Blend Host Stems of OK Go’s “I Won’t Let You Down” For Remixing

Music production collaboration network announces support for stem-only projects

NYC (October 15, 2014) - In addition to the existing support for major DAWs, Blend (http://blend.io), the premier platform for collaborating on music projects, now also supports the universal, multi-track stem format to share music sessions.

The first project published in this format is OK Go’s “I Won’t Let You Down” from their newly released studio album Hungry Ghosts. The track was produced by Tony Hoffer (Beck, M83, Depeche Mode) in Los Angeles. OK Go invites music producers to put their spin on the track in their DAW of choice, and the best ones will be featured on OK Go’s social media channels. The track can be heard and pulled for remixing at http://blend.io/okgo

Blend members have long been able to share and store their music projects in their native format such as in Ableton Live, Logic Pro, Garageband, Pro Tools, Reason, FL Studio, and Native Instruments Maschine. As of today, users can also publish (learn how) and pull stem-only projects to collaborate with other producers regardless of what their DAW of choice may be.

Once the user has pulled a stem project he can save his update directly to Blend. When the file is pulled, Blend will automatically detect the correct DAW the collaborator is using. Lastly, this new feature will allow musicians to keep their collaborators informed of publishing updates.

The collaboration with OK Go is another milestone in Blend’s endeavors to connect known artists and Blend members to create new music.

I Won't Let You Down by OK Go

About Blend
Blend (http://blend.io) is a Betaworks backed startup for musicians and producers to connect and share in­-progress tracks and collaborate. On Blend, users share music projects in their native (source) format. Blend supports major music software tools including Ableton Live, Logic Pro, FL Studio, Reason, Pro Tools and Garageband. For more information, please visit http://blend.io.

Media Group International Delivers The Middle East’s First Dedicated Children’s Radio Station

Children's Media Network - PearFM 4

Leading systems integrator Media Group International has built an entire radio station for the Children’s Media Network (CMN) so that the company can broadcast dedicated children’s content to families in the U.A.E.

The project, which took Media Group International (MGI) just three weeks to complete, involved designing and installing two radio studios and a back-up studio that doubles up as a production facility when it isn’t needed for live broadcasts. MGI also installed server rooms where live broadcast material can be stored for up to 60 days.

MGI’s Managing Director, John Aslett, says: “This was an incredibly exciting project to be involved with because we were helping CMN make history. There has never been a dedicated children’s radio station in the Middle East and we are very proud to have played a key role in making this happen.”

Based in Dubai, CMN is committed to establishing a multimedia platform related to children, and to creatively working with them. The company also aims to provide a support network for parents as well as a number of local and international family events.

The initial idea for CMN came about 20 years ago when founding partner Jeff Price was working with Great Ormond Street Hospital Radio in the UK. This life-changing experience inspired Price to join forces with Nick Watson, who champions children’s health awareness campaigns in the U.A.E.

Earlier this year CMN was appointed to launch and manage PearlFM, an English and Arabic language radio station specifically for children and their families. The station will play a significant role in reflecting the vision of His Highness Sheikh Mohammed Bin Rashid Al Maktoum to provide a cultural space in Dubai dedicated to enriching the lives of children through a wide range of cultural learning and artistic programmes.

“Charged with launching a radio station, we recognized that we needed specialist help to install the technical infrastructure,” says CMN’s Jeff Price. “We chose MGI for this project because the company has a reputation for delivering world-class broadcast solutions. As part of our remit is to allow children to present some of our programmes, we needed tough, durable equipment that is also easy to operate. MGI gave us excellent advice and helped us choose equipment that was ideally suited to our needs. They also worked exceptionally fast to complete the radio station and gave us great service and support throughout.”

The equipment chosen for the new station includes Clyde Broadcast Synergy Master Control systems that have been installed in all of the studios. These are complimented by RCS play out systems; microphones from Clyde Broadcast, Shure and Beyerdynamic; Sonifex delay units and a range of production and control software from various manufacturers.

PearlFM launched in October 2014 with a live broadcast from the Al Jalila Cultural Centre for Children in Dubai. Catering for children up to the age of 12, the station will present a wide variety of interactive radio programmes that combine music with discussion topics. It will also give school children the opportunity to get creative by taking over the airwaves and presenting their own shows. PearlFM will also provide a support network for parents who can phone in during talk shows or simply listen to experts discussing a range of topics covering health, wellbeing, education and current affairs.

Once PearlFM is established, CMN plans to launch a sister station, LuluFM – the first all Arabic radio station for children. Ultimately, CMN plans to expand within the Middle East, Europe and Asia by developing its Radio, Television and online brands.

-ends-

Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International
Media Group International (MGI) is an award-winning media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.
Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.
Media Group International won the Digital Studio award for ‘System Integrator of the Year’ in March 2014. The company also holds ISO 9001:2008 certification, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.
www.mgi.tv

Digigram Inks Distribution Agreement With Australia’s Agile Broadcast

Agile Broadcast Will Offer Solutions Ranging From Digigram Sound Cards to Complete Digigram-Enabled Content Delivery and Distribution Installations more…

Cain Joins Middle Atlantic As Director of Sales Support

Wally Cain

Wally Cain

Fairfield, NJ––Middle Atlantic Products has appointed Wally Cain as Director of Sales Support. In this newly created position, Cain will oversee and manage the Customer Support, Technical Support, Inside Sales, Residential Support and Design Services departments.

Prior to joining Middle Atlantic, Cain spent nearly 10 years at Lastar’s Cables to Go (C2G), which became part of Legrand North America earlier this year. At C2G, Cain most recently served as Manager of Customer and Technical Support and Product Manager, Inside Sales Manager and Account Manager prior to that. His educational background includes a BS in Organizational Leadership from Wright State University.

Commenting on the new appointment, Dan Tarkoff, Middle Atlantic Vice President of Sales, said, “Wally brings a wealth of experience in Customer and Tech Support, Inside Sales and Product Management in the A/V industry. He’s had a highly positive influence as a key member of the management team at C2G.

“We are excited at the prospect of having Wally guide our Customer Support and Inside Sales teams to a new period of significant and sustained growth as we continue our promise of providing the highest level of support to our customers.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

KH 420 – The first midfield monitor from Neumann

1Los Angeles, October 11, 2014: Neumann is expanding the successful KH line with its first midfield monitor: the KH 420. The active 3-way system (10″+3″+1″) is ideal for larger 5.1 and 7.1 configurations and listening distances of up to 11 meters.

With a corner frequency of 52 Hz, the KH 120 nearfield monitor set new standards in its class for low frequency performance. Neumann engineers have succeeded in raising the bar with the KH 420; its 26 Hz corner frequency is not only lower than other comparable midfield monitors, but a whole octave lower than the KH 120. Anyone requiring even lower bass reproduction for surround systems with a dedicated LFE channel can add the KH 870 woofer to extend the response down to 18 Hz.

Computer-optimized drivers, the Mathematically Modeled Dispersion Waveguide (MMD™), acoustical controls for matching the speakers to the listening room, a highly flexible input section, and a wide range of mounting hardware make the KH 420 a versatile monitoring tool for the audio professional. The KH 420 has been designed to provide optimum dispersion regardless of the orientation of the cabinet. This is possible thanks to the rotatable waveguide section which contains both the high frequency and midrange drivers.

2An optional Digital Input Module (DIM 1) will be available for the KH 420, which provides the monitor with digital AES3 and S/P-DIF inputs and a delay function. This feature, which is available on both the digital and analog inputs, may be used for audio/video lip synchronization and to compensate for non-equidistant speaker placement. Maximum delay time is 409.5 ms with a minimum resolution of 0.1 ms.

“The KH 420 delivers an accurate picture of the tonal nuances of the original recording,” says Wolfgang Fraissinet, President of Neumann.Berlin. “In order to deliver a perfect stereo image, the KH 420 pushes the boundaries of what is possible in terms of linearity, performance and close production tolerances. It reflects the quality-driven approach that Neumann.Berlin has been committed to for many decades”.

