focus of the convention’s Platinum Engineers Panel, Audio-Technica’s AMA event, and two events launching their new book The Pensado Papers, published by Hal Leonard

LOS ANGELES, CA — Pensado’s Place – the acclaimed weekly web series known as the most influential show for engineers, mixers and producers – and its co-hosts Herb Trawick and Dave Pensado had a strong presence at the 137th AES Convention and concurrent events in Los Angeles. Throughout the convention (Thursday, October 9, through Sunday, October 12, 2014), Trawick and Pensado made 11 appearances; highlights included the Platinum Engineers Panel (of which Trawick and Pensado were the focus), an “AMA (Ask Me Anything)”-style Q&A hosted by Audio-Technica, and two events launching the new book The Pensado Papers, published by Hal Leonard. The Pensado Papers is the behind-the-scenes story of Dave Pensado’s and Herb Trawick’s incredible and inspirational journey in the music business and how they have worked to raise awareness and give recognition to everyone working behind the glass.

On Thursday, October 9, 2014, Vintage King Audio Los Angeles featured a book signing/intro with Trawick and Pensado and Hal Leonard staff.

The following day, Friday, October 10, 2014, at AES137 at the LA Convention Center, the Platinum Engineers Panel “The Script Is Flipped” featured Trawick and Pensado interviewed by Convention co-chair Michael MacDonald. Convention-goers got the chance to see what Trawick and Pensado have learned from their superstar guests – from studio technique and engineering, to the pressures of creating online television for 180 straight weeks (and counting). MacDonald moderated the event, drilling Pensado and Trawick on what they would like their legacy to be, their favorite and least favorite sounds, what they would do if they worked in other professions, and more.

The following day, Saturday, October 11, 2014, featured two events at the convention with Trawick and Pensado – the first was an introduction and book signing at Hal Leonard’s exhibition booth, and the second was the AMA event at Audio-Technica’s booth, with questions submitted both in person and online.

Trawick stated, “Throughout the course of the AES convention, Team Pensado ended up making 11 appearances in 72 hours, including parties, dinners etc. We were approached by a ton of people during all these times, offering an amazing amount of love, handshakes, pictures and the like. And the prevailing discussion was how great the convention was, from attendees to vendors to press. We were proud to participate in such a wonderful gathering.”

ABOUT PENSADO’S PLACE
The hour-long weekly web series Pensado’s Place was created nearly four years ago. Co-hosted by legendary mix engineer Dave Pensado (Beyoncé, Christina Aguilera, Kelly Clarkson, Mariah Carey, Elton John, Michael Jackson and more) and show creator Herb Trawick, Pensado’s Place includes interviews with top music industry artists, engineers, producers, mixers, and record executives, as well as in-depth tutorials in production, engineering and mixing. Pensado’s Place has positioned itself as “the most influential show for audio engineers,” mixers and producers (Forbes Magazine) in just three years. Pensado’s Place is more than just a show, as it highlights the very best in the industry of music, gaming, sound identity on film, and audio equipment, with a presence in live events. As a leading educational resource, Pensado’s Place is helping build the next generation of audio greats. http://www.pensadosplace.tv/

Audio-Technica Presents “How to Mic A Zombie”

AT_HowToMicAZombie_play

Zombies exist solely in the realm of fiction — or DO they? Audio-Technica thinks it better to be safe than sorry. Surviving in a zombie apocalypse relies on preparedness in every aspect of life — even microphone technique. In this spooky video, Audio-Technica teaches you “How to Mic a Zombie.” Sit back, enjoy, and remember to check under the bed, in the closets and behind the curtains.

