Sennheiser Brings Unmatched Sound Quality and Wireless Reliability to Diverse Performances at 55th Annual Grammy Awards

For world-class recording artists including Bruno Mars, Sting, Zac Brown, Miranda Lambert, Alicia Keys and Ed Sheeran, Sennheiser was the microphone and wireless system of choice for the 55th annual Grammy Awards event, held at the Staples Center in downtown Los Angeles on February 10. The evening’s telecast, hosted for a second time by LL Cool J, drew 28.1 million viewers and showcased over 25 spectacular performances by a diverse range of artists.

Sennheiser endorsee The Zac Brown Band and Adele, also a Sennheiser user, captured awards during the evening: Zac Brown for “Best Country Album” (“Uncaged”) and Adele for “Best Pop Solo Performance” (“Set Fire to the Rain”).

As in prior years, the artist dedications were among the most memorable moments of the evening, and this year included moving tributes to Bob Marley, Levon Helm, Dave Brubeck and others. Bruno Mars led the tribute to Bob Marley before ushering Sting, Rihanna, Damian Marley and Ziggy Marley to the stage for performances of “Locked Out of Heaven”, “Walking on the Moon”, and “Could You Be Loved”. Bruno Mars sang through a Sennheiser SKM 2000 transmitter, coupled with an MMD 945-1 super-cardioid capsule. Sting, meanwhile, delivered a powerful, full-range vocal performance through a Sennheiser SKM 5200-II transmitter with a Neumann KK 105 S super-cardioid capsule.

“Putting Bruno on the SKM 2000 transmitter and MMD 945-1 capsule combination was a choice between me and Front of House,” explains James Berry, monitor engineer for Bruno Mars. “We did a shootout with a ton of mics and this was definitely the best choice for Bruno. This combination really made his vocal sound fantastic both for his own IEMs and for Front of House.” Berry says he is running roughly 30 channels of Sennheiser wireless, for microphones as well as IEMs: “The 2000 series IEMs are rock solid and they sound great. I’ve been using them for many years now and it’s my go-to.”

Perhaps the most emotional tribute of the evening was to Levon Helm, who passed away in April of 2012. An all-star cast consisting of Zac Brown, T Bone Burnett, Elton John, Mavis Staples, Mumford & Sons and Brittany Howard of Alabama Shakes performed an emotional rendition of “The Weight” with Zac Brown leading off, singing through a Sennheiser SKM 5200-II transmitter and MD 5235 capsule.

Earlier in the evening, audiences were treated to shimmering duet renditions of “Over You” and “Home” by Miranda Lambert and Dierks Bentley, with Lambert singing through her signature custom pink-fashioned Sennheiser SKM 2000 handheld and MMD 935-1 capsule. “Microphone choice is a team call between Jason [Macalik, FOH for Miranda Lambert] and me,” says Chris Newsom, monitor engineer for Miranda Lambert. “You choose whatever microphone best complements the artist’s voice, and the combination of the SKM 2000 and MMD 935-1 works fantastic for us. Miranda’s voice sounds really smooth, and that’s exactly what we are looking for.” Newsom adds that his team relies 100 percent on Sennheiser for both handheld transmitters and IEMs, with 12 stereo mixes of ew 300 G3 IEMs for in-ear monitoring alongside EM 2050 receivers and six channels of SKM 2000 transmitters – each with MMD 935-1 capsules.

John Harris has been music mixer at the Grammys for 20 years and says that attaining outstanding audio has always been the focus. “This is the only show where all my clients are music professionals, so there is nothing more important than the sound,” he says. “For both Bruno’s and Miranda’s performances, the sound of the mic jumped out at me and made me look up,” he recalls. “In both cases, the mics [Sennheiser SKM 2000 with MMD 945-1 capsules] were really well matched to the performers and were ideal for the circumstances.”

Throughout the entire performance, Dave Bellamy of Burbank, CA-based Soundtronics, who served as RF Coordinator and has no less than 15 Grammy events under his belt, relied on Sennheiser for wireless systems. “We used 18 channels of Sennheiser RF for the show, all top-of-the-line EM 3732-II receivers,” he says. “We have been very happy with it and it has been solid and reliable – especially as we have less and less spectrum and more RF devices to work with than ever before.” Bellamy’s firm was responsible for the antenna system and seamless coordination of all the RF frequencies for the show.

Many Sennheiser microphones were also featured across a variety of backline instruments throughout the show. For example, no less than 20 Sennheiser e 935s were used for background vocals, 30 Sennheiser e 602 microphones for floor toms and kick drums, 20 e 904s for rack toms and ten e 906s on various guitar cabinets. Music mixer John Harris is a fan of the e 602 mic in particular: “The e 602 design is fantastic,” he elaborates. “You can put it on a drum and it already does what I was going to do to it – it is great at impact, especially at the bottom and top end.”

Harris says that he continues to receive impeccable support from Sennheiser, which is invaluable at a time when technology is moving so fast: “Sennheiser looks after their products well and having someone on the ground like their artist rep Tim Moore is spectacular. I get the feeling that Sennheiser has a real pulse on their products and that the company is moving forward all the time.”

Jampro Antennas Returns to NRB With Targeted Products and Customized Solutions

VISIT JAMPRO AT NRB BOOTH # 556

Sacramento, CA – Jampro Antennas, Inc. — a world leader in the manufacture and design of antennas, combiners & filters and RF components for every application in radio and television broadcast including DTV, DVB-T, FM and HD Radio solutions — is returning to the National Religious Broadcasters (NRB) Convention and Expo to display products and solutions targeting the faith-based segment of the broadcasting industry. NRB will take place March 2nd to March 5th at the Gaylord Opryland Resort & Convention Center in Nashville, Tennessee.

The NRB 2013 Exposition is the largest marketplace dedicated to Christian media professionals. Over 200 vendors will showcase their products and services to thousands of attendees including broadcasters, media pastors, program producers, and those with an online presence, or are active in social media.

At NRB Jampro will highlight their ability to provide a full complement of customizable, high quality and reasonably priced systems that bring great value and outstanding features to all segments of broadcasting. Each product is built to the individual specifications of the end-user, and is tested on the Company’s 7,000-foot full-scale test range to guarantee best coverage.

Jampro will also emphasize the benefits of their Prostar JA/MS-BB Broadband UHF Slot Antenna that offers an economical alternative to buying, installing and maintaining multiple antennas by providing a single, compact solution that conserves tower space and minimizes wind loading. Especially designed for multi-channel/combined channel operations in analog-analog, analog-digital or digital-digital TV applications, the JA/MS-BB arrives factory tuned with a ready-to-install, elegant and streamlined design.

In addition, Jampro will showcase their JAVA FM log periodic antennas that are frequency independent and known for good performance and ultra wide-band communications.

Cllck on harriet@desertmooncomm.com to visit Jampro at NRB, Booth 556!

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 25,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit: www.jampro.com.

Jampro contact: Sonia Del Castillo
916-383-1177 • mailto:Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

Jünger Audio Appoints Anthony Wilkins To Its Sales Team

Dynamics processing specialist Jünger Audio has appointed Anthony Wilkins to the position of International Sales Manager, with particular responsibility for the US and UK markets.

Wilkins has more than 25 years of experience in the audio industry and has previously worked for Sony, DTS, Linear Acoustic and RTW. He is also a member of the AES, the IEEE and the EBU P/Loud group.

Peter Poers, Managing Director of Jünger Audio, says: “Anthony has a thorough understanding of the broadcast industry and Jünger Audio’s position within it. Our product range is ideally suited to broadcast customers in the US and UK, particularly in light of the recent introduction of Loudness legislation such as the CALM Act in the US. Anthony’s contacts and expertise will allow us to enhance brand awareness and market penetration so that we can bring our Loudness solutions to the widest possible audience.”

Wilkins adds: “I’m delighted to be joining one of the world’s most respected audio processing companies. It’s an exciting time in our industry and Jünger Audio has a compelling range of products to meet the needs of many of today’s broadcast audio requirements. I look forward to working with a great team and to building further on Jünger Audio’s already impressive success.”

-ends-

About Jünger Audio

Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

NETIA Products at the 2013 NAB Show:

NEW RELEASE: Radio-Assist(TM) 8.2 Automation Solution
NETIA is unveiling version 8.2 of the company’s Radio-Assist(TM) digital audio software suite at the 2013 NAB Show. This latest release of NETIA’s flagship software boasts three powerful enhancements, all of which will be showcased throughout the show.

Cloud Management
The introduction of cloud-based management for Radio-Assist(TM) gives users the ability to access the system database from any network-connected workstation. Particularly valuable for multisite radio broadcasters, this capability enables authorized users everywhere to access, retrieve, and work on the same content, without the need for time-consuming media transfers. In addition to enabling faster, more productive operations through shared media access, cloud-based management enables broadcasters to reduce reliance on server infrastructure and, in turn, lower the total cost of ownership.

By storing content in the cloud, Radio-Assist can serve as an online production database or as online content archive. Radio-Assist archiving tools enable seamless management of the archive/restoration process in the cloud. Users can simply trigger the archiving process as a background task and subsequently use simple search requests to retrieve content. In disaster recovery situations, the content stored in the cloud by Radio-Assist can help to ensure continuity of service even when ground-based facilities are compromised.

iSnippet Audio Editing Tool for iPhone(R) and iPad(R)
The Snippet range of editing tools available within the Radio-Assist(TM) automation products is now available for iOS devices. Sharing the same look and ergonomic principles as the Snippet desktop interface, the new iPhone(R)- and iPad(R)-compatible iSnippet tool allows field reporters and other remote users to enjoy the Radio-Assist audio editing capabilities — familiar from the desktop — on their portable devices.

Teleprompter
The new teleprompter module for the Radio-Assist(TM) suite gives presenters and journalists convenient visual access to news scripts, which scroll continuously across the presenter’s screen, linked with the playout system in the studio. Customizable features such as text size, color selection, automatic speed control that adapts to reading speed, and read length may be configured in user profiles tailored to presenter preferences.

Image Link: www.wallstcom.com/NETIA/Prompteur_HD.zip
Image Caption: NETIA Radio-Assist(TM) Teleprompter

NETIA Content Management System (CMS)
At the 2013 NAB Show, NETIA will showcase the latest version of its media asset management (MAM) platform, which allows users to manage all processes within the global production environment — from editing through post and distribution — through simple, easy-to-manage workflows and task automation, accessed through one unique and straightforward interface. With the NETIA CMS, users can connect all of their partners and vendors within a single production ecosystem, simplifying the sharing and managing of media assets.

Metamodel Editor
The latest version of the NETIA CMS includes new features within its metadata management module. Enriched with a new metamodel editor, this graphical tool enables the user to manage and customize the metadata model structure.

Monitoring
The new release of NETIA CMS includes a recording feature with which users can schedule specific recordings or continuous channel ingest. Video is stored in the MAM database along with corresponding transcript text files, generated by a speech-to-text engine. A new monitoring feature facilitates the searching and browsing of these recorded channel feeds, either according to a timeline or through a full-text search. Upon locating the appropriate content, the user can extract, repurpose, and export the relevant video segment.

Image Link: www.wallstcom.com/NETIA/Monitoring_Mix.zip
Image Caption: NETIA CMS Monitoring

Company Overview:

NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include the Associated Press, ABC, Radio Globo in Brazil, SBS and ABC in Australia, MediaCorp Singapore, RAI Italy, RTL and Radio France, RTBF in Belgium and France Televisions. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

All trademarks appearing herein are the property of their respective owners.

CLEAR-COM RELOCATES UK HEADQUARTERS

New Location Boasts Creative Atmosphere and Expanded Technical Resources

CAMBRIDGE, UK, 7 FEBRUARY 2013 ? Clear-Com®, a global leader in critical voice communication systems, announces the relocation of its UK headquarters. The new office is located at 2000 Beach Drive, Cambridge, just down the road from the company’s previous UK headquarters. The new facility enables Clear-Com to continue its expansion in the region, while offering further creative resources for its staff members.

Clear-Com UK Headquarters in Cambridge

more…

CLEAR-COM EXHIBITS LATEST IN BROADCAST INTERCOMS AT BVE 2013

LONDON, 6 FEBRUARY 2013 ? Clear-Com®, a global leader in critical voice communications systems, is displaying its latest range of broadcast intercom solutions at BVE 2013 (Stand J16). Included among the intercom offerings on display are the recently unveiled Eclipse HX matrices and HelixNet Partyline system. The company is also presenting its BroaMan interface options and the latest upgrades to the Tempest®2400 wireless intercom. more…

Sound Devices 664 Field Production Mixer Receives Nomination for The Cinema Audio Society’s Technical Achievement Award

REEDSBURG, WI, JANUARY 31, 2013 — Sound Devices, experts in portable audio and video products for field production, is pleased to announce that its 664 Production Mixer has been nominated for a Cinema Audio Society (CAS) Technical Achievement Award in the production category.

The 664 Field Production Mixer is the new flagship in Sound Devices’ line of portable audio mixers. The intuitive 664 has six input channels and four output buses. All inputs and outputs are recordable to both CF and SD cards. This unprecedented amount of I/O connectivity and recording capability makes the 664 perfect for any portable production application.

“It is an honor and privilege to once again be nominated for a Technical Achievement Award by the Cinema Audio Society,” says Matt Anderson, President of Sound Devices. “Being recognized by such a prestigious organization confirms our efforts to continue to bring innovative, industry-leading products to market.”

The 664 has six ultra-low noise, high-dynamic-range analog inputs. These transformer-less preamps accept mic- or line-level signals, and include analog peak limiters, high-pass filters, input trim controls and direct outputs. Input connectors 1 and 6 can be selected to accept AES42 or AES3 digital signals

In complex multi-camera productions, output flexibility is essential. The 664 can send its main left/right outputs to three cameras simultaneously. Two additional output buses, X1 and X2, appear on balanced TA3 connectors. AES3 digital outputs are individually selected to appear on the main XLR and multi-pin output connectors.

The 664 can record each of its inputs and four output buses for 10 record tracks. Recordings are saved to CompactFlash and SD cards. Recordings are either 16- or 24-bit broadcast WAV files, with extensive metadata. All popular production sampling rates are supported. When used with a CL-6 Input Expander, the 664 records 16 tracks, 12 inputs and four output buses.

The mixer’s built-in, rock-steady Ambient time code generator allows multiple devices to operate in synchronization. The 664 can operate as a time code master clock, or its clock can be jammed from an external time code. A helpful time code compare utility shows the difference between internal and external time codes.

This year’s winners will be announced at the 49th annual CAS Awards on Saturday, February 16th at the Millennium Biltmore Hotel in Los Angeles.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

NUGEN Audio at the 2013 NAB Show

At the 2013 NAB Show, NUGEN Audio will be displaying a range of industry-leading innovations for loudness correction that offer a smarter approach to meeting new loudness regulations and raising the quality of broadcast audio.

NEW — LM-Correct: Stand-Alone Loudness Tool
For the first time, LM-Correct is available as a file-based program, taking its speed and simplicity outside the Avid(R) environment. LM-Correct is designed to offer automatic, faster-than-real-time loudness analysis and correction.

LM-Correct is ideal for rapid, intuitive correction in situations where time is limited, providing an automatic method of rapidly conforming audio to current loudness standards. LM-Correct can be used as a one-stop solution for loudness correction, fixing audio that has not been mixed with loudness standards in mind, or in conjunction with a real-time loudness meter such as VisLM to “fine tune” audio mixed to loudness requirements from the outset. LM-Correct can also be used as a final “back-stop” processor, ensuring that finished files are within specification and performing a fix where errors are found.

Photo Link: www.wallstcom.com/NUGEN/LM-Correct.zip
Photo Caption: LM-Correct Audio Suite Plug-In

NEW — VisLM v1.6: Visual Loudness Metering Plug-In Now Available in Avid(R) AAX Format and 64-Bit OS X(R)
NUGEN Audio is now offering VisLM 1.6, a significant update to its visual loudness monitoring tool. With this new version, VisLM is available for the first time in the Avid(R) AAX format. Additionally, VisLM is now available in a 64-bit OS X(R) version.

VisLM 1.6 also includes a new dialog gate option that allows automatic measurement of dialog sections within the source material. Measurements can now be written to automation tracks so that elements such as the loudness profile and true-peak clips can be seen against the waveform in the digital audio workstation timeline for diagnostic referencing.

With detailed, objective loudness measurement, history, and logging facilities, VisLM provides an easy-to-use ITU, ATSC and EBU standard-compliant way to measure, compare, and contrast loudness during production, broadcast, and post production, either on the fly or for entire sections of audio. Offering true-peak level metering (inter-sample accurate level monitoring), loudness range (to help decide if and how much dynamic compression to apply), momentary “instantaneous loudness” for mixing by ear, short-term loudness (three-second time window) and program loudness (long-term integrated loudness measurement), VisLM is a comprehensive tool that helps audio professionals cut through the complexity of loudness compliance.

VisLM is available in two versions, VisLM-C (compact) and VisLM-H (history). Both versions are available in 2.0 and 5.1 formats.

Photo Link: www.wallstcom.com/NUGEN/VisLM-H.zip
Photo Caption: Visual Loudness Metering (History)

ISL: Inter-Sample True-Peak Limiter
The NUGEN Audio ISL Inter-Sample True-Peak Limiter is designed for the control of peak levels in audio signals from mono to 5.1. Unlike traditional approaches to limiting, ISL offers a true brick-wall solution, measuring inter-sample peaks and allowing the user to define the true-peak limit of the audio output (rather than the more traditional threshold control at which limiting begins to take effect).

Easy to use and totally transparent, ISL is based on the standardized true-peak algorithms of ITU-R B.S. 1770 and related standards, and is suitable for the control of audio for post-production and broadcast applications. True-peak limiting can also be used to ensure that downstream codecs such as mp3, AAC, etc. do not introduce distortion into the signal. While ISL is designed for limiting relatively dynamic high-quality audio, it can also be used to hard limit and reduce dynamic range considerably if required.

Photo Link: www.wallstcom.com/NUGEN/ISL5.1.zip
Photo Caption: ISL 5.1 True-Peak Limiter

LMB: Batch Processing Loudness Correction Tool for High Throughput Applications
The NUGEN Audio LMB system is an off-line, file-based loudness analysis and correction program designed for rapid assessment and correction of files for loudness and true-peak content to ITU-R BS. 1770- and EBU R128-based specifications.

With a drag-and-drop interface and/or specific watched folders, LMB saves operator time by automatically handling the process of checking and conforming files to multiple broadcast criteria. LMB produces detailed post-mortem logs and includes a built-in graphing facility. LMB can be fully integrated into an automated system using the optional command-line interface and XML file output logs.

Photo Link: www.wallstcom.com/NUGEN/LMB.zip
Photo Caption: LMB Loudness Analysis and Correction Program

Company Overview

About NUGEN Audio
NUGEN Audio creates innovative, intuitive professional audio tools for high-end music producers, post-production engineers, and broadcasters. Reflecting the real-world production experience of the design team, the company’s products make it easier to deliver better quality, save time, and reduce costs. NUGEN Audio’s tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in broadcast, music, and audio production. For more information, visit www.nugenaudio.com

NETIA Products at CABSAT 2013:

Radio-Assist(TM) 8.1 — Upgraded Radio Automation
At CABSAT 2013, NETIA will showcase the latest version of its powerful Radio-Assist(TM) range of digital audio automation software. Radio-Assist 8.1 will offer the same robust array of tools for streamlined end-to-end multimedia production, broadcast, and publication workflows, along with two significant new features: an integrated music-scheduling application and video editing capability. Users can access both new features from a single user interface.

NETIA’s Radio-Assist family of digital audio software programs covers each part of the production and broadcast workflow, allowing users to record, edit, or prepare a playlist. In addition to new browsing and publishing tools for full multimedia functionality, the software features tools for acquisition, sound-file editing, commercial and music production, newsroom systems, scheduling, multicasting, and administration.

Radio-Assist 8.1 allows users to leverage built-in music-scheduling functionality. With music management tools integrated into Radio-Assist 8.1′s FederAll playlist preparation module, users are able to automate playlist generation according to preset criteria, business policies, and a wide range of intelligent options for sequencing music.

The video editing tool now available within the Radio-Assist 8.1 interface complements the software’s Snippet and Snippet+ audio editing tools. Offering a convenient editing solution, this enhancement addresses the growing demand for radio broadcasters to provide video via their online portals. This simple and easy-to-use editing tool is available through the same GUI as the Snippet tool, providing a familiar utility that allows staff to produce video clips with very little training.

Additionally, NETIA will highlight further functional and technical enhancements that add to the value of Radio-Assist 8.1 in today’s radio broadcast operations.

Image Link: www.wallstcom.com/NETIA/RadioAssist8.zip
Image Caption: NETIA Radio-Assist(TM) 8.1 Music Scheduling

Image Link: www.wallstcom.com/NETIA/RadioAssist8.zip
Image Caption: NETIA Radio-Assist(TM) 8.1 Snippet Video

Content Management System
At CABSAT 2013, NETIA will showcase the latest version of its Content Management System (CMS) that allows users to manage all processes within the global production environment — from editing through post and distribution — through simple, easy-to-manage workflows and task automation, accessed through one unique and easy-to-use interface. With the NETIA CMS, users can connect all of their partners and vendors within a single production ecosystem, simplifying the sharing and managing of media assets.

The latest version of the CMS includes enriched features within its metadata management module and its indexing and segmentation functionalities, while the new, enhanced GUI allows a greater number of fields to be personalized. In order to automate the description of audio and video content, NETIA CMS interfaces with third-party speech-to-text transcription systems. A multilingual thesaurus module available in the new version ensures there are endless possibilities for describing content very precisely, in turn making it easier for users to access and retrieve specific content. Finally, the CMS includes an enhanced administration application that further simplifies system management.

Image Link: www.wallstcom.com/NETIA/CMS.zip
Image Caption: NETIA Content Management System (CMS)

Company Overview:

NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include MOCI, Algerian Radio, Sultanate of Oman National Radio, Qatar radio, Soudan Radio, Ethiopian Radio, SBS and ABC in Australia, RAI Italy, MediaCorp Singapore, RTL France, Radio Globo in Brazil, RTM Malaysia, Radio France, the Associated Press, and France Télévisions. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

Waves Audio Announces AAX Native Support

NAMM SHOW, ANAHEIM, CA, January 24, 2013 — In response to user requests, Waves Audio (booth 6824) announces support for the AAX Native plugin platform. Waves has always strived to support as many plugin platforms as possible, including VST, RTAS, TDM, AudioUnits and others. With this new development, Waves plugins now support the AAX platform, used by Avid HDX systems.

“AAX Native support has been a frequent suggestion from users,” Gilad Keren, Waves CEO and co-founder. “We are happy to respond to market demand with this new compatibility.”

Ed Gray, Director of Partnering Programs for Avid remarks, “Waves’ arrival onto the AAX platform with its AAX Native plug-ins is great news for our mutual users of Pro Tools 10 and Pro Tools HDX. The range and quality of processors offered by Waves remains superior, and AAX compatibility will make Waves plug-ins an obvious addition to new and upgraded Pro Tools systems. We are grateful for this support.”

Visit www.waves.com for more information.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

January 2015
S M T W T F S
« Dec    
 123
45678910
11121314151617
18192021222324
25262728293031

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication