RTW ANNOUNCES SALES AWARD WINNERS AT IBC 2012

From left to right: Mahmoud Chatah - Head of Marketing and Sales, RTW and Georges Lemmens – Pro Audio Sales Manager, Amptec

Company Recognizes Amptec, Audiopole and Libor for Outstanding Sales Support

AMSTERDAM, SEPTEMBER, 10 2012 – RTW (IBC Stand 8.E76), a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, awarded three of its distributors the company’s annual sales awards during its IBC sales meeting on Friday, 7 September. RTW recognized Amptec for “Best Performance – 1026D,” Audiopole for “Best Performance – TouchMonitor TM7 and TM9″ and Libor for “Best Performance – 31900 and 31960 Series.”

“It is our pleasure to recognize our distribution partners for all of the hard work and support they provide to RTW during the year,” says Andreas Tweitmann, CEO, RTW. “Amptec, Audiopole and Libor have been part of the RTW family for quite some time, and we have built strong relationships over the years. Each of these companies have helped shape RTW’s solid reputation in the broadcast industry. Their comprehensive knowledge of our products makes us confident that they will take good care of our customers. As always, we look forward to working with all of our distribution partners well into the future.”

Amptec, a premier pro audio equipment, contracting and systems integration company in Europe, is RTW’s longtime distributor in the Benelux region, servicing Belgium, Luxembourg and the Netherlands. Audiopole is RTW’s longtime partner in France, distributing its line of products there, while Libor, based in Brazil, exclusively distributes RTW equipment in that region of Latin America.

RTW DEBUTS 3G SDI INTERFACE AND 7.1 SURROUND FORMAT FOR SURROUNDCONTROL AND SURROUNDMONITOR LINES AT IBC 2012

Enhanced Surround Sound Analyzer Now Supports Blu-ray Disc 7.1 Format

AMSTERDAM, SEPTEMBER 9, 2012 – RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, will introduce new options and functional enhancements for its SurroundControl 31900/31960 and SurroundMonitor 11900 ranges at IBC 2012 (Stand 8.E76). The SD device versions of these products are shipping with a new 3G-enabled SDI de-embedder and Dolby(r) E, Dolby(r) DD+ and Dolby(r) AC-3 decoders.

In addition to several minor improvements, the current device firmware now supports the 7.1 DD+ format, ensuring compliance with current 7.1 surround formats for Blu-ray discs and other applications. The 7.1 DD+ format has been implemented alongside the existing 7.1 Cinema format on the SurroundControl and SurroundMonitor systems.

The Surround Sound Analyzer brings the clear and intuitive display method of the original 5.1 format to the enhanced 7.1 arena. Similar to the center channel, the unit displays the newly added side channels using color-coded lines. This way, the user can assess the relationship between the side channels and the phantom sources produced by the lateral-front and rear channels at a glance.

The new software release, featuring a correlation display depicting all possible 7.1 signal combinations, is ideal for professional users working with the 7.1 format. The multicorrelator display has been expanded to read out low-frequency phase errors of all channels versus the LFE, allowing users to make any corrections before phase problems show up acoustically or in bass-management systems.

Featuring the integrated monitoring controller, as well as an optional 3G SDI de-embedder and Dolby(r) decoder, the SurroundControl 31900/31960 flagship unit integrates seamlessly into the production workflows of today’s broadcast applications. The units implement all major loudness standards, including EBU R128, ITU-R BS.1770-2/1771, ATSC A/85 and ARIB. RTW’s Loudness Range (LRA) instrument features the MagicLRA mode, a simple and intuitive view displaying integrated loudness and loudness variances within short time periods. Apart from the monitoring controller, the eight-channel SurroundMonitor 11900 implements all the same metering functions from the SurroundControl systems.

“Today, the broadcast and media industries face an increasing demand for 7.1 audio due to Blu-ray discs and other current distribution formats,” says Mahmoud Chatah, director of marketing and sales, RTW. “The integration of the 7.1 DD+ format in the SurroundControl 31900/31960 and SurroundMonitor 11900 product lines once again demonstrates RTW’s constant commitment to its customers’ evolving needs.”

Sound Devices Showcases PIX 260 Production Video Recorder at IBC 2012

AMSTERDAM, SEPTEMBER 8, 2012Sound Devices, experts in portable audio and video products for field production, showcases its new PIX 260 production audio/video recorder at IBC 2012 (Stand 8.D74). Based on Sound Devices’ field-proven PIX 220 and PIX 240 recorders, the rack-mounted PIX 260 is a file-based video/audio recorder/player that seamlessly replaces tape-based video decks in production and post-production environments.