Watch here: http://youtu.be/a62BRu7CVE0

Deutsche Welle Calls on RTW TouchMonitor Range

Broadcaster Selects RTW TM3, TM7 and TM9 Units to Ensure EBU-R128-Compliant Program Levels at Berlin and Bonn Production Sites

COLOGNE, GERMANY, OCTOBER 27, 2014 – When Deutsche Welle, Germany’s premier international broadcaster and a member of the ARD network of German public broadcasters, sought to make its programming compliant with the EBU-R128 loudness mandate, it turned to RTW, the market leader in visual audio meters and monitoring devices, and the company’s TouchMonitor line of audio meters, to make the transition. With their ability to offer intuitive, precise monitoring, along with their ease of installation, RTW’s TM3, TM7 and TM9 TouchMonitor meters were the perfect fit for the job.RTW_TM3_DE_IB_134_Stereo_Num_ATSC

Deutsche Welle first took delivery of the RTW TouchMonitor units last September, employing a combination of 65 TM3, TM7 and TM9 meters with various configurations and feature sets in several recording studios, editing suites and workplaces in its Bonn and Berlin facilities. AVS Medientechnik GmbH, based in Berlin, oversaw the procurement and implementation of the units.

According to Hannes Brandt, technical assistant at Deutsche Welle’s Berlin site, the broadcaster chose RTW on the recommendation of an ARD working group that had tested loudness meters from several manufacturers. He also noted his company had previous experience with the RTW metering systems. “Our production workplaces were already using digital and/or analog peak meters by RTW, as well as metering instruments from their PortaMonitor series, and the positive experience we had with those products, along with RTW customer support, also contributed to the decision to go with RTW.”

Engineers working on various broadcast shows Deutsche Welle’s Berlin and Bonn sites currently employ the RTW TM3 units in a combined setup with the existing RTW PortaMonitor, which is used for monitoring level, loudness, frequency response and phase of analog and digital signals systems, as well as the RTW TM7 units at the company’s dubbing suites (mainly the TM7-VID version, which is installed in the company’s Tektronix mainframes). The TM9 units are being used with an installed radar option, for a more detailed look into the composition of the metering data.
RTW_Touchmonitor_TM9_Screen_web
The RTW TM3, TM7 and TM9 units are highly modular, which has made installation into the Deutsche Welle workflow straightforward. The majority of the meters there comprise typical desktop units well-equipped, along with TM7-VID modules supplied with 19-inch rack-mount adapters for waveform monitors as well as TM9 OEM units for installation into mixing consoles. As with all members of RTW’s TouchMonitor family, the TM3, TM7 and TM9 TouchMonitor units can be enhanced with software licenses as future needs arise.

“We currently use a reference setting of either –17 LUFS or the traditional 0 dB QPPM,” Brandt says. “This allows our users to familiarize themselves with level adjustment based on loudness. However, we currently still support QPPM-based level adjustment. For that purpose, we configured two different layouts on the installed units. As soon as all workplaces are equipped with TM units and all users have undergone appropriate training, we will switch our in-house reference to –23 LUFS by changing the layout presets.

According to Brandt, another major benefit is the unlimited configurability of instrument layouts on the user interface. “This way, we can adjust our meter scales to the requirements at hand,” he notes. “In addition, the constant software refinement and the additional software options ensure maximum protection of our investments.”

The TM7 and TM9 versions offer a 16:9 touch-enabled TFT screen with a display size of 7 or 9 inches, respectively. The operator can quickly scale and place the instruments on the screen for maximum ease of use. With the SW20002 software license installed, the TM7 and TM9 include basic stereo-PPM instruments with analog scales (DIN +5, Nordic, British IIa, British IIb) and digital ones (0 to –60 dB, +3 to –60 dB TruePeak, Quasi-DIN, Quasi-Nordic, Quasi-British IIa, and Quasi-British IIb) as well as peak-hold and correlation meters. Additional features include loudness meters complying with current standards (EBU-R128, ITU-R BS.1770-3/1771-1, ATSC-A/85, ARIB, OP-59) and the MagicLRA instrument used for visualizing loudness range and the integrated loudness. This allows for a unique combined view of all relevant information.

