Rome Selected As Host City for 134th AES Convention

May 4-7, 2013 At The Roma Eventi – Fontana di Trevi Conference Centre

ROME, ITALY: “We take great pleasure in announcing that the 134th Audio Engineering Society Convention will be held in Rome, May 4-7, 2013,” reports AES executive director, Bob Moses. “Set in the heart of the ‘Eternal City’ at the new Roma Eventi – Fontana di Trevi Conference Centre, the Convention will be chaired by Umberto Zanghieri, vice president of the AES Southern Europe Region,” Moses adds.

Recently opened in the heart of Rome, a stone’s throw from the Quirinale Palace and, its namesake the Trevi Fountain, the very modern, Roma Eventi – Fontana di Trevi Conference Centre is situated in a magnificent neoclassical palace, built by Guido Barluzzi in 1930. Designated by Benedict XV as home to the Gregorian University, the Conference Centre covers almost 30,000 square feet, and consists of 15 meeting rooms able to accommodate over 1,000 participants.

The 134th AES Convention will bring together audio engineers from around the world to ‘Listen, Learn, Connect’ and, share the latest knowledge in audio research, development and applications. More details will follow shortly. This marks the first time an AES Convention will be held in Rome.

The 133rd AES Convention will be held in SF’s Moscone Center, Oct. 26 – 29, 2012

Photo: The Roma Eventi – Fontana di Trevi Conference Centre

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Sonnox Posts ‘Pro-Codec Explained’

In-Depth Tutorial Created By Groove 3

OXFORD, UK “Sonnox Pro-Codec Explained,” a comprehensive, tutorial on the innovative Sonnox Fraunhofer Plug-in, has been produced by Groove 3, a leading provider of training and tutorial videos.

At ninety minutes, the tutorial is the most comprehensive and highly detailed training program on the Pro-Codec ever produced. Three full-length episodes: “Intro,” 8:27,
“Which Codec To Use,” 8:09, and a 12-minute “Overview,” have been culled from the tutorial series. Click here to view them at no charge. The full tutorial series is available from Groove 3 at 50% off the regular $25.00 (£15.929) price with promo code: sonnox50. This offer ends on August 31st.

Introduced in January 2011, the Sonnox Fraunhofer Pro-Codec has garnered rave reviews from users and press for its revolutionary ability to enable auditioning, encoding and decoding of audio in real-time. Mixes can be optimized towards specific target codecs, and encoded to multiple distribution formats with a host DAW environment.

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For information on Sonnox Oxford Plug-ins please visit: www.sonnox.com

Genelec Unveils SpeakerAngle App for iOS Devices

— New app allows users to correctly configure and match the angling of stereo or surround-sound speaker systems —

NATICK, MA, August 8, 2012 — Genelec, the world’s longstanding pioneer in active monitoring, is proud to present the SpeakerAngle app for iOS devices, the first digital tool which allows anyone to correctly set and match the angling (“toe-in”) of both stereo and 7.1 surround sound speakers, helping to ensure optimum audio fidelity. Easy and intuitive to use, SpeakerAngle was co-developed by Genelec and AudioApps (a new mobile apps company) and is compatible with iPhone 4 and later, iPad 2 and later and iPhone Touch 4th Generation and later. SpeakerAngle is available now at the iTunes App Store (http://itunes.apple.com/us/app/speakerangle/id549033688?ls=1&mt=8), at a price of just 99 cents.

In the app, dedicated onscreen speaker icons move as the actual speaker is rotated, while number boxes below each speaker icon continuously display the angle of the speaker. The number boxes also change color to let users know when their speaker is angled within industry recommendations, and when it is angled to the same degree as the other one in the pair (i.e. left and right in stereo systems; front left / front right, rear left / rear right and side left / side right in 7.1 surround systems). Detailed information screens provide a tutorial on speaker angling, as well as step-by-step instructions for using SpeakerAngle.

