Middle Atlantic Introduces Sit Stand Functionality for ViewPoint™ Consoles


Middle Atlantic Products is introducing new height-adjustable Sit/Stand functionality for its family of ViewPoint™ consoles and technical furniture. Sit/Stand lift system functionality promotes proper ergonomics for healthy work environments, and is now available pre-installed in welded ViewPoint console bays or as a standalone work station model.

These new models feature three convenient pre-set height settings for fatigue elimination and increased user comfort, especially in multi-shift environments. The Sit/Stand lift legs do not intrude in equipment mounting bays, leaving the full console bay width available for equipment. Quick shipment is possible with a 3-week standard lead time, the same offered for all standard ViewPoint orders.

Available in the same variety of finishes as the complete ViewPoint system, the availability of new Sit/Stand models expands the line to make an offering that is ideal and flexible for a number of situations and uses.

All Viewpoint technical furniture ships fully welded for drastically reduced assembly times.

For more information about the ViewPoint Series and Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Recording Industry Golf Tournament (RIGT) Set for Monday, June 24

— Annual charity event to be held at Malibu Golf Club —

Los Angeles CA, April 18, 2013 — A date has been set for the 2013 Recording Industry Golf Tournament (RIGT), which will be held Monday, June 24, 2013, at Malibu Golf Club, with the shotgun start at 12:00 noon. The event is being organized by seasoned event producer Karen Dunn of KMD Productions and will benefit A Place Called Home (APCH), a dynamic community center and safe haven in South Central Los Angeles where underserved youth 8-21 years old are empowered to take ownership of the quality and direction of their lives through programs in education, arts, and well-being. Recording veterans Ed Cherney and Al Schmitt will serve as Co-Honorary Chairs for the afternoon’s festivities.

Dunn is now accepting participation entries, whether as sponsors, golfers or both. In addition to the 18 holes of pristine golfing, the day will include a $1 million shootout, a $10,000 Hole-in-One prize, a $1,000 chipping contest and a Golf Channel Swing Fix Video opportunity. Dunn and the Record Plant’s Rose Mann-Cherney will be driving the “world famous tequila cart” to make sure all of the day’s participants are playing their best.

Sponsorships are available at $10,000, $6,000, $3,500, $2,500, $2,000, $1,500, $1,400, $1,000 and $750 levels, covering every aspect of the event, from apparel and golf carts to photos, refreshments, the Hole-in-One prize and much more.

“Connecting our young members to professionals in the music and recording industry has turned out to be a big win for all concerned,” says APCH Executive Director Jonathan Zeichner, “and we are moved and grateful to be named as the beneficiary of this year’s Recording Industry Golf Tournament.”

Online registry for players and sponsors is available at http://2013recordingindustrygolftournament.eventbrite.com/. For more information about the tournament, visit http://recordingindustrygolftournament.webs.com/ or call Karen Dunn at 925-708-0307.

About A Place Called Home
A Place Called Home (www.apch.org) is a dynamic community center and safe haven in South Central Los Angeles where underserved youth 8-21 years old are empowered to take ownership of the quality and direction of their lives through programs in education, arts, and well-being. APCH provides support and opportunities that increase the likelihood that young people will stay in school, go on to higher education and viable jobs, and make a meaningful difference in their communities and the world. Music and recording are key components of the organization’s program offering, and the APCH youth band performs and records on a regular basis.

About KMD Productions
Based in the San Francisco Bay Area, KMD Productions offers full-service event production across the US for businesses and individuals, providing a range of services needed to make events an overwhelming success. KMD Productions can handle all the details of your fundraiser, corporate function or trade show event. Whether you’re looking to launch a new product, get better brand recognition or raise money for your worthwhile charity, KMD Productions has the resources and experience to help you achieve your goals.

Myers Shows Latest Innovations To Its Broadcast Management Solution at NAB 2013

Las Vegas, NV – Exhibiting at NAB for the seventh consecutive year, Myers – a leading developer of broadcast traffic, business, and content management software – is demonstrating the newest features and versions of its flagship ProTrack broadcast management suite in Booth N 6415 in the LVCC’s North Hall. ProTrack, available in radio and television-specific editions, scalably streamlines operations for individual and multi-channel facilities to get the workflow rolling!

ProTrack TV
ProTrack TV is a comprehensive, expandable and affordable broadcast management solution that interconnects Traffic, Scheduling, Sales, Engineering and IT departments. It serves as the centralized unifying element within the broadcast operation and integrates seamlessly with existing infrastructure to optimize workflow while preserving existing investments. Whether a single channel or multi-channel broadcaster, distributing in a linear and/or non-linear format, ProTrack TV helps close-the-loop so that work flows smoothly.

MAM
ProTrack TV’s Media Asset Management Module (MAM) provides a highly effective and affordable solution for managing media assets. Using defined business rules, the popular ProTrack TV broadcast management solution provides confirmation to traffic/scheduling personnel whether a media asset is available and if so, moves it to where it’s required in advance of when it’s needed. A highly intuitive solution, ProTrack MAM automatically triggers the movement of media assets to/from playback and archive, based on data from ProTrack TV’s schedule environment.

Automation Integration
Incorporating Automation Integration into the widely used ProTrack TV broadcast management establishes a direct link between traffic and third party play-to-air automation solutions. It offers streamlined workflow and eliminates redundancy across departments. As a pioneer in delivering the most extensive range of bi-directional BXF integration to automation, Myers defines the lines of responsibility and helps to eliminate labor-intensive tasks to keep traffic and master control in-sync.

ProTrack On-Demand
The On-Demand Module for ProTrack TV’s broadcast management solution enables media facilities to build, schedule, track and publish program and sales packages. It also provides transcode requests for station-defined distribution platforms and needs, such as Mobile, Internet, Cable, DVD and more. Whether a single or multi-channel broadcaster, distributing in a linear and/or non-linear format, ProTrack TV helps close-the-loop between systems and departments so workflow can really roll!

ProTrack Radio
ProTrack Radio is a comprehensive, scalable, and affordable broadcast management solution that interconnects Traffic, Scheduling, Sales, Engineering and IT departments. Operating as a central unifying element within the broadcast facility, ProTrack Radio integrates seamlessly with existing infrastructure to optimize workflow and preserve existing investments. Whether a single or multi-channel broadcaster, ProTrack Radio helps bring systems and departments together to ensure a streamlined workflow!

ABOUT MYERS
Until recently known as Myers Information Systems, the company has been developing broadcast management software since 1989. Myers provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

# # #
Myers contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Middle Atlantic Unveils Mobile Videoconference Display System

In a move to provide unparalleled support for the technology powering today’s AV systems, Middle Atlantic Products announced the new VTC Series Mobile Videoconferencing & Presentation Cart System at the 2013 NAB Show. Designed with generous equipment mounting space, the VTC Series is a versatile mobile cart system for broadcast floor monitoring, videoconferencing and presentation applications.

The VTC Series was engineered with industry-leading screen capacity, supporting single screens up to 80” or dual large screens up to 70” built to support up to 250 lbs in screen weight. Its welded steel frame is UL Listed, tip and weight tested.

Versatile equipment mounting is made possible throughout every area of the VTC Series, which was designed with up to 15 total rackspaces. The cart was designed with the company’s patent-pending Lever Lock™ tool-free mounting system. The Lever Lock plate, ideal for Codecs, media extenders, power supplies and other small devices, is easy to install and service.

The VTC cart’s base features rackmount space for heavier components, such as UPS systems that offer point of use protection. The lower frame provides 4 rackspaces that are ideal mounting for switchers and processors, and can accommodate tower-style PCs.

Several options greatly increase the versatility of the VTC Series. A removable 12 space rack frame option is available, and allows for easy pre-staging, integration and maintenance access. Also available are storage drawer, work surface and speaker shelf options.

For more information about the VTC Series and Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.
###

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

TORONTO’S JAZZ.FM91 TAKES DELIVERY OF NEW LAWO EQUIPMENT

*** (left) John Devenish, Host of Dinner Jazz, and (right) Murray Johnson. ***

Toronto, Ontario, Canada, April 17, 2013… As Canada’s only jazz broadcaster and registered not-for-profit charitable arts organization, JAZZ.FM91 plays a vital role enriching the cultural, educational, and community experience of their audience in Canada’s largest radio market. The venerable station is currently in the process of upgrading its facilities and, to ensure the delivery of premium content with the highest levels of reliability and flexibility, the station recently took delivery of four radio consoles and a routing system from Rastatt, Germany-based Lawo.

Murray Johnson is JAZZ.FM91’s Technical Manager and is responsible for overseeing all installation and maintenance of the production facilities, transmission distribution, and other aspects of the station’s operations. With an integral role in the selection, installation, and commissioning of all equipment to be deployed as part of the facility upgrade, Johnson took a few minutes out of his busy schedule to discuss the four Lawo crystal consoles and the Nova 17 router that will assume key roles at JAZZ.FM91. more…

ASHLY AUDIO LICENSES AUDINATE’S DANTE™ DIGITAL NETWORKING

WEBSTER, NEW YORK – APRIL 2013: Ashly Audio, maker of powerful, high-performance, cost-effective signal processors and amplifiers, have licensed Dante digital media networking solution from Audinate. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s range of signal processors and amplifiers.

