Qualis Audio Names Prism Sound As Its New European Distributor

PORTLAND, OREGON, MAY 29, 2012 – Qualis Audio, a leading developer of professional audio measurement and monitoring instruments, with an emphasis on 5.1 surround sound, is pleased to announce today the appointment of Prism Sound as its exclusive distributor in the United Kingdom, Ireland and portions of continental Europe. The company will support sales of Qualis Audio’s Sentinel Surround Sound Audio Monitor outside of the United States, further bolstering the company’s reach to new and existing customers worldwide.
The Sentinel will be sold alongside Prism Sound’s already impressive lineup of audio equipment for applications that demand high quality and precision from manufacturers, including LOUDSOFT and Prism Sound’s own line of SADiE audio workstation software.
“This relationship with Qualis Audio is an opportunity to extend our business with both existing and new clients, by virtue of the existing Qualis Audio product line and new products in future,” says Graham Boswell, director of sales and marketing, Prism Sound. “Our customers have long been interested in the service quality and loudness monitoring that the Sentinel provides, and we are happy to provide them with this technology. A partnership with Qualis Audio, a company with a fantastic heritage in audio technology, strongly reinforces our brand and positioning. I am confident that we will be able to develop good business by working together to provide the best audio solutions for our clients.”
Doug Ordon, director of U.S. sales, Qualis Audio, says his company is happy to team up with Prism Sound. “Having a strong partner in the United Kingdom with such a stellar reputation will enable Qualis Audio to reach and educate new customers overseas. It also provides both of our companies with a chance to collaborate on future opportunities. Just as there are issues with loudness compliance here in the United States, our friends in Europe are also seeking ways to comply with EBU standards. We are happy to share the Sentinel with them as an innovative, cost-effective solution.”
Prism Sound:
1) Note To Editors
The name “Prism” is widely used in different markets and by many different companies worldwide. The Cambridge-based UK manufacturer of audio interfaces, test and measurement equipment and logging systems, to whom this press release refers, seeks to avoid commercial confusion with these other markets and companies by always using its full trading name, “Prism Sound”, in its commercial communications. To avoid further action by these companies, Prism Sound respectfully ask that this convention be followed in print and on-line media which refer to their company and products. Thank you.
2) About Prism Sound
Founded in 1987, Prism Sound manufactures high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. In addition to Qualis, the Prism Sound product range includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products including the dScope Series III audio analyzer.
For more information please visit www.sadie.com or www.prismsound.com or contact: Graham Boswell, Director of Sales & Marketing, Prism Sound group via email: Graham.boswell@prismsound.com or phone: +44 1353 648888.
About Qualis Audio
Founded in 2008, Qualis Audio is a leading developer of professional audio measurement and monitoring instruments for the broadcast industry. With an emphasis on surround, loudness and QoE, Qualis Audio is the only company in the broadcast market focused on audio measurement with roots in test and measurement.
Its flagship product, the Sentinel, is a network-connected surround sound audio monitor capable of unattended operation. In broadcast applications, it provides comprehensive measurements for CALM Act loudness compliance and QoE analysis. In addition to intelligent monitoring and archival logging, the Sentinel delivers innovative forensic and reporting capabilities. For more information visit www.qualisaudio.com.

Influential Tech Brand BGR Brings Production Integrity to the Fore with Sennheiser Wireless Mics as it Debuts The BGR Show

Old Lyme, CT – May 24, 2012— For six years, BGR (Boy Genius Report) has been a primary destination for consumers to get a first glimpse at breaking news and cutting-edge consumer products in the tech space. For BGR, one of the most prominent tech and mobile sites in the world, quality is key. Now, as it is making new forays into video, BGR has turned to Sennheiser for the best possible audio.

BGR, which was originally founded under the precept of providing viewers with not only the latest tech and product news but also leading commentary and insights from industry influencers and tastemakers, is focused on quality rather than quantity when creating content for its viewers.