Key technical specifications of the KH 420:
Drivers: 10″/3″/1″, amplifier output: 330/140/140 watts
Free field frequency response: 26 Hz … 22 kHz, +/-3 dB
Maximum SPL: 122.4 dB
Crossover frequencies: 570 Hz and 2 kHz
Dimensions/volume/weight: 645x330x444 mm / 93 liters / 35 kg

DIM 1:
Inputs:
Analog signal -> analog XLR input
AES 3 signal -> digital XLR input
AES 3, S/P-DIF signal -> digital BNC input
Delay section: 0 … 409.5 ms for analog and digital input
Sampling rate: 32 … 192 kHz

The KH 310 D nearfield monitor:

3One of the most compact 3-way monitors in its class, the KH 310 is the perfect choice for situations where space is limited. In addition to extra digital inputs, this brand new digital version comes with all the delay features of the DIM 1 module described above.

With the KH 120 D, the KH 310 D and the KH 420 with optional DIM 1 module, Neumann now offers monitors in three distinct size classes to support a completely digital workflow.

Key technical specifications of the KH 310 D:

Drivers: 8.25″/3″/1″, amplifier output: 210/90/90 watts
Free field frequency response: 34 Hz … 21 kHz, +/-3 dB
Maximum SPL: 116.3 dB
Crossover frequencies: 650 Hz and 2 kHz
Dimensions/volume/weight: 253x383x292 mm / 28.3 liters / 13 kg

Inputs:
4Analog signal -> analog XLR input
AES 3 signal -> digital XLR input
AES 3, S/P-DIF signal -> digital BNC input
Delay section: 0 … 409.5 ms for analog and digital input
Sampling rate: 32 … 192 kHz

Both the KH 420 and the KH 310 D are expected to ship in late October 2014. The KH 420 will be priced at $4,899.95, while the KH 310 D will be priced at $2,749.95. Additionally, KH 120 D digital monitor (previewed at NAB) is now available in the U.S. and priced at $1,249.95.

You can find more details on these products at www.neumann-kh-line.com.

About Neumann:
Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:
Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

LANDMARK 50th ANNIVERSARY OF THE MOOG MODULAR

Moog’s 1:1 Recreation of Keith Emerson’s Modular Synthesizer shown at AES ‘14

50anniversaryOctober 11, 2014, Asheville, NC: October 12, 2014, marks the 50 Year anniversary of the unveiling of the Moog modular synthesizer at the Audio Engineering Society’s (AES) New York convention. On that day in 1964, Dr. Robert Moog introduced the world to a com-pletely new type of instrument that would go on to change the course of music history and influence decades of future instrument design.

The Moog modular synthesizer was comprised of individual electronic modules, housed in a wooden frame, and it made use of voltage-control as a new way of creating power-ful sounds that had never been heard before.

After its debut at AES, the scientific-looking Moog modular instrument that made ex-traordinary new sounds with rapid alterations and exotic tonal colors, started to gain in popularity. Musicians began to establish the Moog system as the archetype of synthesis. One of the earliest and most famous artists to adopt the new instrument was Keith Em-erson, keyboardist for the innovative band Emerson Lake and Palmer. Touring the world for over forty years with this unique instrument, Emerson has made his Moog modular system the most recognizable synthesizer of all time.

em2The 50th Anniversary of the Moog Modular is a historical landmark for musical instru-ment design and popular music. In celebration of this momentous occasion, Moog Music has faithfully and painstakingly recreated Keith Emerson’s Moog modular. This new Em-erson Moog Modular System (EMMS) utilizes original design material and parts to dupli-cate each facet of Mr. Emerson’s custom instrument down to the smallest detail. The modules in the EMMS are built exactly as the originals were in the Moog Factory in Tru-mansburg, NY in the 1960s: by hand-stuffing and hand-soldering components to circuit boards, and using traditional wiring methods. Today, Moog also released a mini-documentary featuring a Moog engineer, a Moog Historian, and Bob Moog himself, that explores Moog Music’s quest to resurrect the original methods, materials and designs used in the foundational modular synths.

em1“It’s a dream come true for us to bring back these instruments that our company is so known for, and to make them visually and sonically perfect. It’s even more perfect that exactly 50 years after the first Moog synth was shown to the public, people can come to AES 2014 and experience the new Emerson Moog Modular System,” said Brian Kehew, Moog’s Historian.

This towering recreation of the world’s most recognizable synthesizer will be on display in Moog booth 1028 at the 137th AES convention in Los Angeles, CA through Sunday 10/12/14. It is the first time the Emerson Moog Modular System has been shown to the public since it’s unveiling at Moogfest 2014.