Dante is built on IT standards, and is a complete media networking solution. Dante delivers a low-latency, tightly-synchronized, sample-accurate playback, while simplifying installation and configuration of A/V networks. Dante has become the leading solution of choice for a variety of professional applications as it demystifies audio networking.

“Ashly Audio is known in the industry as a leader in networked power amplification and signal processing, addressing multiple professional audio applications,” says Director of Sales at Audinate, Dave Anderson. “We are pleased that Ashly has recognized Dante as the most interoperable networking solution available, and look forward to a range of products as they come to market.”

Noted President, Ashly Audio, Mark Wentling, “Ashly is excited to be able to offer our customers yet another option in digital connectivity for our DSP processors and DSP enabled power amplifiers. Dante from Audinate currently brings the best in flexible, yet robust digital audio transport, to the pro-audio and commercial-sound installation markets.”

Audinate revolutionizes the way that A/V systems are connected, by transporting high-quality media over standard IT networks. Dante is robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected. www.audinate.com

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #335

Mastering Engineer Nathan James Opens ‘The Vault’ In Phoenix

New WSDG Studio Geared For National Work

PHOENIX, AZ: A successful decade behind the console of his Manhattan-based Vault Mastering Studio, convinced engineer, Nathan James that he could shift his growing family back to their hometown of Phoenix and maintain a thriving business. Having developed a strong client base ranging from rockers like The Fray to jazz vocalist, Gretchen Parlato and comic Louis C.K., James was confident his skills would continue to attract interesting national projects. After establishing temporary quarters with a local mastering house, James’ next order of business was to retain the Walters-Storyk Design Group to create his new studio.

“My clients were very happy with the quality of the various rooms I worked out of,”James says.”But, for several years early in my career I assisted Scott Hull at the WSDG-designed, Classic Sound in NY. I always dreamed of having my own John Storyk Room. Our move to Phoenix was the perfect opportunity to make that happen. My conversations with John convinced me it was doable, both financially and physically. We started the ball rolling as soon as we were settled in.”

WSDG Project Manager Matthew Ballos, flew to Phoenix to access the site, take measurements and perform acoustic tests. “Nathan had purchased a handsome three – level house,” Ballos says. “The lower floor presented a perfect location for a 300 square foot studio. We had an 8-foot ceiling height, and a large window capable of providing natural light, and a sense of connectivity to the outside world. Windows are rare in studios, given the option, we take advantage of them.”

Ballos and WSDG principal/architect/acoustician John Storyk, collaborated on a studio designed to maximize the existing space and provide ceiling and wall isolation to eliminate sound leakage. “While it wasn’t necessary to ‘float’ the room, we incorporated a 2mm thick, rubberized mat beneath the hardwood floor to reduce sound transmission. “During design we envisioned a front wall treatment comprised of three overlapping curved, stretch fabric – wrapped absorptive panels,” Ballos reports. “We developed a corresponding ceiling cloud and rear wall panel which complimented the aesthetics and completed the room tuning requirements.”

WSDG also devised a 6-foot wide, absorptive acoustic window treatment built with Clearsorber Deamp perforated transparent panels. The treatment is hinged to open the window and provide James and his clients with friendly breezes, when work issues permit. The studio also incorporates a custom-designed wall sleeve, which houses the sliding glass acoustic studio door when it’s not in use.

James was fortunate to find a local contractor with extensive recording studio credits to handle the build. “WG McKenzie has built studios in NYC and Phoenix,” Matthew Ballos reports. He was extremely sensitive to the technical concerns of building acoustically pristine environments. We spoke frequently throughout the construction process, and we were on the same page on virtually every issue.”

“The new Vault Mastering Studio meets every one of my specific requirements, and when you walk in, it’s got that WSDG wow factor,” Nathan James says. “I migrated my entire mastering setup from New York, from the Custom DM console to the Duntech Sovereign/Cello amp monitoring combination that I’ve relied on for well over a decade. I brought all my trusted processing tools as well. Everything I need to get the most out of every recording is available at my fingertips. This is the studio I’ve always dreamed about. My original NYC Vault was aptly named because it radiated a sense of total sonic security. The new studio sounds and functions in a totally natural way. Sunlight enhances the creative vibe of the room during the day, and in the evening; it takes on an entirely different atmosphere. When I say I’m totally at home in my new Vault, I mean that both literally and figuratively,” James concludes.

Photos

1 WSDG designed The Vault Mastering Studio in Phoenix, AZ for engineer Nathan James (pictured)
2. The Vault Mastering Studio In Phoenix

Photos by John Brinkman.

###

Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for The Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the US, and corporate clients such as Hoffman La Roche. Recent credits include Jungle City, NY’s major new destination studio; private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Aerosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk, Beth Walters, and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for Jungle City. WSDG maintains offices in NY, SF, Miami, Argentina, Brazil, Beijing, Germany, Mexico City, Spain and Switzerland

LECTROSONICS WIRELESS SYSTEMS DEPLOYED AT THE HOUSTON LIVESTOCK SHOW AND RODEO

**** Photo: Jason Martin with his Lectrosonics HH transmitter ****

Houston, TX – April 2013… The Houston Livestock Show and Rodeo, held at Reliant Stadium, is the world’s largest live entertainment and livestock exhibition featuring a regular-season world-class rodeo. This year’s show, which ran from February 25th through March 17th, attracted more than 2 million spectators and was supported by more than 24,000 volunteers. Getting all the various announcements to both the on-site spectators as well as those following on TV via Fox Sports Southwest is a very involved process—and it included the use of wireless microphone systems from Rio Rancho, NM-based Lectrosonics. more…

134th AES Convention Preliminary Events Calendar Link Is Live

Roam Online For Comprehensive Events Details On May 4-7 Convention In Rome

ROME: The Preliminary Events Calendar for the 134th AES Convention, is live on the AES website: http://www.aes.org/events/134/calendar/calendar.cfm. Packed with descriptive abstracts of Papers, Workshops, Tutorials and Special Events, the Preliminary Events Calendar offers a comprehensive overview of the first AES Convention to be held in the Eternal City.

134th AES Convention Chairman Umberto Zanghieri emphasizes, “While the Calendar covers virtually every presentation and event we have developed for the entire four day Convention, attendees should continue to refer to it on a regular basis as times and locations are still subject to change.”

The 134th AES Convention will be held May 4 -7, 2013 at Rome’s Fontana di Trevi Conference Centre. The event represents a unique opportunity for audio industry professionals to exchange ideas and information and to network with peers from around the globe in one of the world’s most historic cities.

* Deadline for Advance Registration is April 19, 2013 click on https://secure.aes.org/events/134/visitors.cfmt to register
* Non-members who wish to join the AES may visit: http://www.aes.org/join/
* To attend the AES the technical program visit: https://secure.aes.org/events/134/visitors.cfm

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Bose® Expands PowerMatch® Line of Configurable Multichannel Power Amplifiers with Three New Models

Company introduces three new PowerMatch® models to offer contractors and system integrators a complete range of market-driven amplifiers.

Framingham, Massachusetts, April 10, 2013 – Bose® Professional builds on its proprietary PowerMatch® amplifier technology platform with three additional models of configurable professional power amplifiers. Based on decades of research across multiple industries, Bose engineers optimized audio performance with a robust Class-D amplifier and power supply design that together are uniquely capable of maintaining top performance even with unexpected variations in AC line voltage, rack temperature, and output load conditions. Configurable through the use of QuadBridge™ technology, each amplifier is capable of combining 2 or 4 output channels, creating flexible options to drive different power levels and loudspeaker impedances.

“Building off customer feedback we’ve received during our first 18 months with the PM8500, we developed three new models with different channel and power levels—all leveraging the same great performance, efficiency, and reliability of the acclaimed PM8500,” said Kyle Sullivan, Product Line Manager for Bose Pro Electronics. “Sound contractors and system integrators can now choose from four highly configurable models to cover the majority of their amp requirements for fixed installations ranging from demanding venues such as performing arts centers and sports arenas to high-end commercial installations including retail and hospitality locations.”

The full PowerMatch® amplifier line now includes the following models:
• PM8500 (8 channels, 4000 watts total rated power)
• PM8250 (8 channels, 2000 watts total rated power)
• PM4500 (4 channels, 2000 watts total rated power)
• PM4250 (4 channels, 1000 watts total rated power)

Network versions (PM8500N, PM8250N, PM4500N, PM4250N) are also available for each model, which enable control and monitoring over standard Ethernet networks.

All models deliver flat frequency response, wide dynamic range, and low distortion regardless of output level: Full audio frequency response deviation is +/- 0.5 dB (@ 1W), total harmonic distortion is 99 dB for the PM4250 and PM8250 and >102 dB for the PM4500 and PM8500 (below rated power, A-weighted). All models are housed in a 2U chassis and require standard AC circuits.

In conjunction with proprietary ControlSpace® Designer™ software, PowerMatch amplifiers offer the fullest feature set in their class – including onboard loudspeaker DSP, support for both low and high impedance loads (without external transformers), front-panel user interface, and fault detection, plus a digital expansion slot for use with optional audio networking and Bose ESPLink cards. PowerMatch amplifiers are put through Bose’s rigorous quality testing procedures and are backed by a 5-year warranty. The PM8250, PM4500 and PM4250 will be available starting June 2013.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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