“The new Genelec SpeakerAngle app is a convenient and intuitive way to quickly set and confirm the angle of your speakers in your listening environment,” stated Will Eggleston, Genelec USA Marketing Director. “This is a perfect tool for home theater owners, recording engineers, system installers and anyone else working to get optimum sound from any loudspeaker system. The possibilities are exciting, and we look forward to audio enthusiasts everywhere putting it to good use.”

To use SpeakerAngle, simply select the desired mode of operation (Stereo or Surround), then place your iPhone, iPad or iPod Touch on top of the speaker your want to angle. Set the speaker so that it is facing straight towards you, then touch the corresponding speaker icon so that it lights up. Next, touch the icon’s number box to let SpeakerAngle know that the selected speaker is currently at “zero-axis.” Now physically rotate the speaker inwards (that is, towards the listening position). The selected speaker icon will move accordingly, and the number box below it will display the degree to which the speaker is angled. When the speaker is angled within the industry recommendation of 20 degrees to 45 degrees, the number box changes color, from red to green. When you touch the speaker icon once again (or select any other speaker icon), the number box changes color to orange, and “freezes” the currently displayed angle. Next, touch the paired speaker icon (for example, the right speaker in a stereo system if you have just angled the left speaker). Pick up your iPhone, iPad or iPod Touch and place it on top of that speaker, then touch the number box below the speaker icon. Physically rotate the speaker inwards until the number box changes color to yellow, indicating that this speaker is now angled to the same degree as the first one. To continue experimenting with different speaker angles, you can start from scratch at any time by pressing SpeakerAngle’s RESET button.

For more information, please visit www.genelecusa.com/.

Audio-Technica U.S. Appoints Javier Tiburcio as Training & Sales Support Specialist for Mexico and Central America

STOW, OH, August 8, 2012 — Audio-Technica U.S. announces the appointment of Javier Tiburcio as Training & Sales Support Specialist for the territories of Mexico and Central America. He will be responsible for providing product training and sales support to Audio-Technica distributors and customers in Mexico, Central America and South America, as he works as part of the team to grow the A-T brand and increase sales within these regions. The announcement was made by Philip Cajka, Audio-Technica U.S. President and CEO, and reflects A-T’s commitment to ongoing growth in the Latin American market.

Tiburcio has extensive and broad experience in microphone sales and training. A native of Acapulco, he has lived and worked his entire career in Mexico, and will continue to be based there. His previous positions at Hermes Music and Grupo Imis have included sales and marketing responsibilities for the A-T brand in Mexico.

An experienced musician and audio engineer, Tiburcio studied music at the School of SUTUM, and digital audio and audio for broadcasting at CECAT, gaining expertise in microphone placement for live sound and recording. He has visited music industry dealers throughout Mexico and conducted clinics and training seminars at a variety of music expos with musicians like Moderatto Drummer Elohim Corona.

“Javier is a tremendous asset for us to expand our sales and training strategies in Mexico, Central America and South America,” said Cajka. “He comes to Audio-Technica with a wealth of experience, and we look forward to all of the great things we can accomplish together.”

For more information, please visit www.audio-technica.com.

The Recording Academy® Producers & Engineers Wing® Focuses On Sound Quality at Recent Events

SANTA MONICA, Calif. (August 7, 2012) — As part of its ongoing mission to promote both the highest sound quality and the overall art and craft of recorded music, The Recording Academy® Producers & Engineers Wing® has been particularly visible lately, hosting several events highlighting industry leaders and sharing their thoughts on the current state of recorded music sound quality and its related issues and challenges.

On June 16, in San Antonio, the P&E Wing and The Recording Academy Texas Chapter hosted “Quality Audio – The Future Is Now,” featuring GRAMMY® award-winning engineer Chuck Ainlay (Miranda Lambert, Mark Knopfler, Lionel Richie). As part of the GRAMMY GPS: Texas Summer Speaker Series, this event offered members an up-close-and-personal opportunity with Ainlay, who discussed the current and future state of audio quality. Recently, Ainlay opined on the state of high-resolution audio in today’s music industry: “Mastered for iTunes, HD Tracks and premier headphones are all new consumer indications that there is a demand for high-resolution audio. We have to stop thinking that just because people have been listening on ear buds to low-res downloads, that is the way it will always be. The music we record today must exceed the resolution of tomorrow.”