In user mode, the operator can change the parameter settings. Moreover, the units include an SPL view that provides various weighting filters and integration times as well as reference-level parameters for calculating the SPL of an electric input signal. Other loudness-metering specific software modules, such as, for example, the logging-data server (software license SW20014), are unlocked as necessary. This feature adds a logging instrument to the software that allows for transferring metering data from several TouchMonitor units over Ethernet (TCP/IP) to a Windows-based computer running the Loudness Quality Logger (LQL) analysis software. Each TM7 or TM9 unit includes a 16-channel audio interface. Users can choose from a variety of I/O configurations in analog and/or digital formats. Alternatively, a 3G-SDI interface for up to 32 input channels can be implemented. With the SW20001 software expansion for multichannel support installed, the meters on the user interface show each stereo or surround input while the user can monitor and control them.

The compact TM3 features a 4.3-inch touch-enabled screen and a separate interface box. It handles analog and digital stereo signals (TM3) or 6-channel digital audio (TM3-6CH). In its standard configuration, the TM3 offers extensive loudness-metering functions compliant with all globally relevant standards (EBU R128, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59) including single-channel and summing bargraphs, LRA, and numerical displays.

The TM3 offers the same functionality and user-friendly tools as the more advanced TM7 and TM9 at a minimum footprint and lower price. This makes it particularly suitable for journalist cubicles, editing suites, and small control rooms. The TM3 also includes the MagicLRA instruments, used in cooperation with the loudness metering. This instrument provides a quickly and clearly readable view of critical loudness parameters in context supported by its color, shape, and position on the metering scale and thus makes meeting all requirements a breeze.

For more information, please visit www.rtw.com.

About Deutsche Welle (DW)
Deutsche Welle (DW) is Germany’s international broadcaster, providing content in 30 languages on TV, radio, and the Internet. They represent Germany in the international media landscape and offer people on all continents independent information. In addition, they ensure uncensored reporting in restricted media markets and conflict zones. While the Bonn headquarters produce mainly radio features and multimedia contents for the website, their Berlin site is mostly in charge of productions for Deutsche Welle’s six TV channels. In total, Deutsche Welle employs more than 1500 permanent staff plus the same number of freelancers.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com or call +49 221 709130.

Dolynchuk Named Senior Product Manager, Infrastructure

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Fairfield, NJ––Middle Atlantic Products has appointed Paul Dolynchuk as Senior Product Manager, Infrastructure. In this new position, Dolynchuk will be responsible for the category’s long-term sales strategy and optimization of profitability and growth.

Prior to joining Middle Atlantic, Dolynchuk served as a Marketing Director at Pitney Bowes and has held marketing, sales and finance positions at OfficeMax and Boise Cascade. He has a BBA in Management/Pre-Law from Ohio University and an MBA in Marketing/Finance from the Kelley School of Business at Indiana University.

Commenting on Dolynchuk’s appointment, Tim Troast, Middle Atlantic Director of Product Management said, “Paul is an innovative business leader who has demonstrated his ability to deliver multimillion dollar growth strategies for respected brands through the introduction of innovative products and strategic marketing campaigns. His leadership, business analysis and passion for the customer make him a natural fit for the Middle Atlantic team.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Now Streaming: Watch Audio-Technica’s Second Annual “Ask Me Anything” Sessions at AES Convention

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— Featuring industry insiders and friends of A-T, these informative and revelatory AMA sessions thrilled an audience of in-person AES convention attendees as well as a worldwide online audience —

STOW, OH, October 20, 2014 — For the second year in a row, Audio-Technica, a leading innovator in transducer technology for over 50 years, held a popular series of “Ask Me Anything” (AMA) question-and-answer sessions at its exhibition booth at the 137th AES Convention in Los Angeles, CA. Sessions took place two days of the convention: Friday, October 10, and Saturday, October 11.

The archived sessions, available at www.audio-technica.com/AES2014, include discussions with guests Dave Pensado and Herb Trawick, co-hosts of hit web series Pensado’s Place; Joe Chiccarelli, GRAMMY® Award-winning producer/engineer; Michael Beinhorn, producer/engineer (Hole, Soundgarden, Marilyn Manson); Ryan Hewitt, GRAMMY Award-winning engineer/mixer/producer (Red Hot Chili Peppers, Sheryl Crow, Avett Brothers); Curt Bisquera, drummer (Bonnie Raitt, Sarah McLachlan); Joe Barresi, producer/mixer/engineer (Monster Magnet, Slipknot, Nine Inch Nails); Matt McArthur, Executive Director of The Record Company; and Frank Klepacki, video game audio director, engineer, composer, producer and performer (game scoring credits include Command and Conquer: Red Alert and Star Wars: Empire at War).