“Our PIX line of production video recorders has been very well received by a wide range of production professionals,” says Jon Tatooles, managing director at Sound Devices. “We are excited to showcase our latest edition, the PIX 260, to the European market at IBC 2012.”

Using the Apple ProRes or Avid DNxHD codecs, the PIX 260 records and plays files up to 220 Mbps in high-quality 10-bit 4:2:2 video. It also records 32 tracks of 48 kHz audio. Files from the PIX 260 are ready for direct import into Avid and Final Cut editing platforms, eliminating time-consuming transferring and transcoding. Files can also play out of the PIX 260 for real-time applications.

Continuing the company’s deep heritage in production sound, Sound Devices has infused the PIX 260 with 32-track record/playback capability. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260 also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Dante, the PIX 260 can accept and transmit up to 32 channels of audio over Ethernet.

The PIX 260 has a built-in five-inch 800 x 480-pixel IPS video display that allows users to view video and setup-menu selections. With its extensive control capabilities, the PIX 260 is a flexible video playback source that is compatible with Final Cut Pro 7, Final Cut Pro X and Avid sessions. The PIX 260 can be controlled by both external RS-422 and via Ethernet through its embedded Web server, allowing for machine transport control over Ethernet-based networks.

Up to four SATA drives can be connected to the PIX 260 simultaneously. All four drives can be recorded to simultaneously, for RAID-1 type redundancy and to eliminate the need for post-record copying when multiple copies are required.

The PIX 260 includes a built-in Ambient Clockit time-code generator/reader with genlock output for rock-steady multi-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-codes can be read from the SDI stream, the HDMI stream or from an external source.

Like PIX 220 and PIX 240, the PIX 260 includes a sophisticated scaler and frame rate converter. Regardless of the incoming signal, the PIX recorders can record the signal after up, down or cross-conversion at the same rate or a different rate. Hardware-based 3:2 pull-down removal is included as well.

PIX 260’s convenient 1/2-rack, 2U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through its four-pin XLR connector.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Clear-Com Ships BroaMan’s DiViNe V3R-FX-ICOM-SDI to Broadcast Market at IBC 2012

Expansion of Optocore/BroaMan Partnership Offers Digital Distribution of Audio, Video, Data and Intercom Over Fiber

AMSTERDAM, SEPTEMBER 8, 2012 – Clear-Com®, a global leader in critical voice communication systems, has expanded its partnership with Optocore/BroaMan and will now distribute the new BroaMan DiViNe V3R-FX-ICOM-SDI. Set to be unveiled to the broadcast market for the first time at IBC 2012 (Clear-Com Stand 10.D29a), the new BroaMan DiViNe V3R-FX-ICOMSDI is ideal for any setup that requires multiple feeds of high-quality audio, video, data and intercom.

The DiViNe V3R-FX-ICOM-SDI provides scalable, protocol-independent routing, repeating, transport and distribution of multiple signals over optical fiber and is equipped with (four) four-wire RJ45 matrix ports and (four) four-wire RJ45 panel ports. This ensures that either matrices or intercom panels can be connected to the unit using standard CAT cables. Users can send audio and control data from Clear-Com key panels or matrices transparently through the optical network. The unit is capable of housing up to six SD/HD/3G-SDI coaxial video inputs, or outputs that are converted to and from single-mode DiViNe optical fiber links.

“We are happy to partner with Optocore once again to bring further connectivity options to our users,” says Simon Browne, Director of Product Management, Clear-Com. “With the DiViNe V3R-FX-ICOM-SDI, professional broadcasters handling large remote events can cost-effectively and efficiently distribute a lot of video, audio, intercom and data signals in a reliable and scalable way.”

In addition to the DiViNe V3R-FX-ICOM-SDI, Clear-Com also distributes the Optocore V3R-FX-INTERCOM and Optocore X6R-FX-INTERCOM interfaces. All products are available for shipment today.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analogue and Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HME
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

About Optocore
Based in Munich, Germany, OPTOCORE is the world market leading provider of high bandwidth, low latency, resilient, scalable and flexible fiber optic based networks for the transmission of audio, video and data. For 19 years, Optocore has been continuously innovating and setting new standards with regards to digital network technology. OPTOCORE builds and develops synchronous optical fiber and CAT5 based network solutions for broadcast professionals — for fixed installations and live event applications. Utilizing leading-edge technology and high-quality components Optocore guarantees durability and therefore long-term market and customer satisfaction. Due to the open system architecture, Optocore’s platform offers other manufacturers the option to transfer conventional standard audio, video and data formats used in the pro audio industry, via an Optocore network. Technical expertise, QoS and an extensive support structure are guaranteed to all customers, together with the highest level of quality controls.

About BroaMan
BroaMan (Broadcast Manufactur GmbH) products are aimed for broadcasters as well as production companies, sport facilities, professional AV integrators, and many more applications. The company offers customized packages and provides a solution for every application which requires SD/HD/3G video transport or routing – big and complex system for broadcast studio or OB Van, or it could be just a simple point to point for a small church, conference hall, etc. With DiViNe (Digital Video Network) all open standards can be integrated – digital video, audio and data – on the same fiber infrastructure.

RTW INTRODUCES TOUCHMONITOR TM3-3G UNIT AT IBC 2012

Latest Version Includes 3G SDI Interface, Eight-Channel Level and Loudness Instruments, a 16-Channel 3G SDI De-Embedder with AES3 Outputs and an Integrated Monitoring Controller with Stereo Output

AMSTERDAM, SEPTEMBER 8, 2012 – RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, will introduce a new version of its successful TouchMonitor TM3 unit at IBC 2012 (Stand 8.E76). The new TouchMonitor TM3-3G seamlessly allows the TM3′s current hardware and software design to visualize, convert and replay 3G SDI signals in TV and video production and post production applications, offering a feature set unrivalled in its class.

The TouchMonitor TM3-3G is a compact yet versatile solution for metering, de-embedding and monitoring 3G SDI audio. It features a 4.3-inch touchscreen for horizontal as well as vertical orientation, which can display any of the eight audio channels contained in a 3G SDI stream. For that purpose, it includes a large number of graphical and numerical instruments showing single-channel and summing loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation. The TM3 offers comprehensive loudness metering in compliance with all globally relevant standards (EBU R128, ITU BS.1770-2/1771, ATSC A/85 and ARIB). It also features the Magic LRA mode, specifically designed by RTW, for intuitive visualization of the loudness range and integrated-loudness parameters.

If equipped with the corresponding software license option, the integrated de-embedder also outputs up to 16 audio channels from the 3G SDI signal on eight AES3 two-channel ports. The output signals are independent from the visualized audio. In addition, the TM3-3G can be upgraded with a built-in monitoring controller license. This uses an on-screen fader for output-volume adjustment, a stereo output and phones out. The optional timecode license expands the feature set of the TM3-3G to allow external or SDI timecode signals to be decoded, displayed and used for additional functions.

The intuitive operating concept of the TM3 allows for quick and easy selection of presets that can be configured using RTW’s Devicer DC1 software (available for Mac OS X(r) and Windows(r)). Using custom presets, the user can easily switch between the various sources, loudness standards and instrument layouts. The configuration software allows users to freely scale and place the required instruments virtually anywhere on the screen.

“After an excellent start for the TouchMonitor TM3, I am convinced that the market will be showing a great deal of interest in the 3G SDI-enabled TM3-3G version as well,” says Michael Kahsnitz, technical director, RTW. “With its SDI interface, the de-embedder featuring AES3 outputs and the integrated monitoring controller with headphones out, the TM3-3G is the perfect addition to production and post-production workflows in today’s broadcast environments.”

Sound Devices Unveils PIX 220i and PIX 240i at IBC 2012

Upgraded Portable Audio/Video Recorders with Higher Performance Displays

AMSTERDAM, SEPTEMBER 8, 2012
— Following the initial debut of the company’s PIX 220 and PIX 240 audio/video recorders, Sound Devices, experts in portable audio and video products for field production, reveals its newly upgraded PIX recorders at IBC 2012 (Stand 8.D74). Available this September, the PIX 220i and PIX 240i feature five-inch IPS-based LCD panels, with accurate color rendition and consistent off-axis viewing response.

The new recorders’ high-performance five-inch, IPS-based LCD displays are essential in the field, providing users with immediate confirmation of framing, exposure, focus, audio metering and Setup Menu selections. The new IPS-based displays also offer higher contrast and better off-axis viewing.

