Video Recorders Can Now Record 12-Bit, 4:4:4 Content to Apple ProRes 4444
REEDBSBURG, WI, JANUARY 2, 2013 — Sound Devices, announces its latest major upgrade to the PIX 240 and PIX 240i Production Video Recorders. This new update, available for all PIX customers free of charge, offers Apple ProRes 4444 recording from video sources over 3G-SDI (4:4:4 RGB or YCbCr). Recording 4:4:4 offers productions superior color precision for applications in chroma-keying, color-grading and multi-generational editing.
PIX 240 and 240i users now have the ability to record into Apple ProRes 4444, which offers impressive quality with 4:4:4 sources and workflows involving alpha channel transparency. With its 12-bit, 4:4:4 capability, the PIX 240 and 240i can record 330-Mbps Apple ProRes 4444 files that are perceptually indistinguishable from the original source material. Popular cameras with 4:4:4 capable outputs include the ARRI ALEXA, Canon C500 and Sony F3.
“Sound Devices is pleased to announce this latest firmware update, which brings Apple ProRes 4444 recording over 3G-SDI to the PIX 240 and 240i,” says Paul Isaacs, Technical Development Manager, Sound Devices. “The additional color accuracy available in a 4:4:4 environment reinforces that the PIX recorder is a master-grade production recorder suitable for the most demanding production applications.”
Additional features available in this latest v3.0 firmware update include time-code and recording status displays on the SDI and HDMI outputs, up to 500 ms of audio delay to compensate for multi-device picture delay, and selectable 4:4:4 or 4:2:2 video output independent from the source material.
Users can connect PIX 240 and 240i to cameras with HD-SDI, 3G-SDI, or HDMI and record directly to QuickTime using a range of different Apple ProRes or Avid DNxHD codecs, including Apple ProRes 4444. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making for simpler, faster workflows.
The PIX 240i’s high-performance five-inch, IPS-based LCD display is an accurate field monitor, providing users with immediate confirmation of framing, exposure, focus, audio metering, and setup menu selections. It offers excellent color accuracy and contrast, great off-axis visibility, and accurate motion tracking.
The built-in hardware scaler and frame rate converter allows PIX to output and record material at different resolutions and frame rates than supported by the camera. Conversion between HD and SD, with and without anamorphic conversion, is available.
The audio circuitry of the PIX recorders is based on Sound Devices’ award-winning 7-Series digital audio recorders. The low-noise (-128 dBu EIN), high-headroom, high-bandwidth inputs are mic/line switchable and include limiters, high-pass filters and phantom power.
The HDMI-only PIX 220 and PIX 220i video recorders also gain new features available in the new version 3.0 update, including Apple ProRes 4444 recording, time-code and recording status displays on HDMI outputs, and up to 500 ms of audio delay to compensate for multi-device picture delay.
Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.
VALENCIA: December 17, 2012 – Berklee College of Music, the world’s premier learning lab for contemporary music, and Walters-Storyk Design Group, renowned for their work on studios for Jimi Hendrix, Alicia Keys, and Bruce Springsteen, today announced the completion of a cutting edge recording/teaching complex at Berklee’s Valencia campus. Berklee’s new state-of-the-art campus is located at the Palau de les Arts Reina Sofia in Valencia, Spain. The studio facility is the final element of Berklee’s first international campus, which recently launched its master’s programs.
The audio production and teaching complex is comprised of five inter-related components. The 1600 sq. ft. scoring stage/studio – Studio K – includes an 860 sq. ft. live room with 15-foot ceilings and boasts variable acoustic wall treatments developed for diverse recording configurations. The studio’s windows provide fantastic views of the Palau and allow the public to view Berklee’s music activities. Supporting the live room is a 500 sq. ft. control room, two 250 sq. ft. ISO/overdub booths, and an isolated machine room. The aggregate advantages of the control room configuration fully supports Berklee’s primary teaching mandate. Each aspect of the studio coalesces to form an indisputably world-class recording complex.
“Our master’s students and visiting artists will benefit from an extremely sophisticated studio environment. This is an extraordinary educational tool, expressly designed to prepare them for their transition from student to music professional,” explained Guillermo Cisneros, Berklee Vice President for Global Initiatives, and Executive Director, Berklee in Valencia.
“The studio complex needed to make a statement in a design-conscious country, and be technically and acoustically capable of representing a desirable destination for professional work,” said Carl Beatty, Berklee Chief of Staff, who has headed the project since the beginning of the Palau de les Arts renovation. “We decided to employ Avid/Euphonix controllers to take advantage of their Eucon protocol that allows seamless migration of projects across the facility, all the way up to the flagship System 5. Additionally, when we install an identical console in Boston, we will be doing real time joint sessions between the two locations via Internet 2 technology.”
The entire facility is configured through a central machine room for speed, ease of turnaround, and high interconnectivity between rooms, including the Palau de les Arts’ concert halls. The System 5 has 48 channels, with 128 channels of I/O, and 176 mic lines. There is a broad selection of analog processing with plenty of room for additions should the need arise.
Monitoring in the production suites is all Genelec – 5.1 surround in Studio A, and 2.1 stereo in Studios B, C, and D. The control room in Studio K features the Meyers Acheron 7.1 surround monitoring system, an acknowledged industry standard. The room also includes Griffin G2B Active main stereo monitors. “These monitors are impressive. Along with their dual 15″ subwoofers, the use of ribbon tweeters gives the speaker a very impressive transient response and high-mid articulation,” said Beatty. “There are also mid field monitors available- ProAc’s and Yamaha NS-10′s. Additionally, the room has been designed to Dolby specifications and readied for the new Dolby Atmos(tm) Cinema Sound monitoring protocol. This facility is an integral component of the comprehensive, modern Music Technology Complex developed for Berklee’s Valencia campus.”
Commenting on the new complex, architect/acoustician John Storyk remarked: “Berklee’s new Valencia recording/teaching studio raises the benchmark for European audio education. We have been the designers for dozens of educational recording environments around the world and are incredibly proud of our tenure at Berklee, both at the Valencia and Boston campuses.”
Impressed by the quality of the recording studio at the Berklee campus, visiting master class instructor and former Fox Music President, Robert Kraft commented, “The recording studio is an amazing asset to have in Valencia, and has the potential to be even more of a reason for students and professionals to come to the Berklee facilities.”
“The recording studios and production suites at Berklee Valencia are simply sublime,” said composer and visiting professor, Laura Karpman. “In the studios I was able to compose, record, and mix a film for Sony/Lifetime with a very fast turnaround. The results were fabulous. It was a pleasure to make music there.”
In addition to designing and constructing recording studios for Berklee College of Music in both Valencia and the $100 million + new building at 160 Massachusetts Ave. in Boston, Walters-Storyk Design Group is renowned for its work on studios for Bruce Springsteen, Celine Dion, Def Jam Records, ESPN, Jay-Z, Jazz at Lincoln Center, MTV Latin America and the 2012 TEC Award-winning Jungle City Studios.
View the YouTube video tour of the studios:
1. Berklee Valencia Studio K Live Room
2. Berklee Valencia Studio K Control Room
3. Berklee Valencia Studio A Control Room
4. Berklee Valencia Campus
Photos by: Mercedes Herrán
About Berklee College of Music:
Berklee College of Music was founded in 1945 and for more than 65 years has evolved to reflect the state of the art of music and the music business. The college’s belief i that the best way to prepare students for careers in music is through contemporary music education. The college was the first in the U.S. to teach jazz, the popular music of the time. It incorporated rock ‘n roll in the 1960′s, created the world’s first degree programs in film scoring, music synthesis, and song-writing, and, in recent years, added world music, hip-hop, electronica and vide game music to its curriculum. With a diverse student body representing over 80 countries, and alumni that have received over 270 Grammy and Latin Grammy Awards, Berklee is the world’s premier learning lab for the music of today – and tomorrow. Notable alumni include Quincy Jones, Diana Krall, Branford Marsalis, Aimee Mann, Roy Hargrove, Gillian Welch, Miguel Zenon, Susan Tedeschi, John Scofield, Bruce Cockburn, Arif Mardin, BT, Alan Silvestri, John Mayer, Howard Shore and Gary Burton.
About Berklee In Valencia:
Berklee in Valencia is the first international campus established by the renowned Berklee College of Music – and its first campus outside of Boston. Located in the iconic building of the Palau de les Arts Reina Sofia in Valencia, Spain, the magnificent 3,600 square metre campus has been designed specifically for music and is equipped with state-of-the art technology. Berklee in Valencia aims to provide a hub to launch the careers across the globe for the most musically talented international students. Offering a unique curriculum, as well as an International Career Center to assist students in their transition from student to music professional, the campus presents Berklee College of Music’s first master’s degree programs in contemporary music (Scoring for Film, Television and Video Games; Contemporary Studio Performance; and Global Entertainment and Music Business;) launched in September 2012. In addition, Berklee in Valencia offers a Global Studies Program for Berklee students from Boston to study for a term at Valencia, Summer and Special Programs, as well as a new way for musicians around the world to join the global music community – as performers, as practitioners, and as leaders.
About Walters-Storyk Design Group:
Walters-Storyk Design Group has designed over 3000 media production facilities in the U.S., Europe, the Far East and Latin America. WSDG credits range from the original Jimi Hendrix Electric Lady Studio in Greenwich Village to NYC’s Jazz At Lincoln Center performance complex, broadcast facilities for the Food Network, CBS and WNET, over twenty teaching studios for The Art Institutes around the U.S. and corporate clients such as Hoffman La Roche. Recent Credits include Jungle City, NY’s major new destination studio, private studios for Green Day, Jay-Z, Timbaland’s Tim Mosley, film composer Carter Burwell, Acrosmith, Bruce Springsteen and Alicia Keys. WSDG principals John Storyk, Beth Walters and Dirk Noy lecture frequently at universities and industry events, and contribute regularly to industry publications. WSDG is a seven-time winner of the prestigious TEC Award for outstanding achievement in Acoustics/Facility Design, including 2012 for Jungle City. WSDG maintains offices in NY, SF, Miami, Argentina, Brazil, Beijing, Germany, Mexico City, Spain and Switzerland
New York State PBS Affiliate Rejoins the ProTrack TV Family
Northampton, MA – Myers Information Systems – a respected developer of broadcast traffic, business, and content management software – today confirmed the successful reintegration and commissioning of the company’s flagship ProTrack TV at WMHT. The upstate New York broadcaster serves PBS content to more than a dozen counties surrounding Albany, the state capital.
WMHT returns to Myers as one of nine PBS participants in the Syracuse-based Centralcast, LLC. “ProTrack enables us to work more closely with the other New York State stations, as well as take advantage of all the efficiencies and cost savings inherent in a centralcast model,” said Anthony Tassarotti, chief technology officer for WMHT. “I’m very happy about coming back to ProTrack’s more robust, secure and easy to manage Linux/Unix-based system architecture; plus, Myers’ hardware and OS support are outstanding.” Echoing that, TV traffic operations manager Jayne Robinson, a veteran of numerous commercial broadcast systems, is “eager to get up to speed with ProTrack, everyone I’ve spoken with says it’s the ‘Cadillac’ of broadcast management software!”
“After all these years in business, I’m not sure what’s more exciting… taking on an entirely new client, or having an old one come back. Either way, we are absolutely thrilled to be able to support WMHT’s broadcast operations again,” said Crist Myers, company CEO and president. “On-site installation and commissioning was completed on-time and on-schedule; as a member of the Centralcast, LLC project, WMHT is at the forefront of efficient, next-generation broadcast technology.”
ProTrack, Myers’ proven flagship suite, is available in both radio and television editions. It offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure, scalability, and systems integration for today’s rapidly evolving media environments.
ABOUT MYERS INFORMATION SYSTEMS
Myers Information Systems, Inc. has been developing broadcast management software since 1989. The Company provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com
A trusted community resource for over half a century, WMHT Educational Telecommunications uses the power of non-commercial public television, radio, the web and other media to enrich the lives of more than a half million households throughout eastern New York state and portions of western Vermont, Massachusetts and Connecticut. Television broadcast channels include WMHT-DT (17.1), WMHT-Create (17.2) and WMHT-World (17.3). Radio stations operated by WMHT include WMHT-FM 89.1 & WRHV-FM 88.7 (classical public radio) and WEXT 97.7 (AAA public radio). WMHT also operates RISE, a radio reading service for the visually and print disabled. In addition, WMHT offers numerous community outreach and family learning initiatives that inspire, educate and entertain for a lifetime. For more information, please visit: www.wmht.org
CLARET, France — Dec. 13, 2012 — NETIA today announced the promotion of Francis Freihuber to vice president of the NETIA Management Board. Freihuber has been with NETIA for the past five years, serving as the company’s operations director, and his new role builds on his experience developing and refining NETIA client support services and on his extensive knowledge of the broadcast industry.
“Francis has a very strong IT-based engineering background and a wealth of experience working in the broadcast industry, both complemented by an intuitive understanding of our customers and their needs,” said Philippe Fort, CEO, NETIA. “Francis has been key to NETIA’s continued success, and we’re very pleased to name him to this new management role.”
During his time as operations director at NETIA, Freihuber simplified client support and enhanced customer satisfaction through the creation of a support team with a new hotline and ticketing procedure. He will continue to supervise the training department and oversee a team of 17 operations staff. Prior to joining NETIA, Freihuber worked for France Television and its France 3 regional channel, for which he led IT for projects such as the French elections coverage and headed up the R&D department.
Freihuber is a graduate of French engineering school École Privée des Sciences Informatiques (EPSI). He is based at NETIA’s headquarters in Claret and reports directly to Philippe Fort.
More information about NETIA is available at www.netia.com.
# # #
NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.
NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include SBS and ABC in Australia, RAI Italy, France Telecom/Orange, MediaCorp Singapore, RTL France, Radio Globo in Brazil, RTM Malaysia, Radio France, the Associated Press, France Télévisions, TV Center Russia, and L’Équipe 24/24. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.
Antelope Audio announced that it is once again offering significant year-end, holiday discounts on its most popular and accessible products designed for audiophiles and audio professionals. Between now and December 31st 2012, select Antelope dealers will be offering the company’s Zodiac+, Trinity and Eclipse 384 at a discount of 15 percent off street price.
“Good clocking and conversion are fundamental building blocks towards achieving the best possible audio quality,” commented Marcel James, Director of Sales for Antelope Audio USA. “By taking advantage of our holiday discounts and acquiring Antelope’s best-in-class technology, audiophiles and music professionals can measurably improve the performance of their systems, whether they are listening to music or creating it.”
Antelope Audio’s clocking and conversion technology is used by the most discriminating engineers and mastering professionals in the music, film and television industries, and is a staple in many famous recording studios around the world. The company’s popular line of Zodiac D/A converters represent an elegant solution for nearly any home A/V system, and can dramatically improve overall audio performance.
Following is product and pricing information for items included in the sale:
Zodiac+ HD Mastering 192kHz DAC: Was $2,696, now $2,299
Trinity Universal HD Master Clock: Was $2,995, now $2,549
Eclipse 384 Mastering AD/DA Converter: Was $6,995, now $5,946
— 239th Guitar Center location features on-site lessons and repair services, along with GC’s vast inventory selection —
Westlake Village, CA (December 11, 2012) – On the evening of Thursday, November 29, 2012, Guitar Center held the grand opening of its new location in Midlothian, Virginia, located at 13357 Rittenhouse Dr., 23112. The Midlothian store is Guitar Center’s 239th retail location and the sixth in Virginia, as well as the first Virginia store to offer Guitar Center Studios. Local musician and Guitar Center veteran Curtis Marion serves as the store manager.
Guitar Center Midlothian’s grand opening introduces customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration featuring exclusive savings, gear giveaways and free events. Guitar Center’s Midlothian location features showrooms equipped with the latest products for musicians – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment and more.
The store features Guitar Center Studios, an in-house, state-of-the-art lesson facility, which is already creating unrivalled opportunities for area musicians of all ages and skill levels. Guitar Center Studios provides music lessons from beginner to advanced featuring certified instructors teaching world-class curriculum as well as one-on-one courses on Pro Tools, Logic Pro and GarageBand. Guitar Center Studios will be the most modern lessons facility in the area. Guitar Center Midlothian also features GC Garage, Guitar Center’s on-site guitar repair service.
As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center Midlothian will offer unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry will be able to come to the store to interact with and pick the brains of several industry leaders.
Midlothian shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include Midlothian’s inventory, but it also provides easy access to Guitar Center’s $400 million in new and used inventory located in hundreds of GC stores and warehouses nationwide. Customers have the ability to combine a variety of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.
In addition to special programs at the new Midlothian store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Midlothian residents will now be able to participate in these ongoing national events from their hometown:
Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crüe, KISS and Jane’s Addiction.
Guitar Center Singer-Songwriter is an artist discovery program that aims to find the nation’s best unsigned singer-songwriter. Last year’s winner received a career-altering prize package which has included recording 3 songs with accomplished Grammy® Award-winning Producer John Shanks, recording time at Converse Rubber Tracks studio and $10,000 cash.
Guitar Center’s Battle of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Daniel “Boscoe” France, performed alongside Grammy Award-winning Producer Pete Anderson at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.
Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.
Guitar Center Midlothian is open seven days a week. Store hours are 11:00 am – 8:00 pm Monday-Thursday; 10:00 am – 9:00 pm Friday; 10:00 am – 8:00 pm Saturday; and 11:00 pm – 8:00 pm Sunday.
— Ongoing series of events sees Smith traveling to schools and conferences far and wide to educate and entertain students, faculty and industry veterans alike —
INDIANAPOLIS, IN, December 6, 2012 – Eric Smith, Founder and President of Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and currently celebrating its 35th anniversary, has had a busy travel itinerary lately, as he has been a featured guest lecturer at a number of colleges and universities across the country. A highly-sought-after speaker, Smith has had the opportunity to speak to faculty and students at The New England Institute of Art; Middle Tennessee State University (MTSU); Nashville’s Belmont University, International Academy of Design and Technology, The Art Institute of Tennessee-Nashville, SAE and Dark Horse Institute; and others, with more such engagements planned indefinitely.
Smith, throughout his career, has been a strong advocate of education, and he has guest-lectured at high schools and colleges throughout the country on the subjects of acoustics, broadcasting, entrepreneurship and business ethics. Smith brings a wealth of personal experience, technical knowledge and a sense of humor to all of his presentations, which focus on basic acoustic theories, sound control issues and solutions, product design strategies, the challenges of a start-up company and what it takes to be successful in business.
During his recent travels, Smith was also the featured guest on the online webcast, The East West AUDIO Body Shop, hosted by studio designer George Whittam and voice talent/studio consultant Dan Lenard. Smith fielded numerous questions involving studio acoustic design and sound control issues, and the initial webcast was streamed by visitors from around the world and then downloaded or streamed by thousands more online. In addition to this interview, Smith has participated in streaming interviews with a number of schools around the country, most recently with a marketing class at Middle Tennessee State University.
Smith was also a featured panelist at the recent PotLuckCon 2012 Audio Conference. Eric participated in a panel discussion along with studio designers/acousticians Chris Pelonis, Wes Lachot, Carl Tatz and Larry Swist. The topic of the well-attended panel discussion was “Studio Acoustics: Design and Monitoring,” and the panel was moderated by engineer/producer and pro audio journalist Russ Long.
David Fischer, Auralex CEO, stated, “Everyone at Auralex is very proud that Eric Smith is able to impart his extensive knowledge and expertise to the wider audio community. Public speaking is really a strong suit of his, and he very much enjoys the opportunity to speak to students – the producers, engineers and studio designers of the future – and share his real-world experiences as a way of giving back to the industry that has given him so much.”
“This series of events has been very fruitful,” stated Eric Smith. “I love getting the opportunity to promote good sound and good listening environments to current and future engineers and members of the audio community. When I see tomorrow’s audio professionals asking great questions and paying close attention, I know that the industry is in great hands. I am lucky that I can make an impact on these minds in the process, and I look forward to participating at more of these events in the near future.”
For more information, please visit www.auralex.com.
— Aphex cures technology’s tin ear with iOS and Android app —
BURBANK, CA, December 6, 2012 — Listening to Holiday music on your mobile device just got better. Hear Bing Crosby and Eartha Kitt the way they were meant to sound with the Audio Xciter™ app – free to demo and now only $0.99 for unlimited play. Aphex, a leader in audio enhancement technology for more than 35 years, today released Audio Xciter app for Android devices (previously only available for iOS). Audio Xciter is the only music player app that dynamically improves the sonic quality of music, audio books and podcasts on mobile devices through its patented Aphex DSP.
Since 1975, legendary musicians from Paul McCartney to Led Zeppelin as well as today’s top artists including Flo Rida, Bruno Mars and Rihanna have relied on the technology behind Audio Xciter for audio mastering. This technology now allows music lovers to experience the detail and richness of an artist’s original sound created in-studio on their mobile devices.
The patented Aphex technology behind Audio Xciter restores missing harmonics to music and voice. Unlike EQ apps, which typically add gain and distortion, Audio Xciter is gain-neutral, resulting in increased brightness, clarity, spaciousness and presence.
“In this era of HD video and 4G download speeds, I’m amazed that smart phones and tablets still deliver compressed audio that sounds flat and boring. The quality of music downloads and streams has not improved in more than a decade. Consumers have been fooled into buying music that’s only good enough, not great,” said David Wiener, CEO of Aphex and founder of DWV Entertainment, Aphex’s parent company. “Audio Xciter turns compressed audio into a new listening experience by exposing the ‘quality gap’ – now vocals are clear and airy, the bass hits harder and you’ll hear instruments and voices appear that were previously buried in the mix.”
A free demo of Audio Xciter is available through iTunes for iOS and Google Play and Amazon for Android devices. An upgrade provides unlimited use (only $0.99 through the end of the year, $2.99 thereafter) and the professional Audio Xciter Studio ($4.99, regularly $7.99) allows users to fine-tune the Xciter DSP settings for a truly custom experience.
A portion of the proceeds from the sale of Audio Xciter goes to Respect the Music, Aphex’s nonprofit foundation supporting musical education in schools.
Additional information including demo videos and screenshots are available at http://AudioXciterApp.com.
— ProPAD™ is designed for decoupling monitors and reducing structural vibrations —
INDIANAPOLIS, IN, December 5, 2012 – Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and currently celebrating its 35th anniversary, is proud that its ProPAD™ Monitor Isolation Pad, the latest product in its ISO (Instant Sound Optimizer) line, has been chosen by leading artists, engineers and producers as a vital piece of their recording setup. ProPAD provides superior isolation from the vibrations and resonant energy created by studio monitors, preventing this energy from being transmitted into the supporting furniture, which would greatly color the monitors’ sound and degrade their imaging.
Guitarist/multi-instrumentalist, songwriter and producer Adrian Belew is noted for his work with Frank Zappa, David Bowie, Talking Heads and King Crimson, as well as his acclaimed solo career. He is blown away by the difference the ProPADs make in his monitor setup. “Once you listen to your monitors on the Auralex ProPADs, you won’t want to hear them any other way. They’re the best I’ve heard,” he states.
Producer/engineer Russ Long, whose credits include Wilco, Dolly Parton, Steven Curtis Chapman, etc., is also impressed by the contrast between his monitors with and without ProPADs: “After making records in my studio for nearly 20 years, I added ProPADs to my configuration, and my monitoring became more accurate than ever.”
Mixer/engineer/producer Peter Moshay has worked with such acts as Hall & Oates, Mariah Carey and Sean Lennon, and currently he serves as house engineer for Daryl Hall’s Live at Daryl’s House program. He states, “I never thought my monitors could sound better until I tried ProPADs. I’ll never be without them.”
Producer/mixer/engineer/songwriter Glenn Rosenstein’s CV features many of music history’s heavy hitters: Madonna, U2, Talking Heads, Ziggy Marley, etc. He adds, “The Auralex ProPADs are unlike any other professional monitor isolators I’ve used. No harmonic resonance … and no sonic artifacts!”
Paul Umbach’s tenure in the pop world has led him to a stint as a key producer at Jive Records, where he worked with superstars Britney Spears and ‘N Sync, to name a few. He has also collaborated with acclaimed singer-songwriter Matt White. He is similarly impressed with his ProPADs: “The new Auralex ProPADs are amazing. It’s like somebody pressed the clarity button.”
The ProPAD is sold in stereo pairs and is designed to work with nearfield monitors employing up to 8″ woofers. ProPAD’s updated design features a 0.75″ layer of laminated black MDF covered with a thick layer of Auralex’s proprietary IsoPuck™ isolation material, which is made of recycled rubber. Six stick-on feet, also made from IsoPuck material, are supplied for flat or angled applications. The ProPAD is the perfect solution for decoupling monitors and reducing structural vibration in all manner of sound-critical spaces, including recording studios, post-production/edit suites, mobile recording facilities, hi-fi listening rooms, home theaters or anywhere a monitor/speaker isolation platform is needed to improve sonic purity.
For more information, please visit www.auralex.com.
SANTA MONICA, CALIF. (Dec. 3, 2012) — The Recording Academy® Producers & Engineers Wing® Manufacturer Council Breakfast was held on Sunday, Oct. 28, 2012, during the 133rd AES Convention. At their biannual meeting, the group of industry leaders — who are dedicated to the advancement of sound quality and to the overall growth of the professional audio industry — shared ideas and discussed issues with the goal of raising awareness about the importance of high-quality audio and the professionals who create it, as well as topics of mutual interest to pro audio manufacturers, retailers and the producers and engineers who use their products.
A key topic of conversation was the P&E Wing’s recent partnership with the Consumer Electronics Association (CEA) in debuting www.qualitysoundmatters.com, an online portal launching in early December 2012, aimed to promote enhanced consumer awareness of higher-quality sound for music.
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