Expanded Project Studio Expo at AES137 Hosts Sunday Sponsor Events

— Presented in association with leading recording technology publication Sound On Sound, the Project Studio Expo is intended to give home recordists a new perspective on how they can better use their tools and their ears —

New York, NY, October 7, 2014 — A wide range of on-stage sessions have been announced for Sunday’s Project Studio Expo Sponsor Day at the upcoming 137th Audio Engineering Society Convention, scheduled for Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. The PSE offers 3 days of events covering such topics as getting big-studio results on a tight budget; audio separation; recording and songwriting; and studio/live networking.

Project Studio Expo, Sunday Sponsor Events:

Session PSE14 – Mixing Perspectives: Tales of achieving big studio results on a project studio budget (led by Focal Press)
Sunday, October 12, 11:00 am — 11:45 am

Session PSE15 – Audio Separation (led by Audionamix)
Sunday, October 12, 12:00 pm — 12:45 pm

Session PSE16 – Recording and Songwriting with Focusrite Novation
Sunday, October 12, 1:00 pm — 1:45 pm

Session PSE17 – Real-World AVB Networking in the Studio and on Stage Using MOTU AVB Audio Interfaces
Sunday, October 12, 2:00 pm — 2:45 pm

Full PSE sessions, including events for Friday and Saturday, can be found here: http://www.aes.org/events/137/projectstudioexpo/.

“There has been tremendous response to our Project Studio Expo over the past three Conventions, and the addition of Sunday sessions offers even more resources for Convention attendees,” states Bob Moses, AES Executive Director. “With the help of our partners and sponsors we have seen the PSE grow into a program that really offers something for everyone in the audio community. I feel this serves as a real incubator and inspiration for seasoned professionals as well as those who are attending an AES event for the first time. These are top-notch educators and engineers who are giving as close to a one-on-one dialog as you can get. And to have this included as part of our free Exhibits-Plus badge offerings is really a great way to expand the mission of the AES – to educate and provide support to those audio engineers that play a large part in our audible world.”

The AES gives Special Thanks to presenting PSE Sponsors; Audionamix, Focal Press, Focusrite Novation, and MOTU along with additional sponsors; AVID, Sennheiser, TC Electronic, and Universal Audio.

For information on the Project Studio Expo, as well as further Registration, Hotel, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

Session Info Announced for Upcoming High Resolution Audio Program at 137th Audio Engineering Society Convention

— High Resolution Audio program, taking place Friday, October 10, at AES137 in Los Angeles, will feature four different sessions throughout the day, addressing the current and future direction of High Resolution Audio from various perspectives —

— Representatives from leading consumer audio brands set to participate in High Resolution Audio program, as well as display high-performance audio products on the AES convention’s exhibition floor —

New York, NY, October 7, 2014 — Detailed session information has been announced for the AES137 High Resolution Audio (HRA) program, taking place Friday, October 10, 2014, in Room 304 AB at the 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles). The direct result of a collaborative effort between the Audio Engineering Society (AES) and DEG: The Digital Entertainment Group, the HRA program will include a number of panels and sessions that address the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more.

“Taken as a whole, these panel sessions will provide AES attendees a much greater understanding of the key issues that are currently impacting the High Resolution Audio market,” said Marc Finer, Senior Director, DEG: The Digital Entertainment Group. “Working in cooperation with The Recording Academy® Producers & Engineers Wing®, we’ve developed a comprehensive program that fully addresses virtually every aspect of the HRA workflow – from the studio to the home.”

These panels and sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry.

Individual session info:

Hi-Res Audio Devices for Every Lifestyle (10:00 am – 10:50 am): Learn more details about the growing number of hi-res compatible devices available today from some of the biggest names in hi-res devices including Astell & Kern, dCS, DTS, Kimber Kable, Meridian, Mytek, and Sony. Subjects will include how to demonstrate hi-res audio at retail; the latest options for enjoying hi-res music on-the-go; and how to educate and engage young music enthusiasts. Moderated by Marc Finer (Digital Entertainment Group), the panel includes Owen Kwon (Astell & Kern), John Quick (dCS Ltd.), Fred Maher (DTS Inc.), Ray Kimber (Kimber Kable), J. Robert (Bob) Stuart (Meridian Audio Ltd.), Michal Jurewicz (Mytek Digital) and Aaron Levine (Sony Electronics).