Therefore, as it launches The BGR Show, a weekly video report that looks at the different ways technology has permeated our daily lives through the lens of manufacturers, celebrities, personalities and executives, BGR has armed its production team with a fleet of DSLR cameras coupled with Sennheiser ew 100 ENG G3 wireless microphone systems. The BGR Show debuts on BGR.com on May 31st.

“Most devices that are connected to the Internet these days — whether they are laptops, monitors or headphones, wired or wireless — are capable of delivering a high quality experience to people,” commented Jonathan Geller, President and Editor-In-Chief of BGR.com. “In terms of production quality, we wanted to partner with Sennheiser to make sure that everything we did with audio was to the highest standard.”

“Regardless of where we are capturing the content, Sennheiser’s microphones and wireless equipment play a fundamental role in this process,” he continued. Sennheiser’s wireless expertise regularly contributes to the success of events such as The Super Bowl, The Grammy Awards® and many other major broadcast productions.

The BGR Show is being launched in partnership with Pharrell Williams and Google and will cover the latest tech and lifestyle products, while featuring prominent celebrities, executives, and other influencers. Ken “Duro” Ifill, a Grammy winning mixer & producer who has worked alongside chart topping artists such as Jay-Z, The Beastie Boys, Usher, Mariah Carey and many others will be co-executive producing the show alongside Geller.

Video content will be capturing using Canon’s DSLR family, which provides both image quality and editing flexibility and the audio will be captured with Sennheiser ew 100 ENG G3 wireless microphone and transmitter sets, which provide not only outstanding audio quality but also ruggedness and reliability in the field.

For more information on The BGR Show, please visit http://www.bgr.com/2012/05/21/presenting-the-bgr-show/.

AES Names Steve Green Business Development Manager

New Job Title Reflects Organizational Evolution

NEW YORK: Recognizing the importance of engaging directly with its stakeholders, Executive Director Bob Moses has named Steve Green AES Business Development Manager. An accomplished audio systems and applications engineer, and skilled technical marketing manager, Green will focus his energies on expanding the AES constituency and maximizing the value of its many assets and services.

“I’ve known Steve Green over twenty years,” Moses said. “I was his customer for more than half of them, and I learned that I could go to Steve whenever I needed an honest answer to a question, or help getting my project out the door. I want that experience for all AES members, exhibitors and attendees. His mission is simple – talk to people and find out how we can make AES better. Then, as we used to say in the manufacturing business, ship it.”

Sharing his thoughts for his new position, Green remarked, “As an AES member for over 30 years, I have a personal interest in the continued success of the organization. My primary goal is to increase the value of the AES for the individuals, companies and educational organizations within the audio community. One of the unique attributes of the AES is the incredible diversity in the interests and focus areas of our members. Facilitating the exchange of ideas and knowledge both within and between these groups is something that only the AES is in a position to provide. I look forward to meeting with many old friends and to building many new relationships on my new journey.”

Steve Green has worked for the past 20+ years with integrated circuit manufacturers focused on audio products, primarily with Crystal Semiconductor/Cirrus Logic. He has held various positions including Applications Engineer, Applications Manager and Technical Marketing Manager. In November 2010 he was awarded an AES Fellowship, “In recognition of two decades of valuable contributions to mixed-signal audio design and implementation.”

Photo: Steve Green has been named AES Business Development Manager

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Moog Music Celebrates Namesake Pioneer with One Day Birthday Promotion Event to Benefit Bob Moog Foundation

ASHEVILLE, NC, May 21, 2012 — In celebration of Bob Moog’s 78th birthday Moog Music, Inc. will donate 50% of all online clothing and merchandise sales on May 23rd to the Bob Moog Foundation. For every $350 raised, the company will also donate one Etherwave Theremin to the Foundation’s educational initiative, Dr. Bob’s SoundSchool, to complete the DBSS Educational Kit that is provided to each participating school. Dr. Bob’s SoundSchool teaches elementary school students the science of sound through the magic of music.

Moog Music will feature a brand new line of product-inspired apparel boasting graphics bold enough to induce a geekfest for synth enthusiasts everywhere. DVDs, CDs, mugs and other ephemera will be part of the benefit promotion.

Moog Music clothing and merchandise can be purchased from the company’s online store: www.moogmusic.com/products/clothing and http://www.moogmusic.com/products/Merch

Moog instruments are not included in this annual fundraising event for the Bob Moog Foundation.

The promotion was created to include Moog customers around the world in the company’s support of the Bob Moog Foundation’s educational outreach efforts. Dr. Bob’s SoundSchool is a STEAM-based initiative, combining science, technology, engineering, art and math. It brings the late inventor’s work and spirit alive for children by teaching the physics of sound through intuitive engaging educational materials, including the theremin.

“Moog Music and our customers celebrate Bob’s pioneering legacy. In a time when science achievement is declining in this country, we are proud to support the Bob Moog Foundation in their efforts to bring science alive through electronic music. We invite all of our customers to make a purchase online on May 23rd and support the Foundation’s important work,” said Mike Adams, Moog Music President & CEO.

Moog Music, Inc. is the world’s leading producer of innovative analog synthesizers. The Bob Moog Foundation is an independent non-profit organization with a mission of igniting creativity at the intersection of music, science and innovation.

Read more about Moog Music at www.moogmusic.com
Read more about the Bob Moog Foundation at: www.bobmoogfoundation.org

Prism Sound Fulfils An Important New Order For Its SADiE 6 Craft Editing Software

Less than one year after installing 50 SADiE 6 editing systems at BBC North in Salford, the BBC has expanded its SADiE editing capabilities by ordering another 250 systems. These will be strategically located in the Corporation’s radio studios around the UK.

Following a comprehensive review of a range of potential solutions, the broadcaster selected SADiE as its standard “Craft Editor” for audio to complement its radio production and playout automation systems. This decision helped the broadcaster to streamline the range of tools that it supports internally for its radio programme makers.

The Corporation already has many hundreds of SADiE installations. Key to this success is the unique approach that SADiE has to audio editing and productivity, tailored to high-end radio production workflow. The new SADiE 6 software is primarily being used as a software-only application on the broadcaster’s desktops, but it can also be installed on existing SADiE 5 hardware as an upgrade.

The Craft Editor specification demanded a number of feature enhancements for the new SADIE 6 software, including the integration of a comprehensive signal processing plug-in package. This has been met with the iZotope plug-in pack for SADiE 6. In addition, Prism Sound has developed a USB interface for SADiE 6 that supports the broadcaster’s 200-plus SADiE hardware controller. This enables re-use rather than replacement of the controllers.

Graham Boswell, Sales Director of Prism Sound, says: “We are delighted that the BBC is making SADiE 6 available to many more of its radio production employees and we feel confident that they will appreciate the benefits that SADiE 6 brings.”

SADiE digital audio workstations and LRX 2 digital audio workstation have long been the mainstay of the broadcast community thanks to their editing and location recording capabilities. The SADiE product range is renowned for its speed and ease of use, making it ideal for radio drama production and topical documentaries where the emphasis is on a quick turnaround. The new SADiE 6 software operates on any computer running Microsoft Windows as well as existing SADiE 5 hardware platforms.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

BroadcastAsia2012 Preview June 19-22, Singapore NETIA Exhibiting With Master Dealer Broadcast Communications International, Booth 4S3-02

Company Overview:
NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include SBS and ABC in Australia, RAI Italy, France Telecom/Orange, MediaCorp Singapore, RTL France, Rádio Globo in Brazil, RTM Malaysia, Radio France, the Associated Press, France Télévisions, TV Center Russia, and L’Équipe 24/24. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

NETIA Products at BroadcastAsia2012:

New! Radio-Assist(TM) 8.1 — Upgraded Radio Automation System
At BroadcastAsia2012, NETIA will showcase enhancements to its Radio-Assist(TM) 8 range of digital audio automation software. Radio-Assist 8.1 will offer the same robust array of tools for streamlined end-to-end multimedia production, broadcast, and publication workflows, as well as additions including two significant features: a new integrated music scheduling application and new video editing capability from within a single user interface.

NETIA’s Radio-Assist family of digital audio software programs covers each part of the production and broadcast workflow, allowing users to record, edit, or prepare a playlist. In addition to new browse and publishing tools for full multimedia functionality, the software features tools for acquisition, sound-file editing, commercial and music production, newsroom systems, scheduling, multicasting, and administration.

Radio-Assist 8.1 will allow users to leverage built-in music scheduling functionality. With music management tools integrated into Radio-Assist 8.1′s FederAll playlist preparation module, users will be able to automate playlist generation according to preset criteria, business policies, and a wide range of intelligent options for sequencing music.

The video editing tool now available within the Radio-Assist 8.1 interface complements the software’s Snippet and Snippet+ audio editing tools. Offering a convenient editing solution, this enhancement addresses the growing demand for radio broadcasters to provide video via their online portals. This simple and intuitive editing tool is available through the same GUI as the Snippet tool, providing a consistency that allows staff to produce video clips with very little additional training.

At BroadcastAsia2012, NETIA will highlight further functional and technical enhancements that add to the value of Radio-Assist 8.1 in today’s radio broadcast operations.

Image Link: www.wallstcom.com/NETIA/RadioAssist8.zip
Image Caption: NETIA Radio-Assist(TM) 8.1

New! Content Management System
NETIA will showcase a new version of its Content Management System (CMS) at BroadcastAsia2012. The new version allows users to manage all processes within the global production environment — from editing through post and distribution — through simple, easy-to-manage workflows and task automation, accessed through one unique and easy-to-use interface. The NETIA software suite also allows users to connect all of their partners and vendors within a single production ecosystem, simplifying the sharing and managing of media assets.

The CMS that will be presented at BroadcastAsia2012 includes enriched features within its metadata management module, as well as in its indexing functionality. The CMS GUI includes a greater number of fields that can be personalized, and the system’s metadata template can be customized by users. A multilingual thesaurus module available in this new CMS release ensures there are endless possibilities for very precisely describing content, in turn making it easier for users to access and retrieve specific content. Finally, the CMS will include an enhanced administration application that further simplifies system management.

Image Link: www.wallstcom.com/NETIA/CMS.zip
Image Caption: NETIA Content Management System (CMS)

All trademarks appearing herein are the property of their respective owners.

Tony Nominee LEAP OF FAITH Takes Broadway Sound Production to New Heights Using Neumann Digital Microphone Technology

OLD LYME, Conn. – May 9, 2012 – Audio specialist Sennheiser announced that LEAP OF FAITH, Broadway’s latest roof-raising Tony-nominated musical, is the first Broadway production to utilize digital microphone technology from Neumann. The musical, which features a score by eight-time Oscar® winner Alan Menken, opened late last month at the St. James Theater on 44th Street and features no less than 12 Neumann digital microphones in the orchestra pits.

Broadway is widely recognized as maintaining the “gold standard” when it comes to live sound production quality; its sound designers routinely specify Sennheiser and Neumann microphones and wireless equipment for their unrivalled sonic performance on both the stage and in the orchestra pit. For LEAP OF FAITH, Sound Designer John Shivers and Associate Sound Designer/Mixer David Patridge specified Neumann digital mics on the brass and woodwind sections of the orchestra, which were then fed into a Neumann DMI before reaching the DiGiCo SD7 digital console.

LEAP OF FAITH has two separate orchestra pits, both of which use the digital microphones. The pit below the stage and directly in front of the audience contain the woodwind section, which uses four Neumann KM 184 Ds as overheads and four TLM 103 Ds in a low position, approximately 15 inches off the floor and resting at a 120-degree angle towards the instrument. The other pit was situated below and to the rear of the stage and contained the brass section, which was miked with four TLM 103 Ds in a low position similar to that of the woodwinds.

An exquisitely pristine sound character
“We had already specified the analog versions of these microphones when Masque Sound brought up the possibility of our using digital microphones on this show,” Shivers recalls. “We jumped at the chance to use them since I am always interested in increasing the overall sound quality of the production. We didn’t get a chance to A/B these against their analog counterparts in a controlled environment, but my sense is that there is an increased clarity and transparency to these microphones.”

“These microphones exhibit an open, detailed sound,” Patridge adds. “I think additional clarity is evident in the high frequency range and the microphones themselves require less EQ. As for the noise floor, it is non-existent: these microphones are absolutely pristine.”

Realizing the benefits of remote control
According to Patridge, the benefits of using Neumann digital mics in the theater extend well beyond just the pristine sound, since many parameters such as shelving, padding and even polar patterns can be remote controlled from the FOH position*: “The pit can be a difficult area to access, and during sound checks I often have to send somebody in there to ensure there is no shelving or padding on the mics,” he observes. “With the Neumann digital mics, I can control all these settings from software interface on the console, which saves time and gives my production team one less thing to worry about.”

Shivers agrees that being able to control the microphones from a remote location is beneficial: “If a musician is playing particularly loud, having the ability to go to a control panel and adjust the padding could be very helpful. Also, having the capability to remotely switch to a hyper-cardioid from a cardioid pattern could give you a tighter sound and more rejection without having to move the microphone position. But for me, the audio quality is always most important.”

Prior to its official opening on Broadway on April 26th, LEAP OF FAITH was in previews for three straight weeks, during which time the Neumann digital microphones were put through their paces. “We were very impressed with how they sounded right out of the box,” Shivers says. “We knew from the reputation of the company that it would be an improved product, and now we can assuredly say that it is. The quality of these microphones is of a very, very high standard and I would love to use them again.”

*(available in the Neumann D-01 microphone, which features 15-switchable polar patterns at the click of a mouse).

Photo captions:

Greg Thymium of the LEAP OF FAITH woodwinds section plays into Neumann TLM 103 D digital microphone in the low position and a Neumann KM 184 D digital microphone in the overhead position (photo: Cheryl Fleming).
The Neumann KM 184 D is among the digital microphones currently being used in the LEAP OF FAITH musical production on Broadway (photo: Cheryl Fleming).
The Neumann TLM 103 D digital microphone was used in the low position on both woodwinds and brass during LEAP OF FAITH.

Audio-Technica and Celebrated Artists Support Music Education

— Nine scholarships/donations honor A-T’s 50th anniversary —

Audio-Technica, a leading innovator in transducer technology, officially kicked off its 50th Anniversary Year in the U.S. with a special gala event held January 19, 2012, during the Winter NAMM Show in Anaheim, California. The event featured an all-star music revue produced by legendary GRAMMY® Award-winning producer Phil Ramone. Among the featured all-star cast of performers were saxophonist and longtime Audio-Technica endorser Mindi Abair, R&B/jazz vocalist Patti Austin, new age/adult-contemporary superstar and Audio-Technica endorser Jim Brickman, smooth jazz saxophonist Dave Koz, vocalist Monica Mancini, legendary trumpeter/pianist/composer Arturo Sandoval, gospel/R&B music legend BeBe Winans and Canadian jazz-pop vocalist Nikki Yanofsky. In commemoration of the event, all eight performers have decided to donate their performance honoraria to different music education programs and institutions, helping promote the importance of music education and assisting students in their pursuits.

Greg Pinto, Audio-Technica U.S. Vice President of Marketing and Consumer Sales, stated, “It was thrilling to have Phil Ramone produce the concert, and to have these eight world-class artists perform at our anniversary celebration in Anaheim marking ‘50 Years of Passionate Listening,’ and it is a special honor that they are donating these funds toward music education, a cause that is very near to the hearts of the A-T family.”

Phil Ramone donated his honorarium to The Salvation Army’s Phil Ramone Orchestra for Children. Abair has decided to donate to the Berklee College of Music Five-Week Summer Performance Program, creating the Mindi Abair/Audio-Technica Berklee Five-Week Summer Performance Scholarship. Austin is also donating her honorarium to the Berklee College of Music. Brickman is giving to his alma mater Cleveland Institute of Music (CIM), creating the Jim Brickman/Audio-Technica Scholarship. Koz is proud to donate to the GRAMMY Camp® (held at and in partnership with the USC Thornton School of Music), creating the Dave Koz/Audio-Technica GRAMMY Camp Scholarship. Mancini selected The Mr. Holland’s Opus Foundation, thereby creating the Monica Mancini/Audio-Technica Donation for Music Education. Sandoval chose the Young Musicians’ Camp at the University of Miami Frost School of Music, creating the Arturo Sandoval/Audio-Technica Scholarship for the Young Musicians’ Camp. Winans is donating to Juilliard’s Summer Jazz Workshops, creating the BeBe Winans/Audio-Technica Scholarship. Yanofsky has selected the Schulich School of Music and its Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) at McGill University, creating the Nikki Yanofsky/Audio-Technica Scholarship.

Audio-Technica endorser Abair stated, “Audio-Technica has been helping me achieve my sound for more than 18 years on the road and in the studio. I was honored to play for their 50th Anniversary and even more honored to give back with a scholarship to Berklee’s five-week program. I grew up musically and personally while getting my degree at Berklee. I was encouraged to be an individual there and create my own musical vision. That’s priceless. I couldn’t be happier to pass that gift along to another individual.”

Beverly Tryon, Director, Corporate and Foundation Relations, Berklee College of Music, remarks, “We are very grateful to Mindi Abair for selecting her alma mater to receive this generous scholarship support, and to Audio-Technica for making it possible. This scholarship will allow a deserving young person to participate in this life-changing summer experience at Berklee.”

Fellow A-T endorser Brickman stated, “I want to express my thanks to Audio-Technica for the opportunity to create the Jim Brickman/Audio-Technica Scholarship at the Cleveland Institute of Music. CIM is the school where I found my sound. I think it’s important to cultivate musicianship, and their teachers do just that. My hope is that through scholarship efforts like this one, it will open doors and further the music education of another aspiring pianist.”

“It is particularly gratifying that Jim has chosen the Cleveland Institute of Music as the beneficiary of this wonderful gift, since he is one of our own, having studied here with Marshall Griffith and Olga Radosavljevich. It was their teaching that helped transform Jim’s future life, and through this gift, CIM will be able to continue our goal of transforming lives for their future, through all that we do,” said Conservatory Dean Adrian Daly. “In consultation with the piano faculty, the scholarship will be awarded to a student who ‘reminds us of Jim,’ with the special qualities he has and has developed to be the wonderful musician, artist and entertainer that he has become. We are also extremely grateful to Audio-Technica for their connections with Jim Brickman, and for their ongoing support of our institutional mission of providing a world-class educational and transformative experience for our students, and for those with whom we interact.”

For more information, please visit www.audio-technica.com.

AES 132nd Convention A Hit In Budapest

Mercedes-Benz Signature Sound Audio & John Buckman Keynote Highlight Show

BUDAPEST: With over 100 paper, workshop, tutorial and networking events, 11 exhibitors and 805 attendees, the 132nd AES Convention was the most intimate yet intensive gathering in the organization’s 64-year history. Participant response to the event and, to the host city, was uniformly positive.

“Budapest exceeded our expectations as a distinctive site for our 2012 European convention,” stated AES Executive Director Bob Moses. “We attracted a number of eastern European audio professionals who had not previously had the opportunity to participate in an AES event. The feedback we received from them as well as from our traditional AES European Convention attendees was extremely positive.”

The convention was highlighted by the first surround recording, specifically mixed and mastered for the exotic new Mercedes SL Roadster. Presented by a blue-ribbon panel which included Leslie Ann Jones of Skywalker Sound, Mario Fresner of Daimler AG, Stefan Bock, msm-studios GmbH, Norbert Niemczyk, Daimler AG, Wieslaw Woszczyk of McGill University, and moderator Herbert Waltl of LA’s mediaHYPERIUM, the event demonstrated the “ultimate surround sound car listening experience.” Technical issues behind its development were discussed at length.

Keynote speaker John Buckman, a leading online label entrepreneur and Chairman of the Electronic Frontier Foundation (EFF), provided deep insights into developing successful 21st century progressive music business models. Presentations spanning subjects from Smartphone technology to Virtual Microphones and the Beach Boys’ “Smile” sessions offered attendees invaluable insights, career tips and social networking opportunities.

Moses reports the quality of the research papers was particularly high thanks in part to a newly instituted Convention paper review process. “The turnout for Workshops and Tutorials was particularly strong,” he adds, “The rooms were packed and, while the exhibition was smaller than we had hoped, we deeply appreciate the support of Audiomonde, Auro Technologies, Charteroak, Crane Song, Delta Senselab, Linear Audio, Microtech Gefell, Neutrik, Profusion and Roland Systems Group East Europe. Our post-show conversations with them clearly substantiate their palpable sense of having made the right judgment call in being with us. “The 132nd Convention clearly confirms the importance of continuing the AES European show. We are already in the planning stages for our next event, and will be incorporating changes our stakeholders are requesting to add value and ensure its long term success” Moses concludes.

Commenting on his reaction to the 132nd Convention, David Josephson of Josephson Engineering who shared a booth with Crane Song, AEA and Hitspace remarked, “The show was really worthwhile. We saw a lot of students and pro users. The technical sessions seemed stronger and better attended than the last London show. We went because it was the first time we could reach out to buyers in Eastern Europe. The opportunity for seeing significant people is absolutely worth attending an event like this.”

Photos: 1. 132nd AES Convention Opening Day Registration
2. 132nd AES Convention Workshop

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. With over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East, the organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Acoustics First’s Paintable Design Friendly Acoustic Panel

For Immediate Release

Acoustics First Unveils Tone Tiles™. (Paintable, Design Friendly Acoustical Panel System)Tone Tile™ Paintable Design Friendly Panels

www.ToneTiles.com

As a follow up to the recent PhaseFOAM™ system, the Acoustics First design team has invented a new wall panel system named Tone Tiles™, www.ToneTiles.com. Tone Tile™ acoustical panels are now ready to be shipped and deployed into any application requiring sound control. This new acoustical system offers acoustical absorption with limitless design potential and installation possibilities.

The white soft drywall texture appearance of the tile allows you to install them right out of the box or paint with a matte finish spray paint to complement colors on site. These sound absorbing panels are covered with a paintable / printable finish, allowing you to match any design scheme.

The unique 2’x1’ size of the panel allows one the freedom to create diverse wall tile patterns and mount around existing room obstructions. Optional 2” Stand-Off Mounting Brackets further acoustical control by creating an air gap, increasing absorption and improving low frequency response. The 2″ space behind the panels also presents an opportunity for back lighting effects. Employing optional Corner Mounting Clips permits the installer to construct one foot wide or two foot wide custom bass traps in room corners.

10 ea. 2′ x 1′ Tone Tile™ panels in each box for $350.00 USD.
Optional Mounting Clips:
Acoustics First 2″ Stand off Clips, Box of 20 Clips AF2SC20 $ 80.00
Acoustics First Corner Clips, Box of 8 pair (8 Left & 8 Right) AFCC8 $ 48.00

-Spray Paint Panels to Complement Color Schemes
-Locally Print Images on Panel Face
-Design Unique Wall Patterns
-Apply Stencil Designs
-Increase Absorption Using 2″ Stand off Clips
-Easily Construct Custom Bass Traps

www.ToneTiles.com

Ryan Larkin
Sales & Marketing
www.AcousticsFirst.com
Acoustics First Corporation
PH: (804) 342-2900

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

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