Primestream(R) New Products at CCW 2012:

FORK(TM) 3.5
At CCW 2012, Primestream(R) will be exhibiting FORK(TM) 3.5, the newest version of its acclaimed FORK Production Suite for managing and automating broadcast workflows. With new features, technological improvements, and integration with third-party broadcast workflows, FORK 3.5 is even more responsive, powerful, extendable, and adept at managing large-scale and multisite installations. Improvements to FORK’s underlying technology — such as FORK Drones(TM), dynamic metadata forms, and scripts — increase the software’s stability, reliability, and functionality, enabling FORK 3.5 to manage larger installations more efficiently and operate within today’s workflows for multiscreen delivery.

Photo Link: www.wallstcom.com/Primestream/FORK35newest.zip
Photo Caption: FORK(TM) 3.5 Production Suite

FORK(TM) Logger 1.0
FORK(TM) Logger 1.0 is a new cross-platform module that’s part of the acclaimed FORK Production Suite 3.5. The module is a powerful metadata-tagging tool that allows for logging live or prerecorded video. Its tightly integrated and configurable user interface enables content loggers to tag video with defined metadata into the FORK environment effortlessly, making assets easier to manage, automate, and, ultimately, monetize.

The heart of the FORK Logger is a dynamic GUI that contains form panels, button panels, video viewers, marker thumbnail lists, and a bin list of created events, all of which are tools that can be combined — many in a dynamic way — based on the content. FORK Logger supports multiple layouts per system. Users can work live with ingesting feeds or can call up existing clips inside FORK. With FORK Logger, users can log video files so that they can be searched, filtered, and organized by any metadata entry inside FORK Content Navigator(TM).

Image link: www.wallstcom.com/Primestream/FORK_Logger.zip
Photo Caption: FORK(TM) Logger 1.0

FORK(TM) Xchange(TM) Suite 1.5
Primestream(R) will exhibit version 1.5 of FORK(TM) Xchange(TM) Suite, the application that gives broadcasters instant Web access to content on their FORK Production servers from any Windows(R), Mac(R), or iOS device. FORK Xchange Suite 1.5, an add-on to Primestream’s highly acclaimed FORK software platform for managing and automating broadcast workflows, contains new capabilities for creating subclips and markers, as well as an upload manager, extended metadata functionality, multitrack audio control, and more new features that make it even easier for media enterprises to manage content efficiently among multiple FORK Production sites.

Image link: www.wallstcom.com/Primestream/120814_Xchange_1_5.zip
Photo Caption: FORK Xchange(TM) Suite 1.5

Enhanced for CCW 2012:

Adobe(R) Premiere(R) Pro Integration
At CCW 2012, Primestream(R) will demonstrate the enhanced level of integration of FORK(TM) with both Adobe(R) Premiere(R) Pro and the new Adobe Creative Suite(R) 6 Production Premium on Windows(R) and Mac OS(R) X. Using a newly developed panel, Premiere Pro users are able to search and browse the FORK media asset database with speed; select clips, bins, or timelines created in the FORK Editor; and simply drag those items into a Premiere Pro project. When an edited sequence is complete, users can send the project — ready for air — to FORK or into a newsroom system placeholder.

Photo Link: www.wallstcom.com/Primestream/FORK_AdobePremierePro.zip
Photo Caption: Enhanced Adobe(R) Premiere(R) Pro Integration

Company Quote:

“CCW attendees will see the latest version of our FORK Production Suite, which has evolved to enable content owners to process ever larger quantities of incoming content and deliver it to the widest range of screens and destinations. Our new FORK Logger is a highly configurable, completely customizable, user-friendly application built inside FORK for quick metadata tagging. FORK Xchange Suite lets producers and editors tap into their content from anywhere, and FORK’s new integration with Adobe Premiere Pro brings editing to a level of functionality that surpasses anything we’ve had with other video editing solutions.”
– Claudio Lisman, Primestream-B4M president and CEO

Company Overview:

Primestream’s broadcast software solutions offer a seamless, end-to-end platform for digital acquisition of live and file-based video content. Features include media asset management (MAM), editing, logging, playback, publishing to the Web, video contribution via smartphone, and dynamic archiving. The company’s portfolio includes the FORK(TM) Production Suite, as well as Mobile2Air(R), ControlStation(TM), and the cloud-based FORK Xchange(TM) Suite. Deployed in more than 300 broadcast operations across 40 countries, Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink service providers, online digital media operations, and production/postproduction facilities. More information about FORK software solutions is available at www.primestream.com/b4m.