Of the 5 Emerson Moog Modular Systems Moog will build, only 1 remains available for sale. The price is $150,000 USD. To inquire about purchasing the last remaining Emerson Moog Modular System, contact Steve Maass at Moog Music. 828.251.0090 ext. 205 or email steve.m@moogmusic.com. Serious buyers only please.

Mini-Documentary: http://bit.ly/1uUNBNS
Photos: http://bit.ly/1vRXBXn
Product Page: http://bit.ly/1tiCVdl

About Moog Music:

Moog Music synthesizers and other electronic musical instruments are designed and lovingly handcrafted in the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.

The Neumann U47 fet is Back!

Los Angeles, October 10, 2014: The 1960s and 1970s are considered to be one of the most innovative periods in the history of music. Many sound concepts of this pioneering time are currently being rediscovered and are regarded as a great enrichment – particularly in the digital audio world. The interplay among studio technologies of different generations forms the basis of unprecedented freedom for new sound experiments.

u471An icon of that era which was decisive in helping to shape the sound of the 1970s is the Neumann U 47 fet. As the transistorized successor of the U 47, it permitted the processing of very high sound pressure levels for the first time, for instance allowing positioning directly in front of loud amps. Due to this feature, and the capsule sound derived from its famous tube-based predecessor, the U 47 fet contributed to many legendary recordings of the time.

Now the U 47 fet is back! For the new “Collectors Edition U 47 fet”, Neumann has resumed production of this classic mic, according to the original production documents and schematics. The Collectors Edition is supplied with a high-quality wooden case with special packaging, and an individual certificate with the serial number of the microphone.

In terms of technical design, the U 47 fet is a condenser microphone with a cardioid directional characteristic and fet 80 circuit technology. Among other things this technology, also used in the U 87, is characterized particularly by a wide dynamic range. The K 47, already employed in the U 47, is a double large-diaphragm capsule with a slight boost in the range above 2 kHz.

If required, a switchable low-cut filter raises the lower cutoff frequency electronically from 40 Hz to 140 Hz, and switchable attenuation can reduce transmission levels by 10 dB. In addition, to prevent overloading of the connected preamp, the output signal can be reduced by 6 dB via a switch on the bottom of the microphone.

u472Wolfgang Fraissinet, President of Neumann.Berlin, explains: “Today many new musical currents are defining themselves through the possibilities of digital production technology. The relaunch of the U 47 fet now provides the opportunity of using epoch-making technologies from different decades side by side. Vintage sound meets the modern world – providing ideal conditions for the realization of new creative soundscapes.”

The list of renowned artists who have created musical masterpieces with the sound of the U 47 fet – including AC/DC, Kate Bush, Bruce Springsteen, and later R.E.M, the Pretenders, a-ha, Dire Straits, Metallica, Michael Bublé and many others – can now grow longer …

The microphone, which available in classic nickel, is shipping now and costs $3,999.95. All information and images can be found at: www.u47fet.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Chandler Limited announces REDD.47 Pre-Amp

Chandler Limited REDD.47 Pre Amp - EMI Abbey Road StudiosChandler Limited adds tube pre-amplifier to its Abbey Road Studios series

Shell Rock, IA – October 2014 … Chandler Limited, recognized globally for signal processing and related music and audio products that deliver the classic analog sounds recording and professional musicians seek, announces addition of the REDD.47 pre-amplifier to Chandler’s esteemed Abbey Road Studios product line.

The REDD.47 microphone pre-amplifier, considered a ‘holy grail’ to some, is most closely associated with the sound of The Beatles’ records recorded at Abbey Road Studios from 1964-1968. Today, 50 years later, Chandler Limited revives this legendary sound with its own incarnation of the famous REDD.47.

The origins of the REDD.47 began at Abbey Road Studios’ technical division, the ‘Record Engineering Development Department’,  in 1958. The REDD.47 line amplifier was designed as the replacement for Telefunken’s V72S. The latter was a specially modified version of the Telefunken V72 valve amplifier, used in the early EMI REDD mixing consoles at Abbey Road Studios.