In addition, Sound Devices has released version 2.01 firmware for all PIX video recorders. This new revision offers numerous features including support for Alexa SDI filename metadata. New playback control is available including customized list playback, looped file playback, additional shuttle speeds. The new version also offers HD-to-SD and SD-to-HD aspect ratio conversion with selectable letter boxing, cropping and support for anamorphic workflows.

Sound Devices’ PIX 220i and PIX 240i offer users monitoring of the image’s exposure with Exposure Assist, a feature that shows either false-color or multi-level zebra-stripes. It comes equipped with Focus Assist, which includes a peaking filter and 1:1 pixel zoom. Monitor brightness, contrast and chroma adjustments are also now available. PIX 240i provides standard definition recording (NTSC and PAL) and support for using simultaneous analog and SDI/HDMI audio inputs. In addition, the PIX 240i has a built-in Ambient Clockit time-code generator/reader with genlock output for multi-camera and double-system sound applications. The source time-code can be derived from the SDI stream, from an external source or from the built-in generator in the PIX 240i. Other key features include digital audio inputs on AES3 and an external eSATAp connection for direct connection to large SATA drives.

Users can connect the PIX 220i and PIX 240i to cameras with HDMI (plus SDI with the PIX 240i) and record directly to QuickTime using Apple’s ProRes or Avid’s DNxHD codecs. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making the workflow simple and fast. The audio circuitry on the PIX 220i and PIX 240i is based on Sound Devices’ award-winning 7-Series digital audio recorders. The low-noise (-128 dBu EIN), high-headroom, high-bandwidth inputs are mic/line switchable and include limiters, high-pass filters and phantom power.

PIX 220i and PIX 240i recorders are built with a metalized, molded carbon-fiber chassis and are powered by external 10-18 VDC or two removable Sony L-battery mount power supply systems.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Primestream Announces European Launch of Enhanced Integration Between FORK and Adobe Premiere Pro CS6

IBC2012 Attendees Will See Cross-Platform Support and Intuitive New Interface for Browsing FORK Content Without Leaving Editor Application

AMSTERDAM — Sept. 7, 2012 — Primestream(R), a leader in advanced media asset management and broadcast automation software, today announced an enhanced level of integration between its FORK(TM) software platform for managing and automating broadcast workflows and Adobe(R) Premiere(R) Pro CS6 software, the acclaimed video editing software for Windows(R) and Mac(R) OS X(R). The improved integration, which has been well-received in the United States and will be unveiled in Europe at IBC2012, allows users to drag and drop clips directly from FORK into Adobe Premiere Pro CS6 and to browse FORK content without leaving the software. As a result, editors and producers at all types of media organizations can get content to air more quickly and easily, whether they are using Windows or Mac platforms.

Through an intuitive new graphical user interface, users are able to search the FORK media asset database quickly from within Adobe Premiere Pro CS6; select clips, bins, or timelines created in the FORK Editor; and simply drag those items into an Adobe Premiere Pro project. When an edited sequence is complete, users can send the project to FORK for playout to air or to fulfill a newsroom system placeholder.

“Choosing a nonlinear editor can be a difficult decision because there are so many factors to consider and there have been so many changes in the NLE landscape lately,” said Warren Arenstein, Primestream|B4M vice president of business development. “But the FORK-CS6 integration can make that decision much easier. After seeing how broadcasters and creative pros received CS6 and FORK at the U.S. Adobe Road Show in June — and how quickly CS6 is being adopted in the United States — I’m confident that our new integration with Adobe Premiere Pro will really help transform the world of nonlinear video editing in Europe and beyond.”

FORK’s enhanced integration with Adobe Premiere Pro CS6 creates a user-friendly, cross-platform solution that gives traditional broadcasters such as CBS Sports, emerging online new media outlets, and global newsgathering organizations such as CNN a more collaborative and efficient workflow.

This European launch comes on the heels of a successful tour to introduce Adobe Premiere Pro CS6 to editors throughout the United States. Dubbed the Adobe Road Show, the free, in-depth traveling seminars educated current and aspiring digital video professionals on the capabilities of CS6, including its complete integration with FORK.

“With Adobe Premiere Pro CS6 and FORK, users can produce more substantive content more quickly, which is a clear advantage when it comes to getting good stories to air before the competition,” said Simon Williams, director of strategic relations at Adobe. “With this increased efficiency from this integrated workflow, our customers and broadcasters can deliver video content faster than ever, regardless of platform.”

Redesigned by and for editors, Adobe Premiere Pro CS6 software combines faster performance with a sleek, customizable user interface and powerful trimming tools that let editors work the way they want. More information about the top new features in Adobe Premiere Pro CS6 is available at: http://success.adobe.com/en/na/programs/events/1203_16108_nab.html.

The enhanced integration between FORK and Adobe Premiere Pro CS6 will be on display at IBC2012 at Primestream’s stand (7.D21) and Adobe’s stand (7.G27). More information about Primestream and B4M products is available at www.b4m.com or www.primestream.com.

# # #

About Primestream
Primestream(R) broadcast software solutions offer a seamless end-to-end platform for digital acquisition of live and file-based video content, media asset management, editing, logging, control room and master control playback, smartphone and tablet video contribution, publishing to the Web, and dynamic archiving. The company’s portfolio includes the FORK(TM) suite of applications, as well as Mobile2Air(R), ControlStation(TM), and the cloud-based FORK Xchange(TM). Deployed in more than 300 broadcast operations across 40 countries, Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink services providers, online digital media operations, and production/post-production facilities. More information is available at www.primestream.com and b4m.com.

Photo Link: www.wallstcom.com/Primestream/FORK_AdobePremierePro.zip

Primestream Releases FORK Logger 1.0 at IBC2012

New Built-In Module for FORK 3.5 Helps Content Owners Tag Video With Metadata Flexibly and Quickly Through Customizable GUI

AMSTERDAM — Sept. 7, 2012 — Primestream(R), a leader in advanced media asset management and broadcast automation software, today released FORK(TM) Logger 1.0, a new cross-platform module that’s part of the acclaimed FORK Production Suite 3.5. FORK Logger is a powerful metadata-tagging tool that allows for logging live or prerecorded video. The module’s tightly integrated and configurable user interface enables content loggers to tag video with defined metadata into the FORK environment effortlessly, making assets easier to manage, automate, and, ultimately, monetize.

“Content owners understand that their video archive is only as good as the descriptive metadata that goes into it,” said Claudio Lisman, Primestream|B4M president and CEO. “The driving force behind FORK Logger was to create a highly configurable, user-friendly application built inside FORK for quick metadata tagging. While most logging products focus on one sport or market, FORK Logger’s interface is completely customizable, so it can be designed and configured to look exactly how our customers want it.”

At the heart of the FORK Logger is a dynamic GUI. The GUI contains form panels, button panels, video viewers, marker thumbnail lists, and a bin list of created events, all of which are tools that can be combined — many in a dynamic way — based on the content. The FORK Logger supports multiple layouts per system. Users can work live with ingesting feeds or can call up existing clips inside FORK. With FORK Logger, users can log video files so that they can be searched, filtered, and organized by any metadata entry inside FORK Content Navigator(TM), FORK’s media asset manager. They can log key information using a FORK-generated proxy or high-resolution video, and the FORK Logger creates FORK markers and subclips that can be seen and used across the FORK platform.

As with FORK Content Navigator, FORK Logger allows more than one user to log the same clip at the same time, and all created events are accessible instantly by the other loggers or FORK users.

“The variety of configurations and the ability to change the interface dynamically based on the data and context makes FORK Logger unlike any other metadata tool on the market,” Lisman said. “It means a broadcaster’s assets will have additional — and more accurate — metadata, making them easier to monetize more quickly.”

Any FORK client can become a FORK Logger with no special station required. FORK Logger is available for both Mac(R) and Windows(R) operating systems.

FORK Logger debuted today at IBC2012. Demonstrations are available on stand 7.D21. More information about Primestream and B4M products is available at www.b4m.com or www.primestream.com.

# # #

About Primestream
Primestream(R) broadcast software solutions offer a seamless end-to-end platform for digital acquisition of live and file-based video content, media asset management, editing, logging, control room and master control playback, smartphone and tablet video contribution, publishing to the Web, and dynamic archiving. The company’s portfolio includes the FORK(TM) suite of applications, as well as Mobile2Air(R), ControlStation(TM), and the cloud-based FORK Xchange(TM). Deployed in more than 300 broadcast operations across 40 countries, Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink services providers, online digital media operations, and production/post-production facilities. More information is available at www.primestream.com and b4m.com.

Photo Link: www.wallstcom.com/Primestream/FORK_Logger.zip

Solid State Logic Launches ‘ScreenSound ADR’ at IBC 2012

The World’s First Dedicated End-to-End Solution for ADR has Arrived

AMSTERDAM – Solid State Logic (IBC, Stand 8.D83), the world’s leading manufacturer of analogue and digital audio consoles, is proud to announce another ground breaking product release with the launch of ScreenSound ADR. Designed to optimize and standardize Automatic Dialogue Replacement for film, foley recording and local language replacement for film and television, ScreenSound ADR is the world’s first end-to-end solution designed to deliver faster and more efficient ADR workflow.

ScreenSound ADR is a turnkey system that combines a suite of integrated software applications providing dialogue spotting and session preparation, session control and management and streamlined audio recording, with an industrial-strength hardware platform including host computer, I/O and Nucleus hardware control surface. At each stage of the ADR process, ScreenSound ADR provides dedicated solutions to streamline preparation, management and production.

ScreenSound ADR is all about efficient workflow. The session preparation stage of the process is handled by SpotShot, a comprehensive take logging, dialogue spotting and session preparation tool. Imported scripts are automatically turned into take lists, and a dedicated interface streamlines the dialogue spotting process with an integrated HD capable video player with full script and annotation text overlay. Take lists can be filtered to show appearances by individual cast members or groups and to calculate word/line count to help plan studio and talent time. SpotShot is a standalone application enabling dialogue spotting to be done away from the ADR studio.

At the heart of ScreenSound ADR is SpotFire, which presents a dedicated session management and automated ADR interface that provides complete control of studio session workflow. SpotFire offers a unique interface that combines a ‘rehearse – record – review’ based transport control panel with a

versatile and customizable Take List that makes viewing, navigating and controlling the recording process simple and efficient. SpotFire relies on SSL’s Soundscape DAW as the underlying platform for recording, editing and mixing with all track arming, transport and recording functions controlled entirely by SpotFire’s dedicated ADR interface. Audio workflow with ScreenSound ADR integrates with how the industry works today. The system imports native .ptf format sessions from Pro Tools and can export finished sessions in native .ptf Pro Tools format.

SpotFire also feeds and controls VisionCue, Screensound ADR’s powerful artist cue system. VisionCue is a fully integrated multi-screen HD video player with a completely customizable scrolling script, annotation, graphic timeline cue and count in overlay. VisionCue can natively play a huge range of video formats all the way up to Pro Res and Avid dnxhd without the need for transcoding and the system supports BlackMagic Design video interfaces.

ScreenSound ADR is a turnkey hardware based system: The multi-award winning SSL Nucleus hardware control surface delivers uniquely customizable hands-on control for accelerated operation (Nucleus also provides 2 x SSL SuperAnalogue™ mic pre’s). SSL’s Alpha-Link audio converters offer versatile and scalable I/O options to cater for recording and monitoring with the SSL MX4 software mixer environment providing a standard mixer templates and open architecture routing flexibility. The assurance of a fully tested SSL certified PC system completes a truly unique end-to-end solution to speed up your production workflow.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

NETIA Strengthens Business and Product Development With Key Managerial Appointments

CLARET, France — Sept. 7, 2012 — NETIA, a leader in content management and radio automation solutions, today announced a significant organizational change with the appointment of two industry professionals to key managerial roles and the recruitment of new sales representatives. Mustapha Rezzoug will take responsibility for international business development and strengthening NETIA’s global distributor network. Daniel Dedisse, who has led NETIA’s R&D department for the last 15 years, will take up the position of Product Director.

These new appointments reflect NETIA’s strategic plan to extend the company’s business development efforts and enhance its customer support at a worldwide level.

NETIA has also announced two new appointments to its sales force. Marc Bawol joins in a key role as junior sales manager for the Middle East and Africa, while Daria Globus has been named area sales representative for Eastern Europe, Russia, and CIS countries. Daria has more than 15 years’ experience with broadcast and IT organizations in this region.

All appointments are effective immediately.

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About NETIA
NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include SBS and ABC in Australia, RAI Italy, France Telecom/Orange, MediaCorp Singapore, RTL France, Radio Globo in Brazil, RTM Malaysia, Radio France, the Associated Press, France Télévisions, TV Center Russia, and L’Équipe 24/24. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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