Jeff Simcox, A-T Executive Director of Marketing Communications and the moderator for the sessions, stated, “Back by popular demand, our AMA sessions are quickly becoming a yearly tradition at the AES Convention, and our guests represented a varied pool of talent and experience from different sectors of the audio industry. These were informative and entertaining sessions, and we are very pleased that they were so popular with convention attendees.”

Full details are available at www.audio-technica.com/aes2014.

Photo caption: Shown L-R: Jeff Simcox, Audio-Technica Executive Director of Marketing Communications and AMA moderator, interviewing Herb Trawick and Dave Pensado of Pensado’s Place in front of a packed crowd at Audio-Technica’s AMA Sessions at AES137 in Los Angeles. Photo by Corey Walthall, Clyne Media, Inc.

CARGO Nightclub Brings Unmatched Sound Quality to Reno with Powersoft

‘Power is Everything’ for Newly Redesigned Venue, Which Counts Itself Among the Finest Sounding Small-Scale Venues in Western United States

Reno, NV, October 27, 2014: The newly completed CARGO Nightclub, which opened last June, is an exquisite 1,000 person capacity venue located in the Whitney Peak Hotel in the heart of downtown Reno. The new club, which is powered by several Powersoft M and K series amplifiers, is something of a sonic gem with its best in class audio system and lighting design, created to meet and exceed the discriminating standards of A-level touring artists and engineers.

cargo1The hotel, which is located where the Fitzgerald’s Casino & Hotel once stood, underwent a multi-million dollar renovation before opening to the public as Whitney Peak Hotel on Memorial Day of this year. Now, as Northern Nevada prepares for an impending technology boon with the planned construction of Tesla’s soon to be constructed Gigafactory, CARGO finds itself at the ‘spearhead’ of a ‘rebranding’ that is already underway in greater Reno.

Prior to the reconstruction and rebranding of the hotel, CARGO was located on the third floor, situated as a 700 person capacity venue with a mediocre sound system. With the property under new ownership following the renovation, a new directive was put in place from management that would ultimately raise the audio production and lighting design standards of the venue to an entirely new level. At the core of the audio system is an EAW KF740 3-way array system, powered by Powersoft K10s, K6s and K2 (2) channel high-performance power amplifiers.

powersoftrack“The whole idea of the club was to go high-end on the production side so we could be attractive to larger, nationally touring artists,” comments Dan Bishop, Production Manager at Whitney Park Hotel. “Now, CARGO is able to produce the same or better production quality that artists are used to experiencing in much larger venues. Our choice of Powersoft amplification played a key role in helping us attain both the quality of audio we required, while reducing overall power consumption. Since reopening the club in June, we are getting amazing feedback from both fans and artists alike — everyone is insanely impressed with the quality of production.”

A ‘Big-Sounding Venue’ in ‘The Biggest Little City in the World’:

According to Bishop, there were two fundamental challenges the venue faced during the renovation and rebranding phase. First, the first floor facility to be completely redesigned and rebuilt to accommodate a dedicated HVAC system and decoupled wall construction for the performance venue, which shared the first floor with other ‘quieter’ spaces including the restaurant and hotel lobby. Second, the selection and installation of sound and lighting components was of critical concern.

cargo2“My expectation of the audio system was that it had to be sonically accurate,” says Bishop. “Many times in other rooms, where there is an inferior PA, the sound is muddy coming into the room and this is often compensated for by increasing volume. I wanted to make sure all our program material was accurately represented without depending on ‘more volume’ so it would be heard with great clarity from anywhere in the room.”

To power the EAW KF740 system, which consists of two (6) box arrays suspended from the ceiling at either side of the stage and another (3) across the front of the stage, Bishop chose (8) Powersoft K10 for the subwoofers and low frequency drivers, (4) K6s for the mid-frequency drivers, (4) K2s for the high frequency drivers and Powersoft M50Q four channel amplifier to power the center fill speakers (for mid frequency).