A highlight of GRAMMY FutureNow, a day-long conference held on June 23 at the Broad Stage in Santa Monica, Calif., produced by The Recording Academy Los Angeles Chapter, was a presentation led by GRAMMY-winning engineer Andrew Scheps (Adele, Linkin Park, Red Hot Chili Peppers). Titled “Lost in Translation,” the presentation guided the audience through an auditory experience examining the difference between an artist’s mastered track and different consumer formats including vinyl, CD, MP3, AAC and streaming. A breakout session followed during which a standing-room-only crowd got more “ears-on” time with different formats and participated in a question-and-answer session.

On June 27, P&E Wing members and their guests spent a perfect summer evening at the idyllic Conway Recording Studios in Los Angeles for “From Mic To Mix” with Nathaniel Kunkel, presented by Harman brands AKG, JBL and Lexicon. Following an outdoor reception with eco-friendly cocktails by VeeV, guests filled Studio C for welcome remarks by P&E Wing Senior Executive Director Maureen Droney, P&E Wing Co-Chair Mike Clink, Conway Studios Owner Buddy Brundo and JBL’s Director of Marketing, Recording & Broadcast, Peter Chaikin. The main event featured two-time GRAMMY-winning engineer Kunkel manning the board in Studio C’s 5.1 surround-outfitted control room. Attendees observed as he live-mixed two sets by singer/songwriter Elaine Faye, who performed on stage in Studio C’s live room with her five-member band. The live room was also stocked with Aviom listening stations featuring AKG headphones, while Studio B housed Lexicon plug-in demos and offered the opportunity to be interviewed on camera for an upcoming Lexicon documentary.

On July 12 the P&E Wing and The Recording Academy Washington D.C. Chapter presented an evening with George Massenburg at Omega Recording Studios in Rockville, Maryland. Massenburg, the inventor of the parametric equalizer and currently an associate professor of sound recording at Schulich School of Music at McGill University, is a GRAMMY and Technical GRAMMY® Award-winning producer/engineer whose credits include Linda Ronstadt, Earth Wind & Fire and Little Feat. His presentation, titled “Adapting To Sustaining Technology Without Selling Your Soul” delved into the transformative nature of music listening and asserted that the music industry is entering a new period where increased bandwidth and other innovations open the door for new appreciation of excellence in audio.

Auralex® Now Shipping QuadFusor™ Sound Diffusor

— Versatile and affordable, the Class A QuadFusor™ mates four of Auralex®’s MiniFusors in a 2-foot-by-2-foot array that’s perfect for ceiling or wall mounting —

INDIANAPOLIS, IN, August 6, 2012 – Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and soon to celebrate its 35th anniversary, is now shipping the QuadFusor™ Sound Diffusor. Made from the same Class A flame retardant molded thermoplastic as Auralex’s acclaimed T’Fusor™, the QuadFusor combines four of the company’s MiniFusors™ and arrays them in an attractive 2-foot-by-2-foot pattern. This Class A fire-rated acoustical diffusor is suitable for commercial spaces and can be dropped into a ceiling grid or mounted to a wall or ceiling.

Versatile and affordable, the QuadFusor offers a rare combination of great performance, Class A flame retardancy, stellar appearance and competitive pricing. The QuadFusor’s surface-variable design includes a proprietary ledge and rear cavity that accommodate the insertion of a rigid substrate such as Auralex PlatFoam™ or acoustical fiberglass, thus improving the device’s diffusion characteristics and adding significant low-frequency trapping. The QuadFusor can easily be installed in new or existing construction. The QuadFusor is Auralex’s latest addition to their complete line of acoustical treatment solutions, perfect for contractors and system integrators at any budgetary level.

For more information, please visit www.auralex.com.

“Wrecking Crew” Documentary Highlights 133rd AES Convention Special Events

SAN FRANCISCO: With more Gold and Platinum credits than The Beatles, The Rolling Stones, Elvis and Elton combined, “The Wrecking Crew,” is the most storied, yet anonymous group in recording history. Session players behind hit records for superstars ranging from The Beach Boys to Sinatra, Jan & Dean, The Mamas & The Papas, Simon & Garfunkel, The Byrds… And ‘The King himself,’ this mythic amalgam of obscure artists is now the subject of an almost impossible to find documentary. AES Convention Special Events Christopher Smith has coordinated a rare screening of this elusive film for the 133rd AES Convention, which will be held in SF’s Moscone Center October 26-29.

“Although gargantuan music licensing fees temporarily preclude wide distribution for ‘The Wrecking Crew,’ numerous international Film Festival screenings have created a compelling ‘must see this’ buzz for it,” explains AES Convention Committee Co-Chair Jim McTigue. “We are extremely fortunate to have arranged a special screening for our 133rd Convention Attendees. In fact, we may want to add a word to our ‘Listen… Learn… Connect…’ AES mandate. I suggest ‘Enjoy…’”

Produced and directed by Denny Tedesco, son of legendary, late Wrecking Crew guitarist Tommy Tedesco, the film features interviews with Brian Wilson, Cher, Roger McGuinn, and many Wrecking Crew members, including Glen Campbell, a durable superstar, in his own right. Christopher Smith reports that Tedesco will hold a Q&A (with special guests) following the screening.

Also highlighting the 133rd AES Convention Special Events Program is:

GRAHAM BLYTH ORGAN CONCERT: On Friday, Oct. 29th from 8:00 until 9:00PM, SF’s historic, 160-year-old St. Marks Church will provide the indelible acoustic setting for a performance by perennial AES Convention favorite, Graham Blyth. An internationally recognized Organist and accomplished professional audio equipment designer, Blyth has performed at AES Conventions around the world since 1993.

Photos:

1. Beach Boy Brian Wilson with Wrecking Crew drummer Hal Blaine
2. Wrecking Crew guitarists Tommy Tedesco and Carol Kay 3. Wrecking Crew Documentary Logo

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Sennheiser and Full Compass to Co-Sponsor Vocal Recording Clinic Featuring Leslie Ann Jones of Skywalker Sound

Audio specialist Sennheiser and Full Compass Systems, a national leader in professional audio, professional video, A/V, lighting and musical instrument sales, are co-sponsoring a special audio recording clinic on Tuesday, September 11th at the Full Compass facility in Madison, WI. The event will feature renowned, Grammy® award-winning sound engineer Leslie Ann Jones, who will demonstrate vocal recording techniques and cover best practices when recording live vocals in the studio.

Attendees will be provided with a pair of Sennheiser HD 449s, enabling them to monitor both recording and playback. The event will feature door prizes including a K-array Piccolo audio system, a Neumann TLM 102 microphone and a TRUE Systems P-SOLO microphone preamplifier.

Leslie Ann Jones, who is Director of Music Recording and Scoring with Skywalker Sound, has been a recording and mixing engineer for over 30 years. She began her career at ABC Recording Studios in Los Angeles in 1975 before moving to Northern California in 1978 to accept a staff position at the legendary Automatt Recording Studios. There she worked with such artists as Herbie Hancock, Bobby McFerrin, Holly Near, Angela Bofill, and Narada Michael Walden, and started her film score mixing career with “Apocalypse Now.”

From 1987 to 1997 she was a staff engineer at Capitol Studios located in the historic Capitol Records Tower in Hollywood. She recorded projects with Rosemary Clooney, Michael Feinstein, Michelle Shocked, BeBe & CeCe Winans, and Marcus Miller, as well as the scores for several feature films and television shows.

In 2003, Leslie was nominated for a Grammy Award for Best Engineered Recording, Classical, and received a Grammy Award for The Kronos Quartet’s recording of Berg: Lyric Suite, which won Best Chamber Music Album. This year, she won a Grammy Award for Best Engineered Album, Classical for Quincy Porter: Complete Viola Works by Eliesha Nelson & John McLaughlin Williams.

133rd AES Convention Product Design Track Breaks New Ground

Enhancing Acoustically Challenged Devices – Processor Agnostic Systems – Audio For iPad Publishers

SAN FRANCISCO: “133rd AES Convention Product Design Track Chair Conrad Cooke has developed a groundbreaking combination of razor edge Tutorials, Workshops and Master Class Events,” states Convention Co-Chair Jim McTigue. “This Track is designed to provide deep insights into emerging technology which is expected to have a lasting impact on the field of pro audio.”

“My goal was to ferret out the most relevant issues facing today’s product designers,” Conrad Cooke said. “I uncovered a wealth of knowledge, and selected thirteen presentations which present techniques to help solve some of those common issues. We are confident that attendees will come away with invaluable information that will greatly benefit their future thinking.”

133rd AES Convention Product Design Track Events Include:

A Next Generation Audio Processing Suite For The Enhancement of Acoustically Challenged Devices: Presenter, Alan Seefeldt, Dolby Laboratories – A commercial audio processing suite has been developed to enhance the sound of acoustically challenged devices such as laptops, tablets, and mobile phones. This tutorial will address the design principles and algorithms developed for the suite. Each example was designed to operate within a common frequency domain framework. Several of these algorithms were tuned specifically for the acoustics of the device on which they operate.

Implementing Application Processor Agnostic Audio Systems For Portable Consumer Applications: Presenter, Jess Brown, Wolfson Microelectronics. – This tutorial will outline future audio trends for portable consumer devices. Areas covered include: HD audio voice, capture, playback and share. The total ‘mouth to ear’ audio solution will be reviewed, from both the technology and device perspectives.

Don’t Make Your Product a Noise Nightmare: William Whitlock, President/Chief Engineer, Jensen Transformers – Audio systems that operate on AC power experience interference in the form of ground voltage differences, magnetic fields, and electric fields. Establishing high immunity in real world, mass-produced equipment is not a trivial issue. This Master Class will probe the critical importance of high common-mode impedances; the disadvantages of legacy test methods; the new IEC test for CMRR; alternatives to ordinary input stages and ubiquitous design errors.

Audio For iPad Publishers: Jeff Essex, AudioSyncrasy – Book publishers are running to the iPad, and not just for iBooks, or one-off apps. This tutorial consists of two case studies which explore how to build audio creation and content management systems to produce multiple apps in high-volume environments, including VO production, concatenation schemes, file-naming conventions, audio file types for iOS, and, helping book publishers transition from the printed page to interactive publishing.

Audio In HTML 5: Jeff Essex, AudioSyncrasy, Jory K. Prum, studio.jory.org – HTML 5 is coming. Many expect it to supplant Flash as an online rich media player, as Apple has made abundantly clear. But audio support is slow in coming, and there are currently marked differences between browsers. From an audio content standpoint, it’s the Nineties all over again. The W3C’s Audio Working Group is developing standards, but this is a fast-moving target. This talk will provide an update on what’s working, what isn’t.

Multimedia Device Audio Architecture: Laurent Le Faucheur, Texas Instruments – This tutorial investigates a low cost, hardware audio architecture that solves several mobile low power multimedia application processor constraints related to: Legacy software reuse, signal processing performance, power optimization, multiple data format interfaces, and low latency voice and tones.

Audio DSP Requirements For Tomorrow’s Mobile & Portable Devices: John Richards, Oxford Digital Limited: Presenters: Peter Eastty ( Oxford Digital), Howard Brown (IDT), Bob Adams (ADI), Alan Kramer (SRS Labs), Julia Backman (Nokia), Cyril Martin (RIM) – As the convergence of communications, entertainment and computing races ahead, largely centered on portable and mobile devices where form factors are shrinking and style wins out over practicality of design in some instances, the challenges in delivering the audio DSP to provide good sound and differentiated effects are discussed by a panel of experts representing semiconductor manufacturers, mobile/portable device manufacturers and DSP IP providers.

Other Product Design Track Presentations Include:

* Ethernet Standard Audio: Steve Lampen, Belden
* Rub & Buzz and Other Irregular Loudspeaker Distortion: Wolfgang Klippel
* An Overview of Audio System Grounding and Interfacing: William Whitlock, Jensen Transformers
* AVB Networking For Product Designers: Rob Silfvast, Avid
* Graphical Audio/DSP Applications Development Environment For Fixed And Floating Point Processors: Miguel Chavez, Analog Devices

Scheduled for October 26 – 29 at SF’s Moscone Center, the Convention is expected to draw thousands of attendees from around the globe to its 4-day program of Broadcast/ Streaming, Educational, Live Sound and other Special Events.

Photo: Conrad Cooke, 133rd AES Convention Product Design Track Chair

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The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

World renowned DJ legend Bob Sinclar becomes Sennheiser’s first global headphones endorser – combining music with style

Old Lyme, Conn., August 7, 2012 – With a list of hits including ‘World Hold On’ and ‘Love Generation’ as part of his back catalogue, Bob Sinclar can truly be described as a DJ legend. The man who brought the groove back to the dancefloor – a man who marches to the beat of his own tune, producing number ones around the world which are played on radio stations in every country and on every continent. Bob Sinclar has carved out a reputation as one of the most talented DJs on the planet and Sennheiser is proud to announce that he will be its first global endorser for the new Amperior headphones. This is a collaboration be¬tween a man and a company who are both passionate about music and style.

The Sennheiser Amperior brings DJ-club sound quality to the streets – perfect for everyday music fans wanting superior sound as they listen to their beats on the move. The Amperior mobile headphones are a must-have for users wanting to experience the professional quality enjoyed by Bob Sinclar. They combine the pureness of sound of a great performance with a high-end look and style.

For Bob Sinclar sound quality is paramount. Whether three people in a small room are listening to his hits, or a dance floor full of clubbers, the sound needs to be precise and exact, and he gets this with Sennheiser – having used their HD 25 headphones for years. For him, nothing is more important than sound quality in order to share the energy of the songs with his audience; for them to hear, enjoy and react to each beat and every word.

For Bob Sinclar, being a DJ is a way of living – and was his dream since the age of 16. He is passionate about sharing energy with the crowd, creating an environment for them to escape to and lose themselves in their enjoyment of the music.

From the States to South America, Europe, Asia and Australia, the demand for Bob Sinclar’s smooth disco-tinged house sets is unwavering. His flair for blending vocals, instrumentals and rhythms into one soaring, euphoric house set rocks clubs to their very foundation wherever he touches down.

On the partnership with Sennheiser, Bob Sinclar commented, “I have worn Sennheiser headphones since I was 18, since the start of my career, because of the quality of sound. It goes straight to your ear so you can enjoy and lose yourself in the music. I want people on the streets to experience with the Amperior what I myself experience when I DJ, when I produce, when I listen to the music that I not only make, but that inspires me. Sennheiser creates a professional quality of sound for every day, and is the best in the industry.”

Sennheiser Amperior headphones are part of the lifestyle range. Their sound signature has been derived from the legendary HD 25 monitoring headphones. They bring together cutting-edge and superior sound technology with stunning materials to create headphones that people want to be seen wearing. The Amperior come in a silver or blue aluminium finish and are the perfect choice for those who don’t want to choose between perfect sound and cool design. Allowing people to experience club beats wherever they are – a real design statement which means you’ll stand out in the crowd and show your real appreciation for quality sound. Demonstrating their exclusivity, Sennheiser Amperior headphones are currently only available in Apple stores and Apple online stores and they are the perfect fit for the iPad, iPhone and iPod.

Peter Callan, President, Consumer Electronics at Sennheiser explained, “These headphones are essential for all music lovers who want to experience the pure joy of a great sound performance – whenever they want and wherever they go. We are extremely excited and proud to be working with Bob Sinclar, a true musical legend, who combines fashion and style with music – just like the new Amperior.”

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The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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