Moog Announces Revolution 2 of its Minitaur Analog Bass Synthesizer

Moog Music announced the release of Revolution 2 for its Minitaur Analog Bass Synthesizer, which was recently nominated for a 2013 TEC Award in the ‘Musical Instrument (Hardware)’ category. REV 2, which is a free update for Minitaur owners, unlocks a host of new performance features and implements a number of user requested updates to Minitaur and the free Minitaur Editor/Librarian.

Among these updated features, Minitaur REV 2 owners can now create up to 100 presets and store them directly within their Minitaur. Presets are managed from within the free Editor/Librarian software and can be conveniently recalled from the Minitaur’s front panel controls.

Also in REV 2, a new operational mode for the Decay/Release knob provides users independent control of Decay and Release times from Minitaur’s front panel. Users can easily switch between this new mode and Minitaur’s legacy mode from the front panel.

In addition, Minitaur’s CV and Gate inputs are now assignable from the Minitaur Editor/Librarian software. The Pitch and Mod CV inputs can be routed to any function, while the Gate input can be routed to functions with on/off behavior. REV 2 also enables Minitaur to effectively function as an intuitive CV to MIDI converter.

Minitaur: Analog Bass Synthesizer
The Moog Minitaur is a powerful, compact analog bass synthesizer that features a classic one knob per function design. At only 8.5″ x 5.25″ and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today’s performance and production environments.

To download REV 2 firmware, and an updated manual go to: http://www.moogmusic.com/products/taurus/minitaur#downloads-tab

NOTE: This Firmware update requires the Minitaur REV 2 Editor/Librarian.
To receive the Minitaur REV 2 Editor/Librarian, register your Minitaur at http://www.moogmusic.com/register

Currently registered Minitaur owners will receive an email from Moog with download instructions.

Links:
Web Page: http://moogmusic.com/products/taurus/minitaur
Sounds: http://moogmusic.com/products/taurus/minitaur#sound-tab
Videos: http://www.moogmusic.com/sight-and-sound/product_demo/minitaur-rev-2

Photo caption:
The Moog Minitaur analog bass synthesizer

GUITAR CENTER OPENS NEW PORTSMOUTH, NEW HAMPSHIRE STORE

— 236th Guitar Center location features on-site lessons and repair services, along with GC’s vast inventory selection —

Westlake Village, CA (October 9, 2012) – On the evening of Thursday, September 27, 2012, Guitar Center held the grand opening of its new location in Portsmouth, New Hampshire, located at 1600 Woodbury Ave #24, Portsmouth NH 03801-3250. The Portsmouth store is Guitar Center’s 236th retail location.

Guitar Center Portsmouth’s grand opening introduces customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration featuring exclusive savings, gear giveaways and free events. Guitar Center’s Portsmouth location features showrooms equipped with the latest products for musicians – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment and more.

The store features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which is already creating unrivalled opportunities for Portsmouth musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios will be the most modern lessons facility in the area. Guitar Center Portsmouth also features GC Garage, Guitar Center’s on-site guitar repair service.

As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center Portsmouth will offer unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry will be able to come to the store to interact with and pick the brains of several industry leaders.

Portsmouth shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include Portsmouth inventory, but it also provides easy access to Guitar Center’s $400 million in new and used inventory located in hundreds of GC stores and warehouses nationwide. Customers have the ability to combine a variety of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.