On specifying equipment for the venue, Bishop was surprised to learn about the K-series amazing power efficiency rating. “The efficiency was so high and the power needed to run the Powersoft equipment was so minimal that I actually changed my design for electrical requirements because I knew the system wasn’t going to need as much,” he says. “That actually ended up saving us a significant amount of money in both construction and ongoing utility costs.”

“Once we got the system up and running, everyone was just floored,” Bishop recalls. “The clarity of the audio was amazing. There was no hum, no buzzing, no nothing. It was dead silent until you put something through the system. And once we did put audio through the system, what came out of it was so accurately reproduced, it was just amazing.”

powersoftrack2Bishop says that he initially became interested in Powersoft on hearing an audio demonstration at nearby University of Nevada Reno, which runs its house PA system off of Powersoft amplifiers. “I saw that they were running all of their gear off of a tiny 3U rack system set up in a corner,” he says. “I was impressed with both the audio quality and the small footprint and efficiency of the gear.”

CARGO uses two Midas PRO9 consoles: one at front of house and the other at monitors. Having chosen Powersoft, he is assured that whatever audio is coming out of the audio processing will be completely neutral. “The Powersoft gear does not color the sound in any way, and the audio that gets reproduced in our room is stunning,” he says.

“Power is Everything”:

“From the very beginning of this project, we wanted to make sure that we were achieving the best possible audio for this room, and power is everything,” concludes Bishop. “Now, no matter where you are in the venue, you are going to get a great show. That means we did a good job on equipment selection and integration, and I am really proud of that.”

Since opening, Cargo has hosted nationally prominent acts like Shiny Toy Guns, Johnny Lang and renowned Ukelele player Jake Shimabukuru. The venue continues to rise in prominence in Reno and beyond, and the property itself is planning even more innovations: “We are working on a couple of new projects. And when we begin pricing installations for these, Powersoft is a name that will be at top of my list : I love the brand and the product.”

About Powersoft:

Powersoft is the world leader in lightweight, high power, single rack space, energy efficient amplifiers for the professional audio market. Founded in Italy in 1995, headquartered in Florence, Italy, with offices in Ventura, CA, Powersoft couples the experience and precision of its production department with exceptional components to deliver products with perfect audio response and high performance reliability. Its state-of-the-art amplifiers can be found in an array of markets, ranging from stadiums, sporting arenas, theme parks, performance venues and airports to convention centers, churches and clubs, and are used by the world’s leading tour sound companies. For more information, visit the Powersoft website @ www.powersoft-audio.com.

Captions:

1) Reno, Nevada’s Cargo is powered by several Powersoft M and K series amplifiers,
2) At the core of the audio system is an EAW KF740 3-way array system, powered by Powersoft K10s, K6s and K2 (2) channel high-performance power amplifiers.
3) A camera crew records the television program “Cargo”, live at the Whitney Peak Hotel.
4) Powersoft K2, K6 and K10s power the front of house system at Reno’s Cargo nightclub.

Antelope Audio Zen Studio Professional Portable Audio Interface Receives Outstanding Technical Achievement Nomination for 30th Annual TEC Awards

Antelope Audio Receives Nomination in “Computer Audio Hardware” Category for Second Year in a Row

Santa Monica, CA, October 22, 2014: Antelope Audio announced that its recently launched Zen Studio audio interface has been nominated for the 30th Annual Technical Excellence & Creativity (TEC) Awards in the ‘Computer Audio Hardware” category. The TEC Awards are the pro audio industry’s most prestigious awards, honoring outstanding achievement in product innovation and sound production.

zentec“We are honored that the TEC Foundation nominates an Antelope Audio product for the second year in a row,” commented Igor Levin, CEO and founder of Antelope Audio. “Zen Studio is a studio; it is not jut a tag we put next to Zen. It is a whole studio that you can bring with you everywhere you go and still keep the studio quality of the sound. We deeply appreciate that after getting the recognition of our customers, we have also gained this recognition by the TEC Foundation.”

