KRBK Springfield, Missouri, Creates Single Frequency Network with Multiple Jampro UHF Slot Antennas

Sacramento, CA — Jampro Antennas of Sacramento, California, a world leader in radio and TV broadcast antenna systems, recently delivered five of its Prostar UHF slot antennas to KRBK in Springfield, Missouri. KRBK is the primary Fox television station for Springfield and the Ozark Plateau area.

The antennas were deployed at various sites around the area and configured into a Single Frequency Network (SFN) where several transmitters simultaneously send the same signal over the same frequency channel.

Alex M. Perchevitch, Jampro president commented on the project: “Few stations in the United States have deployed a single frequency network in a multiple antenna design successfully. Both Jampro and KRBK are very proud of that accomplishment.”

One of the critical aspects of successfully implementing the SFN was engineering and producing slot antennas which complied with critical azimuth and special elevation patterns. The Jampro engineering staff worked closely with the KRBK consulting engineers in the development.

In order to create the SFN, Jampro delivered five from its line of Prostar brand UHF slot antennas. These antennas are internationally proven for performance, quality and reliability. Compatible with DTV, ISDB-T and DVB-T broadcasts, Prostars are available in power ratings ranging from 1 kW to 90kW. The feed lines are pressurized for pro¬tection, and the slots are radome sealed to protect the antenna from the environment. Prostars are constructed from the finest marine brass, copper and virgin Teflon. Computer modeling is used in the pattern designs and the patterns were confirmed at Jampro’s facility in Sacramento before the an¬tennas were shipped to KRBK. Measured performance and the factory tuning before shipping gave KRBK the confi¬dence that the SFN would perform as desired.

Owned by Koplar Communications, KRBK is the primary Fox and secondary MyNetworkTV television station for Springfield and the Ozark Plateau area of southwestern Missouri. Licensed to Osage Beach, it broadcasts a high definition digital signal on UHF channel 49 from a transmitter in Eldridge.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. Additional information on JAMPRO can be obtained at www.jampro.com.
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Jampro contact: Sonia Del Castillo
916-383-1177 • mailto:Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

GeoBroadcast Solutions Names Jampro Antennas as Exclusive Supplier for MaxxCasting, ZoneCasting Networks

Exceptional antenna directivity supports maximized and targeted signal delivery across single-frequency FM radio transmission networks

CHICAGO, May 14, 2013 — Terrestrial radio innovators GeoBroadcast Solutions (GBS) announce Jampro Antennas as a technology partner to advance its vision of helping radio broadcasters maximize over-the-air signals and grow revenues.

Jampro joins Harris Broadcast as exclusive technology suppliers for GBS MaxxCasting and ZoneCasting networks. MaxxCasting expands FM signal coverage areas, allowing broadcasters to take full advantage of their FCC-allotted spectrum. ZoneCasting, pending FCC approval, brings hyper-localization to radio through targeted over-the-air content delivery.

Jampro will supply all antennas, combiners and support equipment related to installation of these components. The custom antennas are specially designed for these networks, providing the advanced directivity required to ensure both maximized market coverage and highly-specific regional targeting.

Peter Handy, CEO of GeoBroadcast Systems, notes that Jampro brought a flexible approach to their antenna designs that uniquely fit requirements for both MaxxCasting and ZoneCasting deployments. That flexibility extends to custom designs that meet the needs of each broadcaster — highly important as coverage patterns and targeting requirements will differ for each market.

“One critical concern is to minimize conflicts created between transmitting multiple signals across the same market,” said Handy. “Jampro clearly addresses these challenges with custom designs that can increase or decrease directionality. This is perfect for ZoneCasting, where we are geographically targeting content across multiple zones in a single market. Furthermore, it is ideal for spreading coverage into areas of a broadcast market that is lacking a clear over-the-air signal.”

The business benefit of integrating Jampro antennas therefore becomes very clear: A larger audience receives the signal due to their exceptional directionality, which means advertisers reach more listeners. This potentially translates to more advertising dollars for the broadcaster by opening new revenue streams.

Handy adds that GBS representatives had a number of conversations at the 2013 NAB Show with broadcasters that recognize the game-changing capability of ZoneCasting, but in the meantime are very interested in the opportunity to increase the distribution of their over-the-air programming through MaxxCasting. This is a perception that Jampro Antennas President Alex Perchevitch echoes.

“As an industry we have always accepted the fact that the legal signal coverage of a radio station is one model, while the actual signal coverage often falls considerably short of what a broadcasters is allowed to service,” said Perchevitch. “A solution like MaxxCasting that allows you to bridge that gap is not only unique, but very compelling.”

Harris Broadcast and Jampro often collaborate on radio and television transmission projects, bringing proven compatibility to GBS for out-of-the-box reliability. Harris Broadcast will integrate Jampro antennas and combiners across these single-frequency FM transmission networks, which incorporate multiple Flexiva™ transmitters and Intraplex® synchronizers as well as special GBS control software.

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. Additional information on JAMPRO can be obtained at www.jampro.com

About GeoBroadcast Solutions
GeoBroadcast Solutions, LLC (“GBS”) was formed in 2009 by founders who collectively have hundreds of years in the radio business. Peter Handy of GBS, Rich Redmond of Harris Broadcast and Alex Perchevitch of Jampro Antenna are amongst the architects and helped develop and test the GBS ZoneCasting technology, currently filed as a petition for rulemaking with the Federal Communications Commission. In 2012, GBS identified and launched MaxxCasting, the technology that helps broadcasters cover more of their signal coverage area. Both technologies are innovative, exciting and revenue generating. Visit http://www.geobroadcastsolutions.com for more information.

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Dave McNair Plugs Sonnox Pro-Codec Into David Bowie’s Instant Classic “The Next Day” CD

OXFORD, UK: A mastering/mixing engineer with credits ranging from Iggy Pop and Rod Stewart to Los Lobos and Tina Turner, New Jersey-based Dave McNair most recently lent his technical and aesthetic expertise to David Bowie’s instant classic The Next Day. Warmly embraced by critics and fans alike, Bowie’s first album in ten years has accrued universally positive reviews, strong sales and, extensive YouTube viewing thanks to its avante garde look and sound.

McNair, who has worked with producer Tony Visconti, a long-time Bowie collaborator, on several previous projects, took particular advantage of his Sonnox Fraunhofer Pro-Codec on The Next Day. I’ve been using the Pro-Codec to preview encoded files in real time since it was introduced,” McNair says. “It’s become invaluable in previewing various codecs on the mastered higher resolution files for clients who will be making MP3′s or lower resolution files for digital distribution. I’ve found that the higher the bitrate, the less overs are created when making an MP3 or AAC.”

McNair uses the Pro-Codec via his Sequoia mastering rig. It enables him to hear (and visualize) exactly how an encoded file will sound. “A miniscule amount of red in the NMR (Noise-to-Mask Ratio) display in the FFT window (or, no red at all if I back the Bitstream level down) means there’s less or no audible distortion created in the encode stage,” he explains

The Pro-Codec was particularly useful on Bowie’s The Next Day album. “This recording was captured at 96kHz and also encoded for the Mastered for iTunes format.” McNair reveals. “The CD target level for Bowie was -0.6dB for the 96K session. After sample rate conversion to 44.1 kHz, it probably ended up closer to -0.1dB. Based on what I was seeing with the Pro-Codec and a later check using the Apple Mastered For iTunes software, the 96K files sent to iTunes were delivered at – 0.8dB. Overall, the Pro-Codec is a great tool. It really helps with my workflow. It was an honor and a great personal pleasure to be associated with this incredible project,” McNair concludes.

Photo: Mastering/mixing engineer Dave McNair recently worked on David Bowie’s The Next Day album.

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For detailed information on Sonnox Oxford Plug-ins please visit: www.sonnox.com

Nashville Recording Workshop +Expo 2013 Ushers In First Annual “Nashville Audio Engineer Week”

Nashville, TN (May 8, 2013) — The 4th Annual Nashville Recording Workshop +Expo, set to take place on May 14th and 15th at the Rocketown Event Center in downtown Nashville. Presented by the Audio Engineering Society, Nashville Section, this two-day event features presentations from top producers, engineers, and other industry professionals, as well as a keynote speech and on-stage production demonstration by Sugarland’s Kristian Bush. Additionally, Nashville Mayor Karl Dean will be join the AES Nashville Section in recognizing “Nashville Audio Engineer Week”, May 12th through 18th, to coincide with the Nashville Recording Workshop +Expo and AudioMasters Benefit Golf Tournament, and Mayor Dean will be on-hand for a special opening ceremonies event the first day of the show.

This year’s lineup of presenters covers a wide scope of topics ranging from acoustics and home studio issues, to business and songwriting, and common production techniques for getting the most out of a selective studio budget. One highlight of the event, “Progression of a Project”, will feature keynote speaker, artist, songwriter, and personal studio owner, Kristian Bush, and his engineering and production partner, Tom Tapley, walking through the production of a complete song from start to finish. The duo will highlight the role of technology in the creative process, revealing the depths of what’s possible within and without a personal recording space. Day two’s “Progression of a Project” presentation will further feature engineer/producer Steve Marcantonio, who, having worked early in his engineering career with John Lennon in New York City, assembled a coalition of Nashville artists, studio musicians and facilities for a tribute album to benefit the Nashville Engineer Relief Fund. Steve follows the progression of tunes from “We All Shine On”, from start to finish, with comments about the collaborators’ contributions, and comparisons to the original foundation.

Another integral part of the Nashville Recording Workshop +Expo, the showcase exhibit area, will feature over 30 pro audio manufacturers and related services showing their latest offerings. Attendees will have ample opportunity for hands-on product showcases and demos, along with networking opportunities with audio professionals from around the country. Additionally, two state-of-the-art mobile facilities will be on-hand for tours and demonstration by attendees. The first, TNDV’s “Vibration” mobile production studio (featuring a Studer Vista 9 console, 7.1 surround sound, and interface for up to 256 inputs), specializes in mobile, multi-cam, and hi-def productions for any size or type of venue. Alongside will be the Yamaha Rolling Showroom – a spacious, hands-on exhibit of the latest NUAGE product line, developed in conjunction with Steinberg, utilizing the powerful Dante audio network protocol. Both impressive facilities will be open, along with other exhibitor booths and showcases, throughout the two day event.

Presented by the AES Nashville Section in conjunction with the Audio Engineering Society, and designed to share the expertise of audio pros with home studio owners, musicians, songwriters, producers and engineers, NRW+E 2013 will feature presentations by industry pros, exhibits by audio gear manufacturers and an opening night reception. Panelists slated to appear include Jonell Polansky, Chris Mara, Chris Estes, Bil VornDick, Richard Adler, Lynn Fuston, Glenn Meadows, Mike Metlay, Randy Wachtler, Tom Tapely, and Steve Marcantonio, among others.

Sponsors and exhibitors for this year’s Nashville Recording Workshop +Expo include: ADAM, AEA, API, Asterope, Cartec Audio, Daking, Drawmer, Earthworks, Electronic Musician, Empirical Labs, Flourish Acoustics, Focusrite Novation, GluBoost, Gordon Instruments, ITI Audio, Latch Lake, Magix, Mix Magazine, MusicStartsHere.org, Nashville Muse, New Bay Media, New Life Digital Media, NTS ProMedia, PhasX Acoustics, PixAural, Prism Sound, Pro Audio Review, Pro Sound News, Recording, Sabra-Som, Samplitude, Sonodyne, Sontec, Sony Electronics, Sweetwater, TELEFUNKEN Elektroakustik, TransAudio Group, Unity Audio, Waves Distro, Waves Audio, and Yamaha Commercial Audio Systems.

Reduced rates are available for students and members of professional industry organizations (AES, AFM, NSAI, Recording Academy, SPARS, RMA, BMI, ASCAP, SESAC, SMPTE).

For more complete schedule and registration information visit www.nashvillerecordingworkshop.com.

The Music Industry Gathers to Remember Phil Ramone

— Visionary, producer, engineer, composer and audio technologist was remembered by his peers, his family, and artists in whom he helped bring out the best —

NEW YORK, NY, May 13, 2013 – With those in attendance underscoring the breadth and depth of a remarkable career in music, family and friends of multiple GRAMMY® Award-winning music producer Phil Ramone came together on May 11, 2013, to celebrate and honor his singularly amazing life. Ramone, who passed away on March 30, 2013, was most noted as an inspired record producer, crafting recordings that have sold into the hundreds of millions of copies for artists including Billy Joel, Barbra Streisand, Frank Sinatra, Tony Bennett, Natalie Cole, Paul McCartney, Paul Simon, James Taylor and many others. But Ramone, a classical violin prodigy who studied at the Juilliard School, was as deeply interested and gifted in the technology of music production, and it’s telling that in addition to his 14 GRAMMY Awards (out of 33 nominations) Ramone was the recipient of a Technical GRAMMY, for his many contributions to the science and art of recording. Such contributions include the establishment of A&R Recording, the Manhattan studio Ramone co-founded in 1958 that set the bar for the industry nationally; his production of Billy Joel’s 1982 52nd Street LP, the first CD album ever commercially released; the Frank Sinatra Duets series of recordings, with which Ramone pioneered recording techniques in which vocalists – in some cases thousands of miles apart – were paired in the studio via fiber-optic technology; and countless more. An early advocate of digital music technology, Ramone also founded one of the first record labels focused on digital music, N2K Encoded Music.

The event, titled Phil Ramone, Music Memorial Celebration, was held at the Centennial Memorial Temple, a landmark Art Deco auditorium inside the Salvation Army’s Greater New York Division Headquarters. The choice of venue held a particularly special meaning, since in November 2011 Ramone founded The Salvation Army Phil Ramone Orchestra for Children — the result of Phil’s lifelong dream to touch the lives of less fortunate children in challenged communities by giving them access to music education. The program currently serves children ages 7 to 12, and teaches these students how to play instruments through group and full orchestra lessons.

The event read like a Who’s-Who in the music industry. It drew a stream of luminaries who recalled Ramone’s gifts as a person and music professional, including Tony Bennett, engineer Ed Cherney (Bonnie Raitt, the Rolling Stones), Josh Groban, Dave Grusin, Billy Joel, Quincy Jones, Shelby Lynne, Matthew Morrison, Paul Simon, Kevin Spacey, Noel Paul Stookey, Nikki Yanofsky and Peter Yarrow. In attendance were family members Karen, BJ, Matt and Simon Ramone, who shared the stage and the love everyone felt for Ramone.

An all-star backup band accompanied many of the artists who performed and included such renowned musicians as Rob Mounsey (musical director/piano), Steve Gadd (drums), Bashiri Johnson (percussion), Ben Butler (guitar), Henry Hey (keyboards), Zev Katz (bass), Vaneese Thomas (background vocals) and Jill Dell’Abate (background vocals and music coordinator).

After a performance of “When the Saints Come Marching In” by The Salvation Army Phil Ramone Orchestra for Children, some of the attending artists performed songs paying tribute to Ramone. Billy Joel performed “Where’s the Orchestra”; Tony Bennett sang “Fly Me To The Moon”; keyboardist/composer Dave Grusin performed “Sun Song”; Peter Yarrow and Noel Paul Stookey (Peter, Paul and Mary) performed “Day Is Done”; Shelby Lynne performed “You Don’t Have to Say You Love Me”; actor Kevin Spacey evoked memories of Ramone’s work with Sinatra and performed a medley of “By Myself,” ”When Your Lover Has Gone” and “The Curtain Falls”; Nikki Yanofsky performed “You’ll Have to Swing It (Mr. Paganini)”; and Matthew Morrison performed a medley that included “Come Rain Or Come Shine” and ”Basin Street Blues.” Finally, renditions of “Slip Slidin’ Away” and “Fifty Ways to Leave Your Lover” by Paul Simon, and “Smile” by Josh Groban, brought the event to a gentle and wistful conclusion.

“Phil Ramone was a lovely person and a very gifted musician and producer,” said Tony Bennett. “It was a joy to have him work with me in the recording studio on so many projects, as he had a wonderful sense of humor and a deep love of music.”

Billy Joel added, “I always thought of Phil Ramone as the most talented guy in my band. He was the band member no one ever saw onstage. So much of my music was shaped by him and brought to fruition by him. I have lost a dear friend – and my greatest mentor.”

The 3-hour event was produced by longtime friend and former manager Nancy Munoz (Anami Music, Inc.), who also worked with Phil producing The Songwriters Hall of Fame Awards.

Photo File: PhilRamoneMemorial.JPG
Photo Caption: Pictured L-R, seated: Paul Simon, Quincy Jones, Karen Ramone, BJ Ramone, Simon Ramone; L-R, standing: Steve Gadd, Josh Groban, Dave Grusin, Ed Cherney, Nikki Yanofsky, Kevin Spacey, Noel Paul Stookey, Shelby Lynne, Peter Yarrow, Matthew Morrison. Photo by Johnny Richie Photography. (This photo is the property of Johnny Richie Photography and may be used by the press only for the purpose of one-time reproduction. Unauthorized use, alteration or reproduction of this photograph is strictly prohibited.)

Mikkel Heimburger Forays Into High Profile Movie Trailer and Sound for Picture Projects with Antelope Audio Orion32

Santa Monica, CA, May 9, 2013 – Mikkel Heimburger is a sound for picture composer focusing primarily on movies, film and television commercials and advertising. During the last several years, he has successfully repurposed his audio career, having previously been an engineer/producer, focusing on the pop music scene. Recently, Heimburger has been working on several high profile projects. He placed a song in the latest Al Pacino film Stand Up Guys, and composed, performed and mixed the trailer score for the most recent Muppet Movie. Each day he relies on his Antelope Audio Orion32 audio interface as the cornerstone of his Los Angeles-based studio.”I was a creator of dance, pop and urban music just a few years ago,” Heimburger says. “But now I am producing trailers and advertising segments that are diverse and creative, but also more lucrative.” Needless to say, he is working in a segment that has become increasingly competitive and saturated. Heimburger says that to stand apart, he must ensure that his productions are ‘as good as they can be.’ Therefore he depends on his Antelope Audio Orion32 to help set his music apart.

“The companies I am pitching to often receive dozens of tracks in a day — I want them to remember mine not only for writing and performance, but also for sonic quality,” he states. The Antelope Audio Orion32 is now a key component in his set up: “When I first heard it, I was blown away,” he says. “It has what many of today’s other converters are lacking – punch. I really need this for the trailers I am working on, and with the Orion32, it happens automatically — it is just there and I don’t have to adjust the EQ or manipulate the low end.”

For Heimburger, the main differentiator between the Orion32 and other well known high-end converters rests primarily on sonic quality. “I’ve been through a half a dozen audio interfaces during the last decade, just trying to keep up with technology changes in the market,” he says. “When I A/B’d the Orion32 against the other units I had from other manufacturers, suddenly they sounded way too thin and overly sibilant. I also noticed that many of these other converters introduce a ’3D effect’ that just wasn’t true.”

In addition to raising the overall sonic quality of his mixing rig, the Orion32 has introduced workflow efficiencies at cost savings that was unexpected, but most welcome. “The Orion32 is considerably less expensive than competitors’ models — you basically get a 32 channel interface for $3,000,” Heimburger observes. “Other models typically cost $3,000 for 8 channels, and don’t sound as good!”

Having access to no less than 32 tracks of Antelope Audio conversion at the output stage has enabled Heimburger to employ creative summing techniques, which he says has led to increased fidelity. “I am using every single output on the Orion32, and having all these channels means I can sum my mixes the way I want. I use the Orion32 in combination with my Shadow Hills Equinox, which is a 30 channel summing mixer. This combination has made a really big difference as far as the width and depth of my mixes are concerned,” he says.

All in all, the Orion32 has earned a place in Heimburger’s studio not only from a sonic perspective, but also feature and price. “In my opinion, the Orion32 wins hands down in every measure,” he concludes. “I am pretty sure the competition will need to rework their product strategies.”

About Antelope Audio
Antelope Audio is the brainchild of Igor Levin who has more than 20 years’ experience and a number of innovations in digital audio and synchronization technology. The company is widely acknowledged as the leading manufacturer of audio master clocks.

In 2009 Antelope Audio launched its product line of high-resolution USB D/A converters, being among the pioneers designing a 384 kHz DAC. Antelope’s DACs employ their renowned 64-bit clocking and jitter management technologies and custom-designed circuits, achieving unprecedented precision and sound clarity.

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All brands and trade names are the property of their respective owners.

Neumann Microphones Help RUNA Make Celtic Roots Music Come Alive

Old Lyme, Conn. – May 8, 2013 – RUNA is a Celtic roots band that fuses music from Ireland, Scotland, Canada and the U.S., creating refreshing contemporary arrangements of traditional, Celtic-based material. Now an internationally touring band that routinely plays at large national concert halls such as Nashville’s Ryman Auditorium, the band quickly emerged from its humble beginnings playing coffee houses and dive bars in Philadelphia just four years ago.

RUNA’s live presentation is rich in its authentic Celtic instrumentation and dynamic storytelling through song — and is made all the more sonically engaging by the band’s choice of vocal microphone: the Neumann KMS 104 Plus and KMS 105 handheld condensers. This month on May 17th, the band returns ‘home’ to Philadelphia to sing the National Anthem before 40,000 some odd baseball fans at Citizens Bank Park to celebrate the Philadelphia Phillies’ Irish Heritage Night.

Lead singer Shannon Lambert-Ryan explains the band’s transition to Neumann on stage: “I had been using a popular competitor’s mic and someone suggested I try a Neumann,” she says. “We tried it at a gig and there was just no comparison. I heard better tone, warmth and clarity while singing through the KMS 104 Plus. It was like singing against silk, and I cannot speak highly enough about it.”

For RUNA, a band that prides itself on connecting with audiences through dramatic and lyrically vibrant performances, microphone clarity and sensitivity go a long way: “The Neumann KMS microphones pick up all of the nuances of the human voice,” observes Lambert-Ryan. “It provides the definition and clarity to cut through the mix, but also has a huge, warm tone. I’ve noticed that other microphones deliver great clarity, but often sound too thin and don’t have enough sonic definition.”

Over the last two years, RUNA — a five piece band consisting of Shannon Lambert-Ryan on vocals, Fionán de Barra on guitar, Cheryl Prashker on percussion, Dave Curley on mandolin/vocals, and Maggie Estes on fiddle — has been recognized with many industry awards and accolades. This year, they captured nominations in the Independent Music Awards for their song “Amhrán Mhuighinse” (Somewhere Along the Road), in the Irish Music Awards for Best Female Vocalist, and in the past have received multiple accolades from the Montgomery Buck Music Awards.

RUNA’s other vocalist, Dave Curley, has been using the Neumann KMS 105. “He was really struggling to find the right vocal mic that works for his voice, which is very gentle and has a different timbre than mine,” recalls Lambert-Ryan. “The first time he sang through the KMS 105 onstage, he said, ‘Wow – what is this?’ It was very smooth and had such a nice balance.”

For Lambert-Ryan, the Neumann KMS 104 Plus has given her more control over her vocal dynamics on stage: “Since we don’t have a bunch of electronic instruments happening in our style of music, the vocals tend to be much more ‘exposed.’ Therefore you need to hear all the nuances that are occurring,” she says. “With the KMS 104 Plus, Neumann has delivered here.”

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

GUITAR CENTER OPENS NEW STORE IN MESQUITE, TX

— 246th Guitar Center location features on-site lessons and repair services, along with GC’s vast inventory selection —

Westlake Village, CA (May 7, 2013) – On the evening of Thursday, May 2, 2013, Guitar Center held the grand opening of its new location in Mesquite, Texas, located at 2021 N. Town East Blvd. Suite 400, Mesquite, TX 75150. The Mesquite store (Guitar Center’s 246th retail location) is part of a new wave of Guitar Center retail stores that feature lesson spaces, which allows the brand to offer additional music lessons, special programs and expanded opportunities for local musicians.

Mesquite Store Manager Justin Alverson stated, “I’m so proud and excited to continue on this path of helping people make music with Guitar Center in Mesquite. As musicians ourselves, myself and the Mesquite staff are truly looking forward to expanding and inspiring the local music community here.” A lifelong musician and Texan, Alverson has been with Guitar Center since 2005 and currently plays in the local band Circus Bear Trickery. Alverson is also Guitar Center expert-certified in Pro Audio recording, Keyboards, Accessories, Drums and Guitars.

Guitar Center Mesquite Assistant Manager Kallie Key added, “It has been an incredible experience opening the new Mesquite store. At Guitar Center my passion for music is shared amongst our staff and our customers, and it’s a great feeling to be able to help seasoned artists, as well as providing extensive product knowledge and guidance for those just starting out.”

Guitar Center Mesquite: What Musicians Will Find In-Store

Guitar Center Studios – Deeply vested in expanding and enhancing the Mesquite music scene, Guitar Center Mesquite also brings Guitar Center Studios to the new location. The fully-equipped, in-house lesson space is giving Mesquite residents of all ages and skill levels access to affordable music lessons. Sourcing locally trained store employees as certified instructors, courses will be offered on guitar, bass, keys and drums, as well as vocals and recording techniques using Pro Tools and Logic Pro and GarageBand.
Vast Product Selection and Low Prices – Guitar Center Mesquite brings an unprecedented selection of products to Mesquite, all backed by Guitar Center’s guarantee and available at attractive prices. The store features the latest in guitars, amplifiers, percussion instruments and keyboards, as well as live sound, DJ, lighting and recording equipment.
Guitar Center Garage – Guitar Center Mesquite includes GC Garage, the store’s on-site guitar repair service, offering a host of services, including electronics repair, hardware customization, fretwork, structural repairs, cosmetic enhancements, setup and maintenances.

Guitar Center Mesquite: Additional In-Store Programs and Opportunities Include:

Guitar Center’s “Endless Aisle” – Mesquite customers can now shop from Guitar Center’s new multi-channel “endless aisle,” which extends the in-store inventory to over $400 million in new and used products from across the nation. Shoppers will be able to purchase in-store, online and via phone, with the option to have products shipped to their home or to the store for convenient pick up.
At: Guitar Center Programs – Throughout the calendar year, Guitar Center Mesquite will host an array of free events, such as artist workshops, lessons, product launches and performances, as a part of the company’s ongoing commitment to educating and assisting unsigned artists. These programs aim to provide musicians with the opportunities and exposure essential to achieving their music goals.
Recording Made Easy – Available at all Guitar Center locations, the Recording Made Easy program is a four-week, user-friendly series of weekly classes occurring Saturdays from 10:00 to 11:00 a.m.

In addition to special programs at the new Mesquite store, Guitar Center offers year-round programs designed to spearhead creativity and highlight promising undiscovered talent. Mesquite residents will now be able to participate in these ongoing events from their hometown. Programs have included Your Next Record, Guitar Center On-Stage, Guitar Center Singer-Songwriter, Guitar Center’s Battle of the Blues and Guitar Center’s Drum-Off.

Guitar Center Mesquite Store and Studio Hours
Mon-Thurs: 11 AM-8 PM
Fri-Sat: 10 AM-8 PM
Sun: 12 PM-6 PM

Sennheiser Brings Premium Sound and Wireless Innovation to The American Pavilion at the Cannes International Film Festival

Cannes, FRANCE – May 7, 2013: Audio specialist Sennheiser will support The American Pavilion at the Cannes International Film Festival during its Conference Series this year in Cannes, which will feature panels and one-on-one interviews with the film industry’s leading talent and entertainment personalities. Over the course of the 12-day festival, which is the most high profile event in the film industry, audiences will be able to listen to The American Pavilion Conference Series through Sennheiser wireless headphones.

In conjunction with its sponsor partners and in celebration of its 25th anniversary in Cannes, The American Pavilion has redesigned its location to incorporate design elements of The Peninsula Hotel properties and includes a new conference center, bar, restaurant and a media terrace/green room. By providing attendees with Sennheiser wireless headphones, The American Pavilion enables guests to enjoy conference content wherever they roam within the facility, while background noise is kept to a minimum.

“We are excited to feature Sennheiser’s wireless headphone technology this year at The American Pavilion,” commented Julie Sisk, director and founder of The American Pavilion. “Sennheiser’s innovative technology will allow our guests to enjoy all the amenities of our open space, without missing any of the incredible interview and panel content that will be featured this year.”

The American Pavilion asked Sennheiser to provide support in Cannes after reading about its activation during SXSW with Paste Magazine this past March, in which the company hosted three days of interviews with leading content creators such as Fred Armisen of SNL, LeVar Burton of Star Trek, editor in chief of Marvel Comics Alex Alonso, and others. During this activation, fans and attendees were able to listen to interview content anywhere on the activation grounds, while donning Sennheiser wireless headphones.

The American Pavilion Conference Series features industry panels each day that focus on topics like film finance, acquisitions, producing and film + technology. The interactive sessions are moderated by well-known entertainment journalists and routinely attract the top names in entertainment. In prior years, guests have included Francis Ford Coppola, Terry Gilliam, Martin Scorcese, Robert Duvall, Kevin Kline, Tommy Lee Jones, Jude Law, Colin Firth, Anjelica Huston, James Cameron and many others.

The American Pavilion, which is located in the International Village next to the Palais, has become a hub for film industry professionals to gather and share ideas during the Cannes Film Festival — the largest and most prestigious film festival in the world. The festival itself attracts over 20,000 industry professionals and over 4,000 journalists from around the globe.

About The American Pavilion:

Celebrating its 25th year bringing professionals and emerging filmmakers together, The American Pavilion is the center of activity for the American film community at the Cannes International Film Festival.

Since its debut at the 1989 Cannes Film Festival, The Pavilion has served as a hospitality and communications hub for the thousands of Americans attending the Cannes Film Festival and Marché, providing an impressive array of facilities and services, including membership for the international film community, provocative and insightful programming, the Emerging Filmmaker Showcase, immersive student programs, and more.

For its corporate sponsors, scores of American participants, and hundreds of exhibitors and office holders, The American Pavilion accommodates the need for information, orientation and recreation, providing both a dynamic business environment and an opportunity to relax in comfortable surroundings for the duration of the Festival.

With a panoramic view of the Bay of Cannes and just a few steps from the Palais des Festivals, where all the major Festival films are premiered, The American Pavilion is now a permanent fixture on the Cannes landscape, proving to be the perfect place to transact business, share ideas and effectively reach the thousands of affluent international travelers who attend the Festival every year.

For more information, visit www.ampav.com.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences. For more information, visit www.sennheiserusa.com.

DPA Microphones Opens A New Office In Hong Kong

Following a record year for sales in the Asia and Pacific regions, DPA Microphones is consolidating its success by opening a new regional office in Hong Kong.

Headed by Ken Kimura, DPA’s general manager for the APAC region, the new office signals DPA’s commitment to its partners and customers by acting as a hub for sales, marketing and after-sales service. It will also enable the company to expand its sales network and develop new business channels in market sectors that have yet to discover the benefit of DPA’s high quality microphone technology and products.

Kimura, who was previously based in Shanghai, says: “Establishing our new office in Hong Kong makes sound economic and geographic sense. By basing our office here we can significantly expand our reach as well as visibility within the entire region and thereby aim our ambitions much higher.”

During the last trading year, DPA’s sales have been on the increase in virtually every APAC country with some showing growth as high as 40%. This incredible success has been achieved by DPA developing strong partnerships with its distributors and dealers so that they can fully support their customers.

Christian Poulsen, CEO of DPA Microphones, says: “The increased consciousness of good quality in the Asian markets, combined with our ability to develop fantastic products, has resulted in our huge success in this region. To follow up on this we take the next important step by establishing this new office to support our sales partners even more and encourage their commitment to the brand. This support has been delivered in a variety of ways, including listening to our partners’ needs and implementing specific activities such as customer events.”

Renowned for their audio accuracy, reliability and superb engineering, DPA microphones are the first choice for numerous recording and touring artists and sound engineers. The company’s extensive product range also encompasses many other industry areas including broadcast, film, theatre, installation, conferencing and security.

“The breadth and depth of our product range is really quite staggering and gives us plenty of scope to develop our customer base around the world,” Kimura says. “The APAC region is no exception – there are many applications for our technology that have yet to be exploited and our aim is to be highly visible so that we can make the most of these new business opportunities.”

DPA plans to supplement its existing team in Hong Kong with new sales staff and is interested in hearing from any suitable candidates.

For more information please contact Ken Kimura at kek@dpamicrophones.com.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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