In addition to special programs at the new Portsmouth store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Portsmouth residents will now be able to participate in these ongoing national events from their hometown:

Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crüe, KISS and Jane’s Addiction.
Guitar Center Singer-Songwriter is an artist discovery program that aims to find the nation’s best unsigned singer-songwriter. Last year’s winner received a career-altering prize package which has included recording 3 songs with accomplished Grammy® Award-winning Producer John Shanks, recording time at Converse Rubber Tracks studio and $10,000 cash.
Guitar Center’s Battle of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Daniel “Boscoe” France, performed alongside Grammy Award-winning Producer Pete Anderson at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.
Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center Portsmouth is open seven days a week. Store hours are 11:00 a.m. – 7:00 p.m. Monday-Friday; 10:00 a.m. – 7:00 p.m. Saturday; and 12:00 p.m. – 6:00 p.m. Sunday.

133rd AES Convention Papers Sessions Address Essential Issues

Networked Audio To Spatial Auditory Display For Remote Planetary Exploration

SAN FRANCISCO: Within the multi-faceted realm of the AES Convention, Papers represent the highest order of technical knowledge. Papers Co-Chairs Veronique Larcher and Alan Seefeldt have assembled a four-day program of solidly researched presentations designed to share knowledge on both esoteric and widely discussed issues. “Our objective was to develop the most useful, timely, challenging and above all interesting issues to inform and inspire our attendees,” Larcher said.

“The quality and diversity of the submissions we received enabled us to develop multi-faceted sessions covering such essential issues as: Networked Audio, Emerging Audio Technologies and Auditory Perception. A glance at the titles featured in these sessions substantiates their comprehensive intent,” Larcher emphasized. “Attendees should note that all paper presentations are available in print and PDF/CD format, and they will be available in audio format following the Convention.”

AES PAPERS SESSIONS INCLUDE:

Friday, Oct. 26

NETWORKED AUDIO: Chair, Ellen Juhlin, Meyer Sound Labs, Inc., Berkeley, CA
* Audio Latency Masking In Music Telepresence Using Artificial Reverberation
* Service Discovery Using Open Sound Control
* A Unified Low Latency Network Architecture For Multichannel Live Audio

Saturday, Oct. 27

EMERGING AUDIO TECHNOLOGIES: Chair, Agnieszka Roginska, New York University, NYC
* A Method For Enhancement of Background Sounds In Forensic Audio Recordings
* Transient Room Acoustics Using A 2.5 Dimensional Approach
* Multimodal Information Management: Evaluation Of Auditory And Haptic Cues for NextGen Communication Displays
* Prototype Spatial Auditory Display For Remote Planetary Exploration
* The Influence of 2-D & 3-D Video Playback On The Perceived Quality of Spatial Audio Rendering For Headphones
* An Autonomous System For Multitrack Stereo Pan Positioning
* DReaM – A Novel System For Joint Source Separation and Multitrack Coding

AUDITORY PERCEPTION & EVALUATION: Chair, Scott Norcross, Dolby, SF

Saturday, Oct. 27

* Subjective Evaluation of Personalized Equalization Curves In Music
* Thresholds For The Discrimination of Tonal And Narrowband Noise Bursts
* Identification And Evaluation of Target Curves For Headphones
* Consistency Of Balance Preferences In Three Musical Genres
* The Effect of Acoustic Environment On Reverberation Level Preference
* Localization of a Virtual Point Source Within The Listening Area For Wave Field Synthesis

Sunday, Oct. 28

Spatial Audio Over Headphones 5 papers
Signal Processing Fundamentals 7 papers
Analysis and Synthesis of Sound 10 papers

Monday, Oct. 29

Spatial Audio Processing – 8 papers

“The 133rd AES Convention will offer a total of 112 individual presentations,” Papers Co-Chair, Alan Seefeldt reports. “The Preliminary Events Calendar at: http://www.aes.org/events/133/calendar/calendar.cfm provides a wealth of information on individual Papers, including times, comprehensive abstracts and presenter details. Attendees are guaranteed to come away from the 133rd AES Convention with invaluable knowledge,” Seefeldt concludes. “They will also be invigorated by the on-the-ground networking opportunities they’ll encounter,”

Photo: AES Papers Co-Chair Veronique Larcher

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Prism Sound Launches Lyra – A New Audio Interface For The Studio Producer, Musician and DJ Market

Internationally renowned manufacturer Prism Sound is bringing its high performance audio technology to an even wider audience with the launch of Lyra, a brand new family of interfaces aimed at musicians, composers, project studio owners, DJs, re-mixers and other audio content producers such as radio and podcasting. It is also anticipated that high-end home audio enthusiasts will find the USB interface and stereo configuration with digital volume control an attractive package.