Zen Studio is a full-featured audio interface, clock, preamp, and monitor controller in a svelte, road-ready chassis. Featuring 20 analog inputs, 12 world-class mic preamps, Antelope’s acclaimed conversion and clocking, onboard DSP effects, multiple monitor mixers, custom high-bandwidth low-latency USB, and Mac/PC control software, the ergonomic, back-packable Zen Studio houses the powerful core of a professional mobile recording studio. Since its launch in May, Zen Studio, has received recognition from the media, regular users and Grammy Award winning engineers in the U.S., Europe and Asia.

For more information on Zen Studio, please visit http://antelopeaudio.com/en/products/zen-studio-portable-audio-interface.

For more information about the TEC Foundation, visit: www.tecfoundation.com.

About Antelope Audio:

Antelope Audio is a leading manufacturer of high-end professional audio equipment and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed digital and analog circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. Antelope’s breakthrough technologies are offering both studio and live audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

Powersoft Introduces the DigiMod IK Kit, Enabling OEM Manufacturers to Build Simple, Customized Solutions Around its Renowned DigiMod Amplifier Series

Flexible New Integration Kit Includes Upgraded DSP, Autoswitch Circuit and Other Improvements

Ventura, CA, October 21, 2014: Powersoft, a world-leading manufacturer of professional power amplifiers, announced the launch of its new DigiMod IK kit. The DigiMod IK, a package that consists of three separate, easily assembled elements, was designed to help OEM manufacturers develop their own line of active loudspeakers using industry-respected components.

9DigiMod IK brings an unprecedented degree of scale and flexibility to OEMs and integrators who require Class D amplification technology for loudspeaker applications in the professional audio markets. By separating the DigiMod into three different elements (which are easily connected by screws), Powersoft was able to deploy innovative upgrades to each component. The three components, which consist of an aluminum heatsink plate, a DSP/interface kit and an amplifier module, now include the following improvements:

• An onboard autoswitch circuit
• An upgraded DSP circuit board to include external A/D converters
• A set of gaskets designed to prevent air leakages

Powerful Customization for OEMs:

digimod_ik_master_01The new DSP-D circuit board is also fully compatible with Powersoft’s Armonia Software Suite, which enables remote control and monitoring of the full range of Powersoft products. When using Powersoft’s new Armonia ProManager software in conjunction with the new DigiMod IK kit, OEM manufacturers can integrate a customized, branded layer to their finished product offering — complete with their own brand identity, customized presets and other attributes.

With Armonia ProManager, OEMs can initialize products as proprietary while displaying branding information, the name and serial number of the loudspeaker system, the product name and family as well as product images and brief descriptions. This level of customization and visibility adds another dimension of value for the manufacturer. For a detailed workflow and background on how Armonia ProManager can help configure any IK combination, please visit http://www.powersoft-audio.com/en/software/armonia-promanager.

“The DigiMod IK helps our OEM partners create a more exclusive and customized product offering, while delivering the quality, performance and reliability our user base expects,” commented Matteo Bianchini, account manager of Powersoft . “Now, OEMs and integrators can access a powerful ‘plug ‘n’ play’ solution that leverages the latest innovations in DSP A/D and switching technologies, while extending an OEM’s own branding and product recognition.”

A video summary of ProManager initialize procedures is available to view at the Powersoft YouTube channel. The DigiMod IK kit is available now.

About Powersoft:

Powersoft is the world leader in lightweight, high power, single rack space, energy efficient amplifiers for the professional audio market. Founded in Italy in 1995, headquartered in Florence, Italy, with offices in Ventura, CA, Powersoft couples the experience and precision of its production department with exceptional components to deliver products with perfect audio response and high performance reliability. Its state-of-the-art amplifiers can be found in an array of markets, ranging from stadiums, sporting arenas, theme parks, performance venues and airports to convention centers, churches and clubs, and are used by the world’s leading tour sound companies. For more information, visit the Powersoft website @ www.powersoft-audio.com.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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