The REDD.47 tube amplifier was introduced as the plug-in all-purpose line amplifier component for EMI’s next generation REDD.51 mixing console, first built in 1959. However, Abbey Road’s Studio Two, home to the majority of The Beatles’ recording sessions, only received its REDD.51 mixing console in 1964. The REDD.47 left its unmistakable sonic character on every Beatles record from 1964 to 1968.

Chandler Limited’s re-imagination of the REDD.47 realizes the punchy, aggressive sound of the original pre-amplifier, while adding new features required for the rigors of today’s recording studio environment. One of the features of Chandler Limited’s REDD.47 design is increased gain, allowing a range of tonal options from pristine clean sound to classic rich, saturated tone with up to 2% harmonic distortion before clipping. The Chandler Limited REDD.47 pre-amp easily reproduces the distortions heard on The Beatles’ ‘Revolution.’

The introduction of the REDD.47 tube pre-amplifier is a milestone for the Shell Rock, Iowa pro-audio manufacturer and Chandler’s heralded Abbey Road Studios product line. Chandler Limited founder and chief designer, Wade Goeke, had this to say,

“Obviously this is a big step for Chandler Limited. The REDD.47 is possibly the most famous mic pre of all time and we all wanted it to be special in sound, function, and appearance. From using the original documentation, to remolding the jumbo old style knobs, to reviving the Rumble Filter, every part of this design has been special . . . and if you’re wondering . . . yes, it distorts in that special way just like on the old songs!”

Equally excited for the new REDD.47 pre-amplifier is Abbey Road Studios’ Head of Audio Products, Mirek Stiles,

“Abbey Road Studios is proud to see the legendary REDD.47 microphone pre-amp brought back to life as a hardware unit. The distinctively warm and sometimes aggressive sound the REDD.47 is known for has made a huge impact on some of the most important historical recordings of all time. It’s very exciting to know the famous ‘edgy treble’ sound will now be available to engineers, producers and artists all over the world.”

Chandler Limited’s REDD.47 pre-amp has the ability to be used as a mic pre-amp, line amplifier, or serve as a D/I, and is sure to become a record production staple of recording studios worldwide.

To learn more about Chandler Limited’s REDD.47 pre-amp visit: http://chandlerlimited.com/redd-47-pre-amp

Chandler Limited expects to begin shipping the highly anticipated REDD.47 pre-amp during first quarter 2015.

 

About Chandler Limited

Headquartered in Shell Rock, Iowa, Chandler Limited, Inc. is a boutique manufacturer of high-end signal processors, mixers, and amplifiers for musicians and audio professionals. Recognized globally for its exquisitely handmade products and the company’s high profile clientele, Chandler’s product offerings include the Abbey Road/TG line, its unique Germanium transistor series of products, the 500 Series Modules, plus its recently introduced guitar pedals and amplifier. For additional information about all Chandler Limited products, please visit the company online at www.chandlerlimited.com.

About Abbey Road Studios

Abbey Road Studios are the most famous recording studios in the world and an iconic symbol of British music.  They have been home to countless landmark recordings and pioneering advances in recording technology.  Opened in November 1931, Abbey Road Studios were the world’s first purpose-built recording studios.  The hallowed building has a phenomenal history spanning over 80 years, during which the studios have hosted many of the world’s most famous artists, including the Beatles, Pink Floyd, the Hollies, Kate Bush, Oasis, Florence and the Machine, Adele and Lady Gaga.  Abbey Road is also one of the world’s premiere locations for movie scoring.  Since the 1980s, scores for films such as Raiders of the Lost Ark, the Lord of the Rings Trilogy, Braveheart, and The King’s Speech have been recorded there.  The list continues with many other major titles, including Shrek, Prometheus, Harry Potter, Skyfall, and The Hobbit.

 

Abbey Road Studios, EMI, REDD and their associated logos are trademarks of EMI (IP) Limited.

137th AES Convention to Feature “Chicks in the Mix” Panel

New York, NY, October 9, 2014 — The upcoming 137th Audio Engineering Society Convention, taking place October 9-12, 2014, at the Los Angeles Convention Center, will feature a panel exploring the experience of female audio/recording professionals. “Chicks in the Mix” will take place Saturday, October 11, from 1:00-2:30 p.m. in Room 403 AB. Historically the audio and recording industries have represented a male-dominated workplace – although the atmosphere has changed, there are still many challenges faced by female engineers, product designers, producers, mixers, managers, songwriters and artists that are not faced by their male counterparts. This panel brings together well-known female industry professionals to discuss their personal experience in these terms and how they do what they do.

Moderated by acclaimed producer and mixer Chris Lord-Alge, the discussion will feature the following panelists:

Marcella Araica, Recording & Mix engineer (Britney Spears, Madonna, Pink) – Miami, FL, USA; Los Angeles, CA, USA
Amy Burr, Larrabee Sound Studios, Studio Manager – North Hollywood, CA, USA
Emily Lazar, September Mourning (Lead Vocalist for the band) – New York, NY, USA
Lisa Loeb, GRAMMY®-nominated Singer/Songwriter – Los Angeles, CA USA
Brenda Russell, BMPR – Los Angeles, CA, USA

This dynamic panel, debuting at the AES137 Convention, is set to offer lively debate and discussion across all boundaries. No matter your gender, you will want to hear what these “Chicks in the Mix” have to say.

“I am very much looking forward to the ‘Chicks in the Mix’ panel at the AES convention,” stated Lord-Alge. “These five professionals each offer a distinct point of view and a different skill set, and their stories will help illuminate the experience of women in our industry.”

For further information about AES137 Special Events, as well as further Registration, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

History Gets Its Due at the 137th Audio Engineering Society Convention

New York, NY, October 9, 2014 — Music/audio production is by its nature an inherently historical and archival discipline, and the 137th Audio Engineering Society Convention, taking place today through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California, sees the past come alive with the annual History Track.

AES Convention Historical Events Chair Mark Gander have assembled a winning collection of presentations. These include the perfect pairing of “The Evolution of Studio Acoustic Design” and “Audio Architects of the Nashville Sound,” which portrays highlights from the AES Nashville Lifetime Achievement Awards event.

Attendees will also enjoy listening to Michael Petersen of Shure, Inc., narrate the life and career of Benjamin Bauer, who developed the Uniphase network and the iconic Shure Model 55 Unidyne® Microphone, which celebrates its 75th anniversary this year. Bauer, an immigrant from Ukraine, developed the network at age 24, and it earned him the first of over 100 patents in audio technology. Included in the presentation are photos and details of the first Unidyne mic elements constructed by Bauer, uncovered December 2013 in the Shure Archives and not seen since the early 1940s.

In another fascinating panel, representatives from companies including Empirical Labs, Universal Audio and Great River Electronics – all engaged in manufacturing modern versions of classic audio products – will each profile one or more products, describing some of the methods that they use to duplicate the performance of the classic pieces. The participants will include representatives from manufacturers who develop hardware as well as software plug-ins. Each manufacturer will present products, methods and techniques, with discussion of measured and sonically judged faithfulness and/or improvements, followed by panel interaction and questions from the audience.

The full Historical Track program is here:

Thursday, October 9, 2:15 pm — 4:15 pm
Session H1 Evolution of Studio Acoustic Design

Thursday, October 9, 5:00 pm — 6:30 pm
Session H2 Audio Architects of the Nashville Sound: Highlights from the AES Nashville Lifetime Achievement Awards

Friday, October 10, 5:30 pm — 6:30 pm
Session H3 Benjamin Bauer and the Shure Unidyne Microphone: 75 Years of Audio Legend

Saturday, October 11, 12:15 pm — 1:15 pm
Session H4 History of Audio Measurement Technology

Saturday, October 11, 5:30 pm — 6:30 pm
Session H5 History of Line Arrays

Sunday, October 12, 2:30 pm — 4:30 pm
Session H6 Authentic Replication and Modeling of Vintage Audio Gear

“We put an enormous amount of care and thought into curating the Historical Track at the AES Conventions, because there is so much history in this industry, and so much more being made every day,” states Gander. “And it’s gratifying that they tend to be among the most well-attended sessions of the entire event. It’s clear that those involved in professional audio care deeply about its legacy.”

Further detailed information on the Historical Track at the AES137 Convention, as well as Registration, Hotel, and Technical Program formation are available on the AES137 webpage at http://www.aes.org/events/137/.

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