Lyra, which will make its debut at the 2012 AES Convention in San Francisco, is based on the award-winning and critically acclaimed Orpheus interface. With Lyra, music recording professionals can access the power and sophistication of the Orpheus audio path and clock circuitry, but in a smaller package and at a much improved price point.

“Lyra connects seamlessly with both Macs and PCs via a simple USB interface,” says Graham Boswell, Sales and Marketing Director for Prism Sound. “For recording professionals who don’t need eight channels of analogue I/O, Lyra is the perfect interface because it allows them to access Prism Sound quality in a convenient package and at an affordable price.”

Prism Sound, which plans to launch a number of different variants of Lyra, has started the ball rolling with Lyra 1 and Lyra 2. Both incorporate new ARM Cortex-based ‘Xcore’ processor design offering class-compliant USB interfacing, plus DSP and a low latency ‘console-quality’ digital mixer for foldback monitoring. Both products also have optical SPDIF capability and Lyra 2 also supports ADAT.

Lyra 1, which retails at £1,349 plus VAT, will be of particular interest to the musician and project studio market. This unit offers two analogue input channels – one for instrument/line and one for mic/line – plus two DA output channels and optical-only digital I/O. With Lyra 1, musicians can connect a guitar and a microphone through the input channels, plug into their software mixer via a simple USB connection and start laying down basic tracks in a matter of minutes.

Lyra 2, which retails at £1,849 plus VAT, takes the concept a little further by offering two AD input channels with switchable microphone, instrument or line input modes and four DA output channels. Both optical-only digital I/O and copper S/PDIF are available on this version of Lyra, which also offers wordclock In/Out enabling synchronization with other digital devices.

Both products are ergonomically designed to look as good as they sound. The front panel has a master volume control assignable to selected output channels, while the unit’s small size – just 11 inches wide – makes it very easy to transport for musicians, producers and DJs on the road. For studio use, Prism Sound can supply dedicated rack mounts as an extra.

“We know there is a market for Lyra because our customers have been demanding this product ever since we launched Orpheus,” Graham Boswell adds. “However, we are very protective of our reputation for delivering the highest possible audio quality so we were not going to bring any product to market until we were 100% convinced that it could live up to our exacting specifications. Lyra does just that, and we are very proud to introduce it.”

Lyra will start shipping in November 2012 and will be fully supported by Prism Sound’s acclaimed technical and after-sales service staff.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Lauren Laverne Confirmed as Host of the Music Producers Guild Awards 2013

Radio and television presenter Lauren Laverne is to host the 2013 Music Producers Guild Awards, which take place at the Café de Paris in London on February 7th 2013.

An award-winning presenter, Lauren began her career in the music industry as a member of the indie band Kenickie. She entered the world of broadcasting in 1996 when she joined leading London radio station XFM, before moving to BBC 6Music where she now hosts a daily show.

Lauren has a successful and varied on-screen career, presenting TV shows such as Transmission, The Culture Show, Style on Trial, 10 o’Clock Live and coverage from music events including Glastonbury and The Mercury Prize. She is also no stranger to the red carpet, having hosted a number of premieres in London’s Leicester Square.

Steve Levine, chairman of the Music Producers Guild, says: “We are delighted that Lauren will be part of our 2013 Awards ceremony. She is immensely experienced and has a deep understanding of the music industry, both as an artist and a presenter. Her obvious love of music makes her ideally suited to host an event that recognises the recording professionals whose creative talents contribute so much to the hit records we all enjoy.”

The 2013 Music Producers Guild Awards offers the perfect opportunity to mingle, network and rub shoulders with many of the industry’s most celebrated recording professionals, artists and decision makers.

“Audio professionals have a unique place at the very heart of the music industry,” Steve Levine adds. “As true independents, we have an important role to play in supporting and guiding the artistic creation that is the lifeblood of our industry.”

Now in its fifth year, the 2013 Music Producers Guild Awards will once again be presenting a BRIT Award for Best Producer to the winner of its UK Producer of the Year category. In total there are 18 award categories and these include:

UK Producer of the Year
International Producer of the Year
Breakthrough Producer of the Year
Recording Engineer of the Year
International Recording Engineer of the Year
Breakthrough Engineer of the Year
Mix Engineer of the Year
Mastering Engineer of the Year
Re-mixer of the Year
UK Album of the Year
UK Single Song Release of the Year
Live Production of the Year
Studio of the Year
The A&R Award
The Unsung Hero Award
The MPG Innovation Award
The MPG Inspiration Award
Outstanding Contribution to UK Music

For more information about the Music Producers Guild awards please visit www.mpgawards.com

-ends-

About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk or www.mpgawards.com

Akai Professional And M-Audio Sign On As 133rd AES Convention Platinum Sponsors

Young Guru Joins Platinum Engineer/Producer Panel

SAN FRANCISCO: AES Executive Director Bob Moses has announced that inMusic Brands’ Akai Professional and M-Audio are the Platinum Sponsors of the 133rd AES Convention. Coordinated by company Tradeshow and Events Manager, Lee Cwiek, the far-ranging sponsorship will provide these brands with extensive visibility across the entire AES Convention.

“Akai Professional and M-Audio are delighted to be platinum sponsors for the 133rd AES show,” said inMusic owner/CEO Jack O’Donnell. “Each year the AES show presents tremendous opportunities to engage with discerning audio professionals from around the world. As a leading manufacturer of cutting-edge professional digital audio technology and musical instruments, we believe this convention provides the perfect platform to engage directly with our customers and with industry thought leaders in meaningful and exciting ways.”

“We are pleased to welcome Akai Professional and M-Audio as our Platinum Sponsors,” Moses said. “This is a great vehicle to serve these two great companies to the fullest extent possible. It is especially apropos that Young Guru, one of their highest-profile spokesmen, will participate in our Project Studio Expo on Saturday, Oct. 27 from 5-6pm, and, in our Platinum Producers and Engineers Panel, Sunday afternoon, Oct. 28, from 1:30 pm – 3:00 pm. He’ll be in terrific company, with legendary producer/engineers Jack Douglas, Warren Huart and Narada Michael Walden. Moderated by Michael Romanowski, a mastering ace and president of the NARAS Board of Governors, this superstar panel will be one of the Convention’s hottest tickets.”

“AES is the ideal venue to discuss the state of the art and to present products and technology that move it forward, added inMusic Brands’ Director of Marketing, David Frederick. “These are among the many reasons we’ve invited award-winning producer and engineer and long time MPC icon Young Guru to participate in a variety of sponsored panels. Young Guru is revered as “The Sound of New York.” He is fluent in the ever-evolving language of music production and he has years in the trenches working with acclaimed Roc-A-Fella Records and Def Jam Recordings. Young Guru has shaped the sound of some of the biggest names in hip hop, most notably mixing 10 of the 11 albums to date for Grammy Award-winning rap artist Jay-Z. At the AES, Young Guru will share his wealth of experiences and domain expertise on the ‘Era of an Engineer’ panel. For recording professionals, these are must-attend conversations.”

Commenting on his participation at the AES, Young Guru said, “This is truly the ‘Era Of The Engineer.’ There isn’t a person under 30 years old without a pair of headphones. This means there needs to be more dialogue about sound and how we are going to innovate at the rate of its accessibility to the masses. I’m looking forward to making my first appearance as an AES speaker at this year’s convention.”

“The 133rd Convention is shaping up as one of the most exciting in AES history,” Bob Moses concludes. “We are working hard to introduce important new events like our Project Studio Expo, and program tracks such as Sound For Pictures and Networked Audio. We’ve built a healthy exhibitor base, crowned by the Akai Professional and M-Audio Platinum Sponsorship. And, our Convention Committee has developed another killer program of Workshops, Broadcast/ Streaming, Live Sound, Technical Tours and Special Events. We anticipate a fantastic event.”

###

Photo: Akai Professional/M-Audio spokesman Young Guru will participate in the AES Convention Project Studio Expo and on the Platinum Producer/Engineer Panel

The 133rd Audio Engineering Convention will be held in SF’s Moscone Convention Center Friday, October 26 thru Monday, Oct. 29. For details visit the Preliminary Calendar of Events, http://www.aes.org/events/133/calendar/calendar.cfm

About AES
The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

About Akai Professional
Since 1984, Akai Professional’s production tools have been staples of modern music both in the studio and on stage. Akai Professional is one of the world’s most influential manufacturers of musical electronics, creating iconic production instruments, like the legendary MPC, which have altered the landscape of music making. Akai Professional is a member of the premier family of brands known as inMusic. For more information, visit akaipro.com or inmusicbrands.com. Product images are available at akaipro.com/media.

About M-Audio
M-Audio is a leading provider of digital audio and MIDI solutions for electronic musicians and audio professionals. Since 1988, M-Audio has continually provided musicians with innovative and creative products: from acclaimed MIDI and audio interfaces to wildly popular keyboard controllers, M-Audio’s products have become studio and stage mainstays, giving musicians broad access to the latest in music creation and performance technology. M-Audio is a member of the premier family of brands known as inMusic. For more information, visit m-audio.com or inmusicbrands.com.

About inMusic
inMusic is the parent company for a family of premier brands that includes A.I.R. Software Group, Akai Professional, Alesis, Alto Professional, ION Audio, M-Audio, MixMeister, Numark, and Sonivox. Committed to pushing the boundaries of innovation in the DJ, music production, live sound, musical instrument, pro audio, and consumer electronics industries, each of inMusic’s brands creates cutting-edge products that incorporate and build upon the latest in engineering, design, and technology. For more information, visit inmusicbrands.com.

Moog Minitaur and Animoog Receive Technical Achievement Nominations for 28th Annual TEC Awards

Moog Music announced that it has been nominated for the 28th Annual TEC Awards in two separate categories: “Musical Instrument Technology (Hardware)” and a new category, “Audio Apps for Smartphones & Tablets.” The TEC Awards is the pro audio industry’s most prestigious awards show honoring outstanding achievement in product innovation and sound production. The 28th Annual TEC Awards will be presented during the 2013 NAMM Show in Anaheim, CA.

Nominations are based on product entries made by a select panel of industry professionals in numerous audio categories. Products must be released and in commercial use during the period of September 1, 2011 to August 31, 2012, to be eligible for nomination.

Mike Adams, CEO/President of Moog Music, commented: “It is a privilege for us to be considered for two TEC Awards this year, especially in the new Smartphone and Tablet Apps category. We are very proud of the work our team has done on both the Minitaur and Animoog and are grateful for this recognition.”

Minitaur: Analog Bass Synthesizer
The Moog Minitaur, which captured a nomination in “Musical Instrument Technolgy” is a powerful, compact analog bass synthesizer that features a classic one knob per function design. It is the first instrument in Moog’s Taurus family that does not have foot pedals. At only 8.5″ x 5.25″ and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today’s performance and production environments.

Animoog: Expressive, Captivating and Sonically Immersive
Animoog, which has been nominated in the new “Audio Apps for Smartphones & Tablets” category, is powered by Moog’s new Anisotropic Synth Engine (ASE) and is the first professional polyphonic synthesizer designed for the IOS. Animoog captures the vast sonic vocabulary of Moog synthesizers and applies it to the modern touch surface paradigm, enabling a user to quickly sculpt fluid and dynamic sounds that live, breathe, and evolve. Visually captivating and sonically immersive, Animoog brings IOS music production to the next level.

For more information about Minitaur or Animoog, visit http://www.moogmusic.com.

For more information about the TEC Foundation, visit http://www.tecfoundation.com.

Photo caption:
Moog Music’s Minitaur and Animoog.

Myers Releases Version 6.06 of ProTrack Broadcast Management Software

Northampton, MA – Myers Information Systems – a respected developer of broadcast traffic, business, and content management software – today announced a significant new release, Version 6.06, of the company’s long-established ProTrack™ flagship suites for multi-media broadcasters. “This is the first execution of a new development strategy focused on streamlining the product internally and externally,” stated company CEO and president Crist Myers.

“While many improvements will go unnoticed ‘under-the-hood’, clients will benefit from ProTrack’s new workflows to better manage day-of-air schedule opportunities, plus greater integration of schedules and sales across multiple distribution platforms … it’s among the most expansive management systems on the market today in terms of addressing needs throughout the broadcast chain, from program acquisition to rights management, scheduling to media management, sales contracting to reconciliation and invoicing,” Myers noted. Also unveiled was a new and improved ProTrack Knowledgebase (PK), a searchable self-help support database containing helpful video tutorials, user guides, FAQ’s, and common inquiries with solutions.

Myers’ proven flagship suite, ProTrack, is available in both radio and television editions. It offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.

ABOUT MYERS INFORMATION SYSTEMS
Myers Information Systems, Inc. has been developing broadcast management software since 1989. The Company provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

###

Myers Information Systems contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Sennheiser Circle Series and DW Pro2 Headsets Win Top “Six Dragons” Rating from Voice Recognition Leader Nuance

Audio specialist Sennheiser announced that its DW Pro2 wireless headset received the top ranking for quality from Nuance, a leader in voice and language technologies. The DW Pro2 was the only and first product in Nuance’s recent wireless headset comparison to receive a score of “Six Dragons” — the highest possible ranking from the company’s rigorous testing — for use with Dragon NaturallySpeaking and Dragon Dictate for Mac.

Nuance routinely assigns quality rankings to audio equipment such as headphones and microphones on a scale of one to six dragons, six being the highest. According to the company, microphones and headsets are subject to a stringent evaluation of performance, accuracy, ease-of-use, durability, Windows compatibility and other criteria. To date, Nuance has certified more than 20 wireless headsets from nine other manufacturers .

In addition to the DW Pro2 headset’s Six Dragons rating, Sennheiser’s Circle Series SC230 and SC260 models received a top score of Six Dragons in the wired category.

“Sennheiser is completely dedicated to achieving great quality audio,” said Bill Rice, national sales manager, telecommunications, of Sennheiser. “The reason why Sennheiser is able to score so highly in these evaluations is because for more than 65 years, our core expertise has been sound. In the world of voice recognition, this is the ultimate attribute.”

The DW Pro2 professional wireless headset is an ergonomically designed, high-performance DECT (Digital Enhanced Cordless Telecommunications) headset that delivers HD voice quality and noise-cancelling capabilities in a comfortable, sleek design. The DW Series consists of the DW Pro1 and the DW Pro2, with the Pro2 being the stereophonic version. Professional wireless headsets allow workers greater comfort and mobility in an office setting, resulting in increased productivity and more precise communications.

Sennheiser’s DW Pro headsets were previously awarded a 2012 Speech Technology Excellence Award from TMCnet’s Customer Interaction Solutions magazine, which recognizes companies that have made significant contributions improving speech applications for their clientele. These models have also been certified for interoperability with telephony solutions from Microsoft, Avaya, Cisco, IBM and Polycom.

As business environments rely increasingly on digital audio content, speech recognition continues to gain momentum as a valuable tool. This technology is especially pertinent in markets such as healthcare, where physicians can transcribe patient records and verbal comments into their (now mandatory) electronic health records; or in education, where students and professors can electronically digitize the text of their lectures. Nuance holds significant market share in the healthcare vertical, as more hospitals and private practices transition their paper records to secure, electronic data files, in adherence with government HIPAA (Health Insurance Portability and Accountability Act) regulations.

“We developed our Dragon ranking system to help ensure our customers are aware of the highest quality audio products for our Dragon NaturallySpeaking and Dragon Dictate for Mac products. We congratulate Sennheiser and its DW Pro2 for achieving Six Dragons,” said Peter Mahoney, Chief Marketing Officer for Nuance, and General Manager for Dragon.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

October 2014
S M T W T F S
« Sep    
 1234
567891011
12131415161718
19202122232425
262728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication