Aphex® Expands 500 Series with New Modules

— New Parametric EQ, Optical Compressor and three new Mic Pre units join the acclaimed EX•BB 500™ in the series, forming a comprehensive line of signal processors —

Aphex®, a leader in audio enhancement technology for more than 35 years, has recently debuted its new 500 Series modules. The 500 Series now includes six models: J PRE 500 Mic Pre; EQF 500 Parametric Equalizer; DUAL RPA 500 Mic Pre; A PRE 500 Mic Pre; the COMP 500 Optical Compressor; and the acclaimed, previously unveiled EX•BB 500 Aural Exciter/Big Bottom module. All benefit from the portable and convenient 500 Series format and legendary Aphex sound.

The J PRE 500 mic pre is inspired by the flagship Aphex 1788A remote controlled preamp. They both have the same Jensen JT11K8 nickel input Transformer and Aphex patented Mic Limiter technology. Designed to provide no-compromise audio quality in the convenient 500 series format, the J PRE 500 also features a Jensen JT-11DL nickel output-balancing transformer.

The EQF 500 reissue is a modern take on the classic Aphex EQF-2 500 series three-band equalizer, originally introduced in the 1980s. With a Jensen output balancing transformer and 25Hz to 20kHz operation, the EQF 500 is extremely versatile and will make any program material shine while being punchy and quiet.

The DUAL RPA 500 mic pre is a two-channel solid state/tube hybrid preamp. The solid-state front end provides a fast transient response while the tube back end provides warmth and punch. The DUAL RPA 500 also has the Aphex patented Mic Limiter technology for “no second take” recording.

The A PRE 500 mic pre is inspired by the popular Aphex 188 eight-channel preamp. They both use a custom designed Aphex input Transformer. Like the 188, the A PRE 500 also features a Jensen JT-11DL nickel output balancing transformer. The A PRE 500 is extremely clear sounding yet musical.

The new COMP 500 module is an optical compressor. It features an electronically balanced input and uses a Jensen JT-11DL nickel output balancing transformer. The optocoupler was specified to be as fast as possible and, is produced exclusively for Aphex. The OC-500 features stereo linking, and provides all the transparency of an optical compressor with the flexibility to get aggressive compression when needed.

The EX•BB 500 is a mono, 500 Series module version of the popular Aphex Aural Exciter and Optical Big Bottom processors. Each processor has a dedicated, lighted enable button.

“The expansion of our 500 Series with these five new modules further illustrates Aphex’s commitment to providing a comprehensive range of digital signal processors,” stated Rick McClendon, Aphex’s General Manager. “The addition of three new mic pre’s, a parametric EQ and an optical compressor, which join our highly successful EX•BB 500 Aural Exciter/Big Bottom module, offers audio professionals a wider palette of processing options.”

Aphex CEO David Wiener was excited to add, “Remember that our Aphex technologies and products have been used by major artists, engineers and producers through popular music history, from Paul McCartney and Pink Floyd, to today’s Grammy®s, Oscar®s, and the upcoming Soul Train Awards. Aphex has had a huge impact and now, with our new 500 Series, we’re making these powerful tools available to pros and the new talent coming into the audio and entertainment industry. It’s really exciting to see our tech become small, portable and accessible to everyone.”

Pricing:

J PRE 500 $749 U.S. MSRP
EQF 500 $629 U.S. MSRP
DUAL RPA 500 $999 U.S. MSRP
A PRE 500 $629 U.S. MSRP
COMP 500 $629 U.S. MSRP
EX•BB 500 $299 U.S. MSRP

For more information please visit http://www.aphex.com.

RTW TMR7 TOUCHMONITOR MAKES ITS ASIAN DEBUT AT INTER BEE 2012

Designed for Radio Broadcasting, Four-Channel Metering Solution Offers Parallel Monitoring of On-Air Signals and Other Sources

TOKYO, JAPAN, NOVEMBER 14, 2012 – RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, is proud to announce the debut today of its new TMR7 TouchMonitor at the Toyo Corporation booth (Hall 4, 4305) during Inter Bee 2012. Specifically designed for radio broadcasting, the four-channel desktop unit features two AES3 digital (XLR) inputs that integrate all metering options required in radio broadcasting for a solution made to measure. The TMR7 is also making its European debut today, at the SATIS Expo in Paris, France.

The technological basis of the TMR7 is the TM7 TouchMonitor with its flexible modular configuration. Similar to the TM7, the TMR7 also includes a seven-inch touch screen, and is available as a desktop unit, fitted or as an OEM unit with 16 audio inputs. The versatile TM7 supports all professional audio metering applications.

“Based on our TM7 all-round unit, the TMR7 TouchMonitor is specifically targeted at users in radio broadcasting environments,” says Michael Kahsnitz, head of engineering at RTW. “It integrates all features required in radio production, two stereo inputs and extensive local configurability in an attractively priced package.”

Separate true peak and PPM instruments as well as a vectorscope and correlator for evaluating stereo signals are available on each TMR7 input channel. Licensing options include an extensive loudness-meter implementation (EBU R128, ITU BS.1770-3/1771, ATSC A/85, ARIB) with graphical and numerical single-channel and summing views as well as loudness range (LRA), MagicLRA and SPL metering. Licenses are also available for an optional realtime analyzer (RTA) and the Premium PPM package with moving-coil instruments.

The intuitive operating concept of the TouchMonitor range offers maximum flexibility. Users can move freely scalable instruments to any position on the graphical surface, allowing them to personalize the entire screen area. Views, scaling and metering standards are separately definable for each signal source. In addition, the convenient on-screen help function makes setting up the unit a breeze.

The four audio inputs provided by the two AES3 ports are configurable for mono, stereo or multichannel sources, providing separate instruments for each source. Plus, the GPIO interface for overall control, the Ethernet port and the VGA output for external display units offer further functionality.

CLEAR-COM NAMES CHRISTIAN EBERLEIN NEW DACH AND POLAND REGIONAL SALES MANAGER

ALAMEDA, CA, NOVEMBER 2012 ? Clear-Com®, a global leader in critical voice communication systems, has named Christian Eberlein as its new Regional Sales Manager for DACH (Germany, Austria, Switzerland) and Poland. As an industry veteran with substantial experience in sales and marketing, Eberlein will play an important part in deepening Clear-Com’s presence in these regions. His addition to the already strong sales team will certainly drive significant business to the DACH region and Poland. more…

Lowell Introduces Rackmount Panel for Hardwired Connection

— New rackmount panel with eight 15-amp power outlets, built-in surge protection and six-foot
non-metallic flexible conduit —

Lowell Manufacturing Company, a U.S. manufacturer of professional A/V products currently celebrating its 65th anniversary, introduces a new rackmount panel, model no. ACR-1508-S-HW, which has eight 15A power outlets in the rear as well as a six-foot non-metallic flexible conduit for secure connection to the power source. The flexible conduit can be trimmed to the exact length needed and is much easier to route through tight spaces than a traditional metal-clad whip. The new hardwired panel measures 19″W x 9″D x 1.75″H and includes built-in surge protection. Two LED status indicators in front allow users to quickly confirm that power is flowing and surge protection is active. The model is ETL-listed.

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

GC Pro Helps the James Burton Foundation Enrich Kids’ Lives with Music

— Students at the Recording Studios Program, a component of the James Burton Foundation’s multiple approaches to bringing music and music education to those in need, now can work on an SSL AWS900 console and a complete complement of high-end gear —

The James Burton Foundation, founded by its namesake Rock & Roll Hall of Fame-member guitarist, best known for his work with Elvis Presley, supports music education for those in need through guitar donations and music instruction to schools, hospitals and community service organizations. The Foundation is currently expanding its outreach programs, including taking the organization’s recording education agenda to the next level. That initiative was moved substantially forward recently with a package of studio technology sourced through Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, including a new SSL AWS948 recording console, an Aviom studio cue system, new Mojave studio microphones and an array of outboard equipment. This acquisition, custom-tailored by GC Pro’s Nashville-based Senior Account Manager Chad Evans to exactly match the Foundation’s needs and budget, will help the Foundation continue to provide free-of-charge music and technical education opportunities to students and the community in Shreveport, Louisiana. The Foundation has given thousands of guitars to schools and children’s and veteran’s hospitals, and they continue music education outreach through programs such as the James Burton Foundation Museum and Performing Arts Stage, the Music Education Program, an Oral History Program and the Recording Studios Program, as well as events such as the James Burton International Guitar Festival.

What GC Pro was able to do for the James Burton Foundation comes about from GC Pro’s long history of helping both education and non-profit institutions. For instance, GC Pro works with technical and media arts schools including SAE and the Art Institutes facilities in locations across the U.S., and in Nashville it has sourced equipment and provided advice to music technology programs at schools including Middle Tennessee State University (MTSU), Belmont University, Lipscomb University and Vanderbilt University.

“To effectively service educational institutions, you have to be able to put yourself in the place of the teacher and the student,” explains Chad Evans, Senior Account Executive for GC Pro in Nashville, who guided the James Burton Foundation through this acquisition process, providing consultation on which products and platforms would best help its students and teachers. “We’ve worked with schools and non-profits often in the past, so we’ve developed a good sense about which products are a good fit for each institution’s needs. And we’re very aware of how important budgets are to these kinds of clients. They need to know that their money is being spent wisely and effectively. We’re able to offer them the best possible advice that also fits their budgetary needs and allows them to further their missions without compromising. That’s why so many institutions like the James Burton Foundation partner with us.”

For more information, please visit www.gcpro.com.

GUITAR CENTER OPENS NEW STORE AT SOMERVILLE CIRCLE, RARITAN, NEW JERSEY

— 238th Guitar Center location features on-site lessons and repair services, along with GC’s vast inventory selection —

On the evening of Thursday, October 25, 2012, Guitar Center held the grand opening of its new location in Somerville Circle, Raritan, NJ, located at 401 Route 28, Raritan, NJ 08869-1340. The Somerville Circle store is Guitar Center’s 238th retail location.

Guitar Center Somerville Circle’s grand opening introduces customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration featuring exclusive savings, gear giveaways and free events. Guitar Center’s Somerville Circle location features showrooms equipped with the latest products for musicians – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment and more.

The store features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which is already creating unrivalled opportunities for Raritan musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios will be the most modern lessons facility in the area. Guitar Center Somerville Circle also features GC Garage, Guitar Center’s on-site guitar repair service.

As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center Somerville Circle will offer unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry will be able to come to the store to interact with and pick the brains of several industry leaders.

Somerville Circle shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include Somerville Circle’s inventory, but it also provides easy access to Guitar Center’s $400 million in new and used inventory located in hundreds of GC stores and warehouses nationwide. Customers have the ability to combine a variety of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.

In addition to special programs at the new Somerville Circle store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Raritan residents will now be able to participate in these ongoing national events from their hometown:

Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crüe, KISS and Jane’s Addiction.
Guitar Center Singer-Songwriter is an artist discovery program that aims to find the nation’s best unsigned singer-songwriter. Last year’s winner received a career-altering prize package which has included recording 3 songs with accomplished Grammy® Award-winning Producer John Shanks, recording time at Converse Rubber Tracks studio and $10,000 cash.
Guitar Center’s Battle of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Daniel “Boscoe” France, performed alongside Grammy Award-winning Producer Pete Anderson at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.
Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center Somerville Circle is open seven days a week. Store hours are 10:00 a.m. to 8:00 p.m. Monday-Saturday and 11:00 a.m. to 7:00 p.m. Sunday.

Salam Media Cast Announces New Partnership With VidiGo

Leading systems integration company Salam Media Cast (SMC) has announced an exciting partnership with VidiGo that will allow SMC’s customers to access VidiGo’s revolutionary range of broadcast software products.

The new deal, which comes hot on the heels of similar arrangements with HoloVis International Ltd and Visual Unity, will enable SMC to expand its world leading capabilities in the Broadcast Solutions market and offer an even greater range of technology, solutions and services to its burgeoning client base in the Middle East and Europe.

Launched in 2006, VidiGo has developed a range of high quality, intuitive software products running on standard IT-hardware that liberate the use of professional video and make the production of AV content accessible and affordable for everyone.

Among the many software solution in the VidiGo range are VidiGo Live, a multi-camera live production solution that incorporates audio and video effects; VidiGo Toolbox, a software solution that allows broadcasters to easily incorporate Skype, Google Maps and YouTube into their programming; VidiGo Graphics, that allows broadcasters to interact with social media; VidiGo Works, a software for creating, editing and distributing processional video content; VidiGo Playout, for incorporating Adobe Flash graphics into a playout schedule, and VidiGo Visual Radio, which gives radio broadcasters access to online, mobile and TV platforms.

Paul Hennessy, CEO of SMC, says the new partnership with VidiGo will allow SMC’s broadcaster customers to access some of the most sophisticated software solutions on the market.

“SMC has a proven track record in identifying the very latest broadcast technologies and we are constantly investigating new ways in which we can bring value-added solutions and services to our clients,” he says. “Our new partnership with VidiGo is very exciting as it expands our ability to deliver innovative workflows that truly benefit customer specific requirements.”

Hans Krouwels, CEO of VidiGo adds: “We are delighted that SMC is partnering with us and look forward to introducing many new customers to our product range. By replacing complex hardware driven workflows with easy-to-use VidiGo solutions, creative staff can regain control of their workflow while broadcasters can make substantial savings in investment and operational costs.”

Based in Doha, Qatar, SMC has over 35 years’ experience of systems integration in the Gulf region. The company represents many worldwide manufacturers such as Avid Technology, Quantel, SeaChange, Leitch, Vinten Broadcast Ltd., Telestream, Vizrt and EVS Broadcasting. It also serves TV channels and networks, movie studios and network operators in the region, providing telecommunications, broadcasting, integrated systems and state-of-the-art security.

In 2010, SMC joined GSSG Holdings as part of its Media Group, with offices in Qatar, UAE, Oman, and Saudi Arabia. More recently, the company has been expanding its team by acquiring local and international talent, opening an office in the UK and diversifying its activities to reflect the technological changes that are taking place within the broadcast and media industries. This shift in focus is enabling SMC to enter new markets and develop its business in the multiscreen environment. It is also introducing new services such as Salam Media Cast Support, a cost effective service that is designed to help customers deal with their day to day maintenance requirements and simplify the management of multi-vendor hardware and software to ensure that systems operate at peak performance.

-ends-

About Ghanim bin Saad Al Saad & Sons Group Holdings

Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and international. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Salam Media Cast (SMC)
Salam Media Cast is a proven Media Broadcast and Communications Technologies solutions provider, serving the Media, Telecommunications, Security, Education, Hospitality and advertising industries in the Gulf region for nearly 40 years. In 2010, SMC joined GSSG Holdings as part of its Media Group, with offices in Qatar, UAE, Oman, and Saudi Arabia.
Salam Media Cast pioneers not only in equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, but also equips whole multivendor environments. SMC provides solutions from safeguarding national security such as in government operations, creating the best venues for education such as museums and classrooms, enhancing sports environments and revolutionizing health facilities and satellite telecommunications.
To support the workflow and innovation demands of our valued customers, we have recently expanded our team with new local and international talent. We use our expertise to help realise your goals and ambitions – we listen, advise, design and build great workflows that work for you. Our ambition is to be your trusted partner in the Gulf region.
www.salammediacast.com

Audio Engineering Society And OCA Alliance To Collaborate On ‘Open Control Architecture’ Standard

NEW YORK: The Audio Engineering Society (AES) and the OCA Alliance have jointly announced that an AES standards project has been founded to consider OCA, the Open Control Architecture, for a public standard for control and monitoring of professional media networks.

The goal of this project, identified as: AES-X210, “Open Control Architecture (OCA),” is to produce a public, open, and royalty-free communications protocol standard for reliable and secure control and monitoring of interconnected audio devices in networks of 2 to 10,000 elements.

When the standard is complete, it is hoped that OCA will find broad acceptance in the media systems industry, and open a new era in standardized, interoperable control of devices from diverse manufacturers.

OCA will be a control and monitoring standard, not a media transport standard. It is intended to operate seamlessly with a wide range of media transport standards such as AES-X192, “High-performance streaming audio-over-IP interoperability” – currently in development – and IEEE AVB. Together, these standards will offer a path to complete network application solutions for future media networks that include both media transport and system control functionality.

OCA is substantially based on work done in the early 1990′s by the AES24 project, a pioneering effort in network system control. Although AES24 never reached full standards status, it offered a number of advanced concepts, which have found their way into various developments over the years.

In the coming months, the AES-X210 task group, part of AES working group SC-02-12 on Audio Applications of Networks, will be meeting to render the current OCA 1.1 specification into standards form and to shepherd its processing through the AES’s open standards process. Interested individuals are encouraged to participate. The full standards participation policy is available from the AES Standards website. During this period, the OCA Alliance will undertake various initiatives to support the work of AES-X210, and to define proposals for future extensions to the standard.

Crystallizing the focus of the new alliance, AES Standards Committee Chair, Bruce C. Olson remarked, “AES Standards has been deeply involved with standards for digital audio since starting work in 1977. The AES-X210 project to standardize OCA takes us to the next important milestone by integrating control with transport of audio over a variety of networks. Combined with a number of other projects in this exciting area of audio the AES continues to lead the world in audio standards, which enable a thriving marketplace for compatible products from competing manufacturers. We are very pleased to collaborate with the leading manufacturers in the OCA Alliance on this standards project.”

Photo: AES Standards Committee Chair, Bruce C. Olson

Web Pages
AES Standards website: http://www.aes.org/standards/
AES Standards participation policy www.aes.org/standards/development/membership.cfm
OCA Alliance website: http://www.oca-alliance.com/

###

About the AES
The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

About the OCA Alliance
OCA Alliance is a non-profit corporation formed to secure the standardization of the Open Control Architecture (OCA) as a media networking system control standard for professional applications. The OCA Alliance’s purpose is to actively promote the adoption and standardization of Open Control Architecture (OCA) as a media networking system control standard through marketing, education and training and to develop future standards and other documents that augment, enhance or extend the primary OCA standard for the purposes of enabling and promoting increased interoperability and reliability for a variety of transport standards.

Genelec 2012 AES Press Kit

The Recording Academy P&E Winig 2012 AES Press Kit

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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