Acoustics First® adds Speaker Isolation Stands to improve sound at the source


Acoustics First now carries the ISO-L8R155. These speaker isolation stands make a perfect complement to the www.PhaseFOAM.com or www.ToneTiles.com acoustical systems. Just as both systems allow you to adjust the acoustical material to tune your room, these speaker isolation stands instantly improve the focus and sound of studio monitors. Each box ships with all the parts to create a short or long stand. For use in critical listening environments, these speaker stands are great in recording studios, broadcast facilities, home listening, mastering suites, desktop gaming and more.

Speaker Isolation Stands (IsoAcoustics ISO-L8R155)
Set of two stands (Right and Left)
Product Code: AFISO-L8R
$99.00 ea.

***Free Standard Shipping Through the End of July 2012**

Acoustics First Corporation supplies acoustical panels and soundproofing materials to control sound and eliminate noise in commercial, residential, government, institutional applications worldwide. Products include the patented Art Diffusor®, sound absorbers, noise barriers, acoustical fabrics and accessories. Acoustics First® products are sold for O.E.M applications, direct, and through dealers. For more information on acoustical materials and their application, please visit www.AcousticsFirst.com or call Toll Free 1-888-765-2900 (US & Canada).

AES Expands To China

New Beijing Section Exemplifies International Growth

BEIJING: AES Regions & Sections Chair, Peter Cook, has concluded a series of meetings in Beijing, which have resulted in the formation of the first Audio Engineering Society Section in mainland China.

Early this year, Shusen Wang, a long-time AES member, VP of a Beijing broadcasting company, and a leading professional audio consultant there, contacted Mr. Cook to explore the possibility of establishing a Beijing Section. In late May, Cook made two AES presentations to members of the China Audio and Video Association (CAVA). Following those meetings a group of over 25 Chinese AES members from Beijing and other cities, discussed a Beijing Section with Cook. Mr. Wang was unanimously invited to Chair the Section.

“The seriousness and passion demonstrated by the AES members I met with in Beijing was deeply impressive,” Peter Cook reveals. “They are fully committed to all the fundamental elements that make the AES an invaluable forum for professional audio. They enthusiastically recommended highly qualified local vice-chairs to be responsible for: Education, Research, Broadcast Applications and other areas of universal AES concern.” Cook adds, “I was genuinely taken aback when they conveyed the huge size of China’s professional audio community. This initial Beijing Section may mark the beginning of a substantial AES expansion in China. Their concerns for the importance of an AES affiliation were humbling.”

Shusen Wang applauds Cook’s recommendations, and has already begun to map out a program to incorporate them. “We will work closely with the AES parent organization to introduce Chinese experts to relevant Technical Committees; to invite them to submit research papers; to introduce Chinese stake-holders to Standards Committee chairs; and, do everything possible to ensure the success of first-time Chinese exhibitors at AES Conventions,” Mr. Wang said.

“The AES has many individual members in China. We believe our new Beijing Section will sustain a long and mutually beneficial on-going relationship with China’s professional audio community,” concludes AES executive director Bob Moses. “This move exemplifies our plan to expand the AES mission and support our ongoing effectiveness throughout Asia and The Far East.”

Pictured at a meeting of the China Audio & Video Association, bottom row center Peter Cook with Shusen Wang to his right.

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Myers Installs 50th ProTrack MAM System at KOCE-TV

STATION PROVIDES PBS TO THE GREATER LOS ANGELES MARKET

Northampton, MA – Myers Information Systems – a long-standing developer of broadcast traffic, business, and content management software – today announced the successful commissioning of a milestone 50th Media Asset Management (MAM) module for the Company’s flagship ProTrack TV at Southern California’s KOCE-TV. The station – branded as “PBS SoCaL” – offers a full schedule of PBS and local interest programming to viewers in the Greater Los Angeles area.

“Myers was an easy choice: it saves us money and maintenance time, plus it integrates well within our highly automated master control infrastructure,” said director of engineering & technology Gordon Smith. “ProTrack MAM is easy-to-expand and uses standard, rather than proprietary archive file structures; it’s an integral part of Myers’ traffic environment and it ‘plays well’ with our Avid Automation, plus it costs us just a third of the previous system’s license and support fees.”

“We’re extremely pleased at how rapidly our MAM solution’s been adopted, as evidenced by this 50th installation,” said Crist Myers, company CEO and president. “Adding MAM to their existing ProTrack configuration helped KOCE tackle the challenges of becoming Los Angeles’s primary PBS station last year; it lets them repurpose content and automate file-based transfers between archive and playout servers based on the actual ProTrack schedule.” The solution provides real-time insight to scheduling, noting whether content is in-house, within rights to be aired, and compliant with predefined business rules; it helps clear the on-air server with purge orders after confirming a copy is securely in archive. “And ProTrack MAM works equally well with existing middleware solutions or as a standalone within a spinning disk environment,” added Myers.

Myers’ highly regarded flagship suite, ProTrack, is available in both radio and television editions. It offers comprehensive scheduling and business management for individual, multichannel and multi-station facilities. Actively used by more than 226 media outlets, supporting more than 1,300 channels, ProTrack provides a high-level of structure and scalability, without sacrificing flexibility, for today’s rapidly evolving media environments.

ABOUT MYERS INFORMATION SYSTEMS
Myers Information Systems, Inc. has been developing broadcast management software since 1989. The Company provides technology and services for television, radio and other digital media providers designed to improve every aspect of their operations, from contracting to invoicing, media management to scheduling, and from trafficking to reconciliation. For more information, please visit: www.myersinfosys.com

ABOUT KOCE-TV
Founded in 1973, KOCE has been Orange County’s public television station for more than 37 years, delivering the best of PBS programming and providing award-winning coverage of local issues and events. In January 2011, KOCE-TV became the full-service PBS station for greater Los Angeles, operating under the name PBS SoCaL with an expanded schedule, viewing area and services to the entire region. Broadcasting from atop Mt. Wilson, the station’s signal is tuned-in by more than five million viewers each month in LA, Orange, San Bernardino and Ventura Counties. For further information, please visit: www.PBSSoCaL.org

###

Myers Information Systems contact: Crist Myers
+1-413-585-9820 / sales@myersinfosys.com

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Jampro Antennas Upgrades 350 FM Signals for Radiorama in Mexico

Sacramento, CA Jampro Antennas, Inc. — a world leader in the manufacture and design of radio frequency components and antennas for radio and television transmission — today announced the successful installation and commissioning of FM radio antennas covering 350 separate broadcast frequencies for Radiorama, one of the oldest and most established radio networks in México. The group has stations throughout the country offering entertainment, news and 100% Mexican music.

The turnkey system consisted of Jampro models JCPB (Broadband), JSWB (Super Wideband, high power) and JMPC (medium power) side-mounted FM antennas, rigid transmission line, patch panels, and Starpoint combiners. On-site commissioning was performed by company technicians. Of the systems provided only 32 single frequency antennas were supplied. All others were either 2 or 3 frequency sidemounted systems, with at frequency separation of as much as 18 MHz.

“We were gratified and proud that Radiorama, a long time customer of over 20 years, selected us for this significant project,” said Alex Perchevitch, president of Jampro. “Radio is a key source of information and entertainment throughout México, and we are proud to enhance Radiorama’s coverage and FM signal strength by upgrading the quality and reach of Radiorama’s broadcasts.”

About Jampro
Jampro Antennas Inc., established to answer the need for quality broadcast systems at a reasonable price, is a leading supplier of antennas, combiners & filters and RF components for every application in the broadcast industry. Reputed for innovation and customization, Jampro builds each system to the specifications of the individual broadcaster. From the first system delivered in 1954 to those installed today, the Company is committed to consistent performance and quality founded on solid engineering. Today, over 15,000 broadcasters worldwide benefit from the quality and performance provided by Jampro systems. For additional JAMPRO information, please visit: www.jampro.com.

###
Jampro contact: Sonia Del Castillo
916-383-1177 • Sonia@jampro.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283
harriet@desertmooncomm.com

NETIA IBC2012 Preview

Exhibiting With GlobeCast, Stand 1.A29
September 7-11

Company Overview:

NETIA, a GlobeCast company, is a leading provider of software solutions that enable efficient management and delivery of content to today’s full array of media platforms. Relied on by more than 10,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides content management solutions to major radio and television brands and to multimedia groups around the world. Clients include SBS and ABC in Australia, RAI Italy, France Telecom/Orange, MediaCorp Singapore, RTL France, Radio Globo in Brazil, RTM Malaysia, Radio France, the Associated Press, France Télévisions, TV Center Russia, and L’Équipe 24/24. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

NETIA Products at IBC2012:

Radio-Assist(TM) 8.1 — Upgraded Radio Automation
IBC2012 will see the European launch of the latest version of NETIA’s powerful Radio-Assist(TM) 8 range of digital audio automation software. Radio-Assist 8.1 will offer the same robust array of tools for streamlined end-to-end multimedia production, broadcast, and publication workflows, along with two significant new features: an integrated music-scheduling application and video editing capability. Users can access both new features from a single user interface.
NETIA’s Radio-Assist family of digital audio software programs covers each part of the production and broadcast workflow, allowing users to record, edit, or prepare a playlist. In addition to new browsing and publishing tools for full multimedia functionality, the software features tools for acquisition, sound-file editing, commercial and music production, newsroom systems, scheduling, multicasting, and administration.

Radio-Assist 8.1 will allow users to leverage built-in music-scheduling functionality. With music management tools integrated into Radio-Assist 8.1′s FederAll playlist preparation module, users will be able to automate playlist generation according to preset criteria, business policies, and a wide range of intelligent options for sequencing music.

The video editing tool now available within the Radio-Assist 8.1 interface complements the software’s Snippet and Snippet+ audio editing tools. Offering a convenient editing solution, this enhancement addresses the growing demand for radio broadcasters to provide video via their online portals. This simple and easy-to-use editing tool is available through the same GUI as the Snippet tool, providing familiar utility that allows staff to produce video clips with very little training.

At IBC2012, NETIA will highlight further functional and technical enhancements that add to the value of Radio-Assist 8.1 in today’s radio broadcast operations.

Image Link: www.wallstcom.com/NETIA/RadioAssist8.zip
Image Caption: NETIA Radio-Assist(TM) 8

Content Management System
At IBC2012, NETIA will showcase the latest version of its Content Management System (CMS) that allows users to manage all processes within the global production environment — from editing through post and distribution — through simple, easy-to-manage workflows and task automation, accessed through one unique and easy-to-use interface. With the NETIA CMS, users can connect all of their partners and vendors within a single production ecosystem, simplifying the sharing and managing of media assets.

The latest version of the CMS includes enriched features within its metadata management module, and its indexing and segmentation functionalities, while the new, enhanced GUI allows a greater number of fields to be personalized. In order to automate the description of audio and video content, NETIA CMS interfaces with third-party speech-to-text transcription systems. A multilingual thesaurus module available in this new CMS release ensures there are endless possibilities for describing content very precisely, in turn making it easier for users to access and retrieve specific content. Finally, the CMS includes an enhanced administration application that further simplifies system management.

Image Link: www.wallstcom.com/NETIA/CMS.zip
Image Caption: NETIA Content Management System (CMS)

All trademarks appearing herein are the property of their respective owners.

Sennheiser Silent Disco brings interactive club atmosphere to The Governors Ball Music Festival

New York– July 9, 2012 – Audio specialist Sennheiser hosted a Silent Disco during The Governors Ball Music Festival on Randall’s Island on June 23 and 24. Thousands of festival-goers donned Sennheiser RS 120 wireless headphones and danced under a ‘big top’ tent to energetic mixes from international DJs. To onlookers, it appeared as though participants were dancing in silence as the mixes could only be heard by those wearing Sennheiser wireless headphones.

“The Sennheiser Silent Disco was one of the festival’s biggest draws,” said Tammi Montier, senior vice president of partnership marketing for Revolution Marketing, who worked closely with Sennheiser and The Governors Ball Music Festival to host the event. “At a festival like this, there is always dancing by the stages while the bands are playing, but there are plenty of people who want to interact with friends and express themselves in more of a dance club experience — it creates a memory. With Sennheiser running the silent disco, it heightens the quality of the experience for music fans while bringing even more credibility to the festival as a whole.”

The Sennheiser Silent Disco began at 2:00 p.m. on each day of the festival. International DJs such as Nobody Beats the Drum, Cont^ct, DJ Sookai and Hype Machine pumped out mixes for 10 hours straight each day before the festival closed at 11:00 p.m. each night. During the evening hours, the silent disco tent was illuminated with strobes, colored lights and a mirrorball, adding a psychedelic visual touch to the audio experience.

Amsterdam-based act Nobody Beats the Drum, longtime users of Sennheiser’s legendary HD-25 DJ headphones, gave headline performances each day and were enthusiastic about the event: “I really like the vibe,” commented Sjam Sjamsoedin, one third of Nobody Beats the Drum. “It is a very intimate style of performance where everyone hears exactly what you are doing. As far as our equipment is concerned, we’ve been using Sennheiser HD 25 headphones for ages and prefer their quality both in the studio and on the road. The one I am using is 11 years old — the entire frequency range holds up and they just don’t distort.”

Sennheiser is in a unique position of being able to provide a complete solution at silent discos such as this, which are becoming more popular at top-level music festivals around the world. “For an event like this, we are able to provide not only premium wireless consumer headphones, but also professional wireless systems that are used by top touring artists around the world,” said Tim Moore, artist relations manager at Sennheiser’s U.S. headquarters. “Both of these products work seamlessly together to offer a complete solution for the Governors Ball NYC, or any other large festival.”

Photo captions:
1. Sjam Sjamsoedin of Nobody Beats the Drum works the Sennheiser Silent Disco on the first day of The Governors Ball Music Festival.
2. In the evenings, the Sennheiser Silent Disco was illuminated with a mirror ball, colored lights and strobes, adding a psychedelic visual element to the audio experience.
3. Sjam Sjamsoedin and Jori Collignon of Amsterdam-based DJ act Nobody Beats the Drum are long time users of Sennheiser’s HD 25 headphones.

Sound Quality Takes the Stage at GRAMMY® FutureNow

SANTA MONICA, Calif. (July 5, 2012) — A highlight of GRAMMY® FutureNow, a day-long conference produced by The Recording Academy Los Angeles Chapter on Saturday, June 23, 2012, at the Broad Stage in Santa Monica, Calif., was the presentation led by GRAMMY-winning engineer Andrew Scheps (Adele, Audioslave, Linkin Park, Metallica, Red Hot Chili Peppers). Titled “Lost in Translation,” the presentation guided attendees through an auditory experience examining the difference between an artist’s mastered track and different consumer formats including vinyl, CD, MP3, AAC and streaming.

Photo Caption: Pictured L-R: Andrew Scheps, P&E Wing Senior Executive Director Maureen Droney and P&E Wing Steering Committee Co-Chair Mike Clink. Photo Courtesy of The Recording Academy® /Wireimage.com © 2012. Photographed by: Maury Phillips.