The New Business of Hi-Res Music (11:30 am – 12:20 pm): Get an inside look at the opportunities and challenges associated with hi-res music from Mark Piibe at Sony Music, Howie Singer at Warner Music, and Jim Belcher at Universal Music. Moderated by Marc Finer. Topics will include licensing hi-res files; the latest distribution partners; ingesting and archiving digital assets; new subscription models; and the best ways to promote hi-res music.

Hi-Res Audio Production Workshop (1:00 pm – 1:50 pm): [co-sponsored by the Recording Academy P&E Wing] Join top producers and engineers as they discuss the music creation process and best practices when recording, mixing and mastering in high resolution. The panel, moderated by Leslie Ann Jones (Skywalker Sound), features Chuck Ainlay (Producer/engineer, METAlliance), John Burk (Concord-Telarc Label Group), Ryan Ulyate (Producer/engineer) and Bob Clearmountain (Producer, engineer and mixer), who will review the key aspects of various audio formats in context with their latest music projects.

High Resolution Audio—Super Session (3:00 pm – 3:50 pm): Meet and mix with some of the brightest minds in the business including Bruce Botnick (Music producer, recording and mastering engineer, VP Content Acquisition for Pono Music), George Massenburg (Producer/engineer/inventor, McGill University), Andrew Scheps (Producer/engineer/mixer) and Bill Schnee (Producer/engineer, Schnee Studio), as they explore a number of the most challenging issues facing the recording industry today concerning the adoption of high resolution audio. Moderated by Maureen Droney (former recording engineer/music journalist, currently Managing Director of The Recording Academy® Producers & Engineers Wing®) Don’t miss this rare opportunity to hear from these opinion makers!

The High Resolution Audio program will be a major focus at AES137, part of a long tradition of the AES and its conventions serving as the forum for the discussion and advancement of state-of-the-art audio technologies. For over 65 years, nearly every seminal audio development has been incubated and promoted within the AES community, beginning with stereo LPs in the 1950s and continuing with magnetic tape in the 60s, digital audio and the Compact Disc in the 70s, perceptual coding (e.g. MP3) over the past 25 years, all the way to today’s digital streaming formats. It’s no wonder that the DEG and the AES have decided to partner to bring to AES137 Convention attendees the most current and comprehensive information on the state of High Resolution Audio, which is defined as “lossless audio that is capable of reproducing the full range of sound from recordings that have been mastered from better than CD quality music sources.”

For Registration and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

AES and DEG Announce Sponsors for Upcoming High Resolution Audio Program at 137th Audio Engineering Society Convention

— High Resolution Audio program, taking place October 10 at AES137 in Los Angeles, to be sponsored by leading consumer audio manufacturers —

New York, NY, October 3, 2014 — A High Resolution Audio (HRA) program will take place Friday, October 10, 2014, in Room 304 AB at the 137th Audio Engineering Society Convention (October 9-12, 2014, at the Los Angeles Convention Center in downtown Los Angeles). The direct result of a collaborative effort between the Audio Engineering Society (AES) and DEG: The Digital Entertainment Group, the HRA program will include a number of panels and sessions that address the current and future direction of HRA from various perspectives, including content creation, digital distribution, licensing of hi-res music files, archiving, subscription models, marketing/promotion of hi-res music, compatibility of playback devices and more.

The HRA program is sponsored by the following brands, representing leaders from consumer electronics:

Astell & Kern (manufacturer of portable high-fidelity audio systems capable of playing mastering-quality sound from music mastering studios) / Audeze (manufacturer of high-end audio headphones and accessories)
dCS (“Data Conversion Systems,” a pioneer in high-resolution audio who has developed converters capable of supporting 24/192, DSD and DXD formats; the world’s first high resolution [24/88.2] and surround Super Audio CD [SACD] recordings were created using dCS technology)
DTS (a premier audio solutions provider for high-definition entertainment experiences)
Kimber Kable (a leading developer and manufacturer of cables for the high-performance audio sector)
Meridian Digital (acclaimed developer of the highest quality consumer home entertainment systems, widely recognized as a world leader in quality audio and video reproduction)
Mytek Digital (manufacturer of high performance digital audio converters and meters)
Sony Electronics (a leading consumer and professional electronics and entertainment company)

These panels and sessions will feature some of the brightest minds in the business as they discuss some of the most current and controversial issues concerning the rapid adoption of high-resolution audio across the industry. A complete list of HRA sessions, including topics, moderators and panelists, will be released in the coming days.

“We are very pleased to be working with the Digital Entertainment Group to create this unique and timely program on High Resolution Audio,” stated Bob Moses, AES Executive Director. “High Resolution Audio is a vital topic in the industry right now, and working with organizations like the DEG and The Recording Academy, we have created this comprehensive program, which will give attendees the most current and up-to-date real-world information available on these subjects.”

Introducing the Pure2 by Antelope Audio: A Two Channel Mastering Converter from the Authority in Clocking

Pure2 Features Best in Class Conversion Quality, Dual DAC Architecture and Acoustically Focused Clocking (AFC) Technology from Antelope’s Flagship Trinity Master Clock

Los Angeles, October 7, 2014: As part of a multi-dimensional product unveiling at the 137th International AES Convention, leading professional audio gear manufacturer Antelope Audio introduces Pure2, a mastering-grade 24/192 kHz AD/DA 2-channel converter and master clock. Pure2 builds on Antelope Audio’s mastering legacy of the very successful high-end converter Eclipse 384.

Pure2FrontThe Pure2 enables users to realize unsurpassed digital clarity and analog realism, while offering a flexible set of connectivity options and extremely efficient and ergonomic software remote control. Pure2 employs an all-new design that leverages best-in-class Burr-Brown converters and the same Acoustically Focused Clocking (AFC) technology present in Antelope’s ultra high-end Trinity master clock.

More than just a mastering converter, Pure2 comprises five distinct high performance components:

• An A/D converter with optimized overloads handling
• A D/A converter with dual DAC architecture
• A high-end headphone amplifier with a dedicated D/A
• A relay-based analog volume control for supremely accurate monitoring
• A master clock with 4th generation of Antelope’s AFC jitter management

Pure2With Pure2, clear and realistic audio quality is within reach. In addition to its first-rate conversion and AFC technology, the unit also features Antelope Audio’s pristine analog circuitry, which is driven by a proprietary, multi-stage linear power supply. When monitoring through speakers, Pure2′s relay-based stepped attenuator ensures exceptional transparency and perfect L/R balance, even at low listening levels. Additionally, Pure2′s dual-DAC technology — with separate DAC chips for left and right channels —guarantees superior stereo separation and imaging.

“As digital devices and software-based tools become more and more ubiquitous in recording and playback environments, advanced clocking and conversion technology is now a prerequisite towards getting great sound,” commented Igor Levin, founder and CEO of Antelope Audio. “Pure2 puts world class mastering functionality within the reach of just about anyone, at a fraction of what it would have cost just three years ago.”

Pure2: The New Heartbeat of Your Studio
Pure2RearWith Pure2, attaining immaculate audio quality does not have to be complicated. The device includes a highly intuitive software control panel (compatible with both Mac and PC) enabling users to manage all facets of its operation from a computer. Meanwhile, the front panel of the unit also includes user-definable presets for added routing convenience and efficiency.

Among the most exciting features of Pure2 are its unparalleled connectivity options. With several Word Clock outputs, Pure2 can function as the master clock for an entire studio and can also be locked to Antelope’s legendary 10M Atomic Clock for even greater clocking stability. Further, Pure2 can be connected via S/PDIF, TOSLINK, AES and USB, making it suitable for nearly any studio environment.

Pure2, which is a perfect standalone mastering-grade converter for any studio and live application, is scheduled to ship in late Q4 of 2014 and will be priced at $2,195.

About Antelope Audio:
Antelope Audio is a leading manufacturer of high-end professional audio equipment and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed digital and analog circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 1U 32-channel audio interface and a multi-channel portable interface with 12 mic pres. Antelope’s breakthrough technologies are offering both studio and live audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

Photo captions:
1) The Antelope Audio Pure2 is a mastering-grade 24/192 kHz AD/DA 2-channel converter and master clock.
2) Teaser video for the new Antelope Audio Pure2 mastering converter.
3) Rear panel of the Antelope Audio Pure2.

Moog Announces Worldwide Release of Werkstatt-01 Analog Synth & Online Modification Portal

Werkstatt_01ASHEVILLE, NC, October 7, 2014: Today, Moog Music announced the official worldwide release of the Werkstatt-01 Analog Synthesizer Moogfest 2014 Kit — a patchable analog synthesizer designed to inspire the exploration and modification of classic Moog circuits while delivering a myriad of vintage and new raw, mangled, and monstrous Moog tones. This highly-portable instrument is secured in a solid-steel chas-sis and features a harmonically rich Moog VCO, classic 4-pole Moog Ladder filter, wide-range LFO with audio-rate modulation capabilities, ADS envelope generator, and an analog patchable header for expansive sonic experimentation, manipulation, and decimation.

Today also marks the launch of WerkstattWorkshop.com (beta) — an interactive creative learning portal containing project ideas, mod tutorials, parts lists, educational lesson plans, 3D printer files, Arduino integration and control and many other dynamic resources for Werkstatt owners. This microsite also includes Moog’s new and ongoing research surrounding the use of subtractive synthesizers in STEM and STEAM high school classrooms. Lessons in these studies are focused on project based learning opportunities, and encouraging a creative deployment of practical skills in STEM fields. All lessons and associated materials are open source and available online free to educators across multiple disciplines.

“Analog synthesizers have long had their own maker culture born of curious engineers, physicists and hobbyists alike,” said Moog Music CEO, Mike Adams. “Bob Moog got his start at the age of 15 by studying and modifying Leon Theremin’s designs. We’d like to share our love for learning, music, and electronics to empower a new generation of makers to expand on our work and take it to levels we can’t yet imagine,” Adams said.

Werkstatt _02In April 2014, the Werkstatt-01 Analog Synthesizer Kit was made available to Engineering VIP ticket holders at Moogfest 2014, Moog’s multi-day celebration of technology, art and music. The success of the workshop at the festival prompted Moog to release a limited number of Werkstatt’s to select US dealers. Starting today the Werkstatt-01 Analog Synthesizer Kit is available and in stock at all Moog Music dealers worldwide. MSRP of $329 US

Video Links:
http://youtu.be/32wzAhNy5aY

Audio Links:
https://soundcloud.com/moogmusicinc/sets/werkstatt-o1-moogfest-2014-kit

Product Page:
http://www.moogmusic.com/products/werkstatt/werkstatt-ø1-moogfest-2014-kit

Community:
www.werkstattworkshop.com

About Moog Music:
Moog Music synthesizers and other electronic musical instruments are designed and lovingly handcrafted in the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.

Sound Devices 970 Takes Audio to the Rack at AES 2014

64-Track Dante™ and MADI-Equipped Audio Recorder Features New FileSafe™ Technology to Guard Against Unintentional Drive Removal and Power Loss

LOS ANGELES, OCTOBER 7, 2014 – Sound Devices 970, the company’s first-ever dedicated audio-only rack-mounted recorder/player, makes its AES debut during this year’s convention (Location Sound Booth 1340). The 970 boasts an impressive 64 channels of Dante™ and MADI, and incorporates Sound Devices’ latest FileSafe™ technology, which recovers audio files if drives are unintentionally removed or power is lost during recording. The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording such as capture of multi-channel sound for large-scale live performance and acquisition of dialogue for TV reality shows, drama and film. Sound Devices 970 - front panel

The Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit Broadcast WAV files from any of its 144 available inputs. Inputs available include 64 channels of Audio-over-IP using Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. It is a supremely powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any of the 64 tracks and any of these tracks can be routed to any output. In addition, 32-track recording at 96 kHz is supported.

The 970 records to up to four attached drives, which include two front-panel drive caddies and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

Sound Devices FileSafeFileSafe, which automatically detects and repairs corrupted file headers when drives are mounted, is incorporated directly into the 970. During recording, data is written to a proprietary Sound Devices file format optimized for high-data rate, real-time audio recording using an ‘.sda’ file extension. When a recording ends, files are automatically “finalized” by converting the ‘.sda’ files to standard ‘.wav’ files. In the event that files cannot be finalized, whether due to power loss or inadvertent drive disconnection, they still remain intact on the drive. Users can recover these files by simply inserting the drive back into the 970. In the absence of the 970, the FileSafe Mac or PC utility, available as a free download (http://www.sounddevices.com/products/filesafe/), can be used to recover files that have not been finalized.

In addition to RS-422 and GPIO control, the Sound Devices 970 features an embedded Web-based control panel for remote transport and setup control from any browser-enabled device as well as the ability to remotely instigate file transfer over Gigabit Ethernet with SMB. In mission-critical audio-over-IP AV installations, where hundreds of audio channels are distributed between zones, the ability to setup a redundant Dante network to protect against loss of audio due to network failure provides peace of mind. The ability to have one drive transferring files over Ethernet, while another continues recording, offers significant production time savings.

Users can perform fast file metadata editing of scene name, take number, notes, track names, circle status and reel folders during, before and after recording across all drives. Metadata is stored in industry standard Broadcast Wave iXML and bEXT containers.

With its vast array of input and output types, the 970 allows for live conversion between analog, AES digital, MADI and Dante, acting as a bridge and routing matrix between these types of audio I/O. The built-in, rock-steady Ambient Recording Lockit time-code technology makes the 970 well suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports external synchronization from word clock, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

Sound Devices 970 is designed with a large five-inch screen for large, easy-to-read, full scale metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Middle Atlantic Names Colindres As Western Regional Sales Manager

Fairfield, NJ––Middle Atlantic Products has appointed Marco Colindres as Regional Sales Manager for the Western Region. Colindres’ territory includes the Pacific Northwest, Northern California, Northern Nevada, and the Rocky Mountains (Wyoming, Montana, Colorado, Utah and New Mexico) for all market segments.

With extensive sales and marketing experience in the CE, Custom Install and Commercial markets and special expertise in the Power category, Colindres held several key positions at CORE Bands including Ecommerce Sales Manager, National Sales Training Manager and Special Products Marketing Manager prior to joining Middle Atlantic.

Colindres also served as National Sales Manager and Product Area Manager-Cable for Monster Products and headed up his own sales rep firm, Pride of Hawaii Sales Group in Honolulu. His educational background includes an MBA in Business Administration from San Francisco State and a BS in Business Administration Marketing from the University of San Francisco.

Commenting on Colindres’ appointment, Middle Atlantic Sales Director Whitt Adams said, “In addition to his extensive sales and marketing background and technical expertise in key market segments, Marco’s energy, passion and commitment to our customers is what really sets him apart. The fact that he’s become such a valuable asset for Middle Atlantic and our team in a such a short time comes as no surprise.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Barix to Stream Festival of Lights Broadcast in Germany

Audio over IP streaming solution to deliver historical recordings and other special content in remembrance of the Peaceful Revolution

ZURICH, SWITZERLAND, October 7, 2014 – Audio over IP technology from Barix will help the Festival of Lights in Leipzig, Germany celebrate the Festival of Lights on October 9, 2014 with citizens and prominent political representatives, in recognition of the 25-year anniversary of the Peaceful Revolution. Barix is working with online radio broadcaster detektor.fm to revive the former Leipzig City Radio, developing an Audio over IP streaming architecture to broadcast sound collages, musical treasures, features and other original recordings about the Peaceful Revolution and generation of ’89. The Barix streaming solution will be deployed within the “City Radio Media Room” studio, delivering broadcast content from 10 Exstreamer IP audio decoders to various playout points across the festival.

Exstreamer100_FrontAngle_press

As an emotional highpoint of the many historical remembrance events organized by Leipzig Tourismus und Marketing GmbH, the Festival of Lights is extending across the entire inner city ring road for the first time. It documents the historical route of the Leipzig demonstrations, and establishes links between the events in 1989 and 2014 along the route through a broad diversity of projects, performances and projections.

In addition to broadcasting original recordings as part of the special listening experience, contemporary witnesses, historians and ambassadors from other countries will be speaking about the events then and now. Inspired by the spirit of the Peaceful Revolution, visitors to the Festival of Lights are invited to become part of the broadcast, along with Festival of Lights artists introducing their projects throughout the event. The audio streams presented by detektor.fm will then be broadcast between 6am and 7pm at all of Leipzig‘s LVB public transportation stops within the inner ring road of Leipzig.

NATURTON audiodienste GmbH is assuming responsibility for technical implementation of the radio system at stops and stations. Involvement in the Festival of Lights is a personal desire for the company’s CEO Adrian Neumann, who is pleased to deploy the Barix IP streaming solution during the Leipzig Festival of Lights.

“Knowledge gained from my data teleprocessing days is has provided me with experience about how to relay an audio signal through an IT network, which is what we are ultimately doing at the Festival of Lights,” said Neumann. “This is where LTE transmission and IT streaming, and legacy amplifier and loudspeaker technologies are being united – like my education in the East and my career in the West. This is why the project is very exciting for me.”

Barix offers the ideal solution for the streaming architecture due to its support of numerous protocols, encoding methods and application-specific firmware. The Barix Exstreamer continues to be a leading choice for radio (terrestrial and online), VoIP and other related applications worldwide, with tens of thousands of deployments worldwide.

“The Barix IP streaming solution is ideal for the deployment planned at the Leipzig Festival of Lights,” says Frank Frederiksen, COO of the Zurich-based company. “We are extremely glad to be able to support the festivities surrounding the memorable events in the autumn of 1989. The Peaceful Revolution and the accompanying end to the Cold War also associate us in Switzerland with a transition to a new global era. In this respect, being part of this wonderful event is a matter close to our heart.”

Please visit www.lichtfest.leipziger-freiheit.de for more information on the Leipzig Festival of Lights, the program and additional material. The radio station is inviting all interested parties to join in on the broadcast, and is calling for people to get involved in the program via social networking and the interactive detektor.fm app by contributing their personal experiences.

Barix: We Move Audio (www.barix.com)
Barix provides system integrators and end customers across the globe with simple and reliable solutions and components. We relay high quality audio over IP networks, and so have been enabling our customers for longer than 10 years now to benefit from the hundreds of thousands of devices installed the world over. The range of applications for Barix solutions is diverse, ranging from the distribution of background music with dynamically inserted advertising for the retail industry, bars and hotels, and PA systems for schools and public areas, to intercom and entry systems for building surveillance, protection and security. Barix is also providing support in OEM projects for more than 500 companies across the globe.

# # #

Barix AG, Seefeldstrasse 303, 8008 Zurich, Switzerland
Tel: +41 (0)43 43322 11, Fax: +41 44 2742849
Barix Technology Inc, St. Paul, MN, US – +1 (0)866 815-0866

http://www.barix.com

http://www.ip-audio.info

RTW Mastering Tools PlugIn Makes US Debut at AES 2014

Additional Loudness Solutions on Display at Avid Connectivity Partner Pavilion

LOS ANGELES, OCTOBER 6, 2014 – RTW, the market leader in visual audio meters and monitoring devices, will showcase its RTW Mastering Tools, the second plugin in its Masterclass PlugIns line of software-based metering solutions, at the 137th AES Convention (Avid Connectivity Partner Pavilion Booth 1101). Ideal for post production, TV, film and music recording, the new addition brings extensive analysis and display functions for mastering, metering and loudness measurement for single- and up to eight-channel applications as a standard-format plugin for Windows and Mac OS platforms, including AAX Native 64-bit plugin for Avid ProTools 11. RTW_Mastering_Tools

Designed for simple, intuitive operation by a broader user base, RTW Mastering Tools offers a wide range of PPM scales, displays and TruePPM measurements. As with all of RTW’s software plugins and TouchMonitor line of meters, RTW Mastering Tools provide support for many of the leading global loudness standards including ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGICOM and CALM Act. Other key features include numerical or bar graph-type readout, plus MagicLRA and correlator display, audio vectorscope, RTA (Real Time Analyzer), SSA (Surround Sound Analyzer) and multicorrelator. For added convenience, users can choose from up to six selectable window frame sizes and multiple instances.

“We are thrilled to introduce our new RTW Mastering Tools software to our friends in the U.S., especially as part of Avid’s Connectivity Partner Pavilion at AES,” says Andreas Tweitmann, CEO, RTW. “Our plugins put a very powerful tool for mastering, metering and loudness measurement into a convenient, easy-to-operate software package, adding further efficiency to the overall workflow. Having them available for use right within Avid ProTools is an exciting step for us and we are happy to join our new partner during this year’s show.”

RTW_Mastering_Tools_Box
Also on display will be RTW’s Masterclass PlugIns Loudness Tools software (also available as an AAX Native 64-bit plugin for Avid). RTW Loudness Tools was designed to serve the needs of users in the DAW sector. Finally, RTW will also demo its TM3-Primus, the latest entry to its smart product category, a compact, fully-loaded specialized meter at an entry-level price point, perfectly suited for individuals working in smaller production environments such as OB vans.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

Westlake Pro Posts Tony Shepperd Mixing Master Class Videos

First installments of video series now available on YouTube

Los Angeles, CA (October 7, 2014) – Westlake Pro, a leading retailer of professional audio, recording, live sound equipment, and technical services has posted the first two videos in a new Mixing Master Class series with veteran mixing engineer Tony Shepperd.

TonyShepperd

Shepperd, a prolific engineer who has recorded and mixed such music heavyweights as Take 6, Whitney Houston, Quincy Jones, Diana Ross, Madonna, Kenny Loggins, Boyz II Men and more, deconstructs his mix of Sheléa’s hit single I’ll Never Let You Go as he talks about his workflow and his vocal production technique, which have become his specialty over the past two decades.

“It was an honor for us to host Tony Shepperd,” said Peter Malick, Director of Online Content for Westlake Pro. “The depth of knowledge that he shares with our customers and viewers is a testament to his willingness to further the craft of recording, mixing, and producing.”

Co-sponsored by A-Designs Audio, the master class was filmed at Westlake Pro in Los Angeles in front of an overflow crowd of more than 100 local musicians, producers, and engineers and is divided into 14 videos of easily digestible content and cover a wide variety of mixing topics. Shepperd’s relaxed presentation style demystifies complex mixing concepts and he takes questions from the audience throughout the series as well as during a Q&A at its conclusion.

The Tony Shepperd Mixing Master Class video series can be found on Westlake Pro’s YouTube channel at: https://www.youtube.com/playlist?list=PLWvgCiRlNKN9Ef94nM302FlrBS3Rv-o73

About Westlake Pro
Based in Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.

For more information, visit http://www.westlakepro.com.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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