Lowell Introduces Rackmount Fan Panels with Built-in Thermostat

— Lowell adds new built-in thermostat option for 19-inch panels with whisper-quiet or turbo fans —

PACIFIC, MO, July 5, 2012 — Lowell Manufacturing Company recently introduced a new built-in thermostat option for 19-inch panels with whisper-quiet or turbo fans. This thermostat is actually built right into the cord, activating and deactivating fans when ambient temperatures reach pre-set points. The thermostat automatically turns fans on when the ambient temperature hits 86?F (30?C), and off when the temperature is 72?F (22?C). This power-saving feature ensures efficient fan operation, while saving rack space. The bright green cord highlights the energy-savings benefit to customers.

Whisper fans (Model Series FW):
Each fan has a 4.7″ diameter, 50 cfm airflow rating, 28 dB noise rating, and requires 5.5 Watts of power. Includes fan guards and power cord. Whisper fans are available in two formats: 19-inch E.I.A. Fan Panels, 3U (with 2 or 3 fans) or 7U (with 4 fans); as well as a single fan kit for spot cooling.

Turbo fans (Model Series FT):
The single 10″ diameter fan (19″ E.I.A. 7U panel) has 550 cfm airflow rating and 50.8 dB noise rating, requiring 61 Watts of power. The package includes front/rear fan guards and cord.

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

Prism Sound Delivers Simpler Audio Measurement Solutions To All India Radio

All India Radio (AIR) has taken delivery of 35 Prism Sound dScope Series III audio test instruments, which are being used to check the audio quality of AIR’s transmitter links throughout the country.

With a national network of 237 broadcasting centres, AIR is one of the most influential radio broadcasters in India. Established in 1936 as a Government organisation with a remit to inform, educate and entertain, AIR underwent rapid expansion after India attained independence in 1947 and now reaches 99.18% of the population. Its home service broadcasts in 24 languages and 146 dialects, while its external service covers 27 languages – 17 national and 10 foreign.

Today, the broadcaster has 149 medium frequency and 54 high frequency transmitters, along with 177 FM transmitters. This extensive network is constantly checked to ensure audio quality and overall performance.

In order to win this important tender, Prism Sound worked closely with New Delhi-based Electro Dynamics, the company’s specialist agent for Government sector Test and Measurement business in India. Formerly an Audio Precision representative, Electro Dynamics has been supplying equipment to AIR and Doordarshan (TV) for many years.

Lalit Agarwal, founder and CEO of Electro Dynamics, says: “Alongside offering the most competitive financial package in its tender response, Prism Sound also offered the best technical solution. The dScope Series III instrument was deemed highly suitable for AIR’s requirements, particularly because it offers analogue and digital functionality and its ease of operation is second to none. The system will be used extensively during the overhaul of AIR’s infrastructure as it transitions to digital broadcasting, and we are delighted to be able to offer this state-of-the art solution at this key stage in AIR’s development.”

Prism Sound’s dScope Series III includes precision analogue and highly-optimised digital outputs and inputs. Precise and automatic gain-ranging enables high resolution measurements over a massive range, from a few micro-volts to more than 150 volts RMS, and from less than 1 Hz to over 90kHz. Its interface processor uses dedicated DSP to provide a wide range of real time measurements, while its software uses the host PC for almost unlimited number crunching and analysis options such as Fast Fourier Transforms, unique ‘FFT Detectors’, swept sine and multi-tone testing. Designed to be highly programmable, the dScope Series III can be automated from a wide range of third-party software using Active X controls, or internally using VBScript. The system also offers a range of uniquely powerful tools for broadcasters, including logging facilities for tracking down intermittent pops and glitches in the audio stream, and metadata inconsistencies and changes of status which could lead to audible problems.

Simon Woollard, Test and Measurement Product Specialist for Prism Sound, says: “This was an important project for Prism Sound and for AIR alike, so we took the time to consult with the client in order to understand their requirements in detail. Once we knew what measurements AIR’s engineers needed, we were able to customise the appearance of the standard dScope Series III interface, using in-built user-adjustable settings. In doing so, we were able to provide a simplified menu that was easy to understand and control, even for untrained users.

“The resulting main menu offers four main sub-menus of test groups, grouped by input and output domain, plus a quick tour of the instrument and the self-test routine that AIR requested. The sub-menus then offer the operator a choice of the most commonly needed tests, e.g. frequency response, THD+N, IMD, etc, which can all be accessed from a single click. Operators can then perform their tests using the standard test profiles, or they can customise the tests according to their specific requirements.

“As with all dScope Series III instruments, automated test sequencing and reporting is also possible. We will be consulting further with AIR following their initial training and usage of the instrument to determine whether they require any further adjustments to the appearance of the instrument’s interface, or to the tests and test reporting defaults provided.

“This project is very exciting for me, as I have been involved in Prism Sound’s strategic move into the Indian market since day one, and this is one of the most significant results we have obtained since we started this campaign. This news is important for all of our customers, as it helps to strengthen our position in the region, and I look forward to working with Electro Dynamics and AIR in future as we continue to develop our audio test and measurement solutions.”

Prism Sound has already provided Digital Audio training to AIR staff and will deliver more specific dScope Series III product training during 2012. It is anticipated that AIR will place further orders in the future as it rolls dScope Series III out to other divisions.

-ends-

About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

DK-Technologies Unveils The DK3 Meter To European Broadcasters At IBC 2012

DK-Technologies is now offering broadcast engineers the ability to de-embed 16 channels of audio from an SDI input by using its award-winning DK3 Compact Audio Loudness Meter. And for those working in a non-video equipped facility, there is still the option of using the meter’s three AES inputs.

DK-Technologies has also made its successful StarFish™ surround sound display available to all DK meter users, as well as those investing in the new DK3, which makes its European debut at IBC 2012 (Hall 8, Stand E60).

Richard Kelley, Sales and Marketing Director for DK-Technologies, says: “The introduction of the DK3 meter has made the Award-winning DK Meter range even more versatile. Broadcast engineers can now monitor audio levels from both video and audio sources. This is in line with industry trends that have seen audio and video being combined more frequently.”

In common with the other meters in DK-Technologies range, the DK3 is compliant with all known loudness recommendations and has pre-sets built in to allow for EBU R128, BCAP, ATSC A/85, ARIB, ABC, AGCOM 219 & ITU 1770-2. Alongside StarFish™, new software features include moving coil emulation of PPM and VU mechanical meters with user selectable scales and a goniometer display for stereo audio. These features are also available to DK1 and DK2 users and can be installed via a free software download from DK-Technologies’ website:

www.dk-technologies.com

Since their launch in 2011, DK Meters have been rapidly adopted by broadcast and post production companies because they meet industry demand for cost-effective stereo and 5.1 metering, including loudness. No bigger than a smart phone, all of the meters in the range are easy to install and can be powered from a computer USB port, making them ideal for location recording. They are supplied with standard DK-Technologies meter scales plus the industry-standard StarFish™ and deliver conventional metering as well as loudness metering at the same time, on the same display and in a single box. Pricing for these products is highly competitive – starting at just $1499.00 in the US and €995.00 in Europe.

DK-Technologies will complete its IBC line up with its full range of audio and video solutions including the PT0700 Series multi-channel waveform monitor, which delivers remote access, logging, Dolby decoding, audio delay, video measurements and loudspeaker level control, making this a high-grade cost effective quality control device that provides in-depth analysis with simple pre-set control. DK-Technologies will also show its industry standard SPG with auto changeover, which now has GPS and SNTP options.

If you would like a demonstration or more information about any of these products, please visit DK-Technologies in Hall 8, Stand E60.

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

October 2014
S M T W T F S
« Sep    
 1234
567891011
12131415161718
19202122232425
262728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication