Sound Devices Unveils New PIX-DOCK at the 2012 NAB Show

Data Dock for PIX-CADDY with Thunderbolt Connection

LAS VEGAS, APRIL 18, 2012 — Sound Devices, experts in portable audio and video products for field production, unveils PIX-DOCK at the 2012 NAB Show (Booth C2546). PIX-DOCK connects drives mounted in a Sound Devices PIX-CADDY to computers equipped with Thunderbolt™ high-speed I/O over a single Thunderbolt cable.<

The PIX-CADDY, which is used to connect SSD volumes to all PIX recorders, is an SSD mounting accessory that also operates as a multi-format interface to attach the SSD to a computer for file transfer and management. With the introduction of the PIX-DOCK, users can now leverage Thunderbolt’s fast transfer speeds between drives and computers. Thunderbolt offers up to 10 Gbps interconnection speeds, making the file copying of large-capacity drives fast and easy. When using fast storage drives, its high throughput allows realtime playback of multiple streams of high-data-rate video.

The PIX-DOCK provides both power and data over a single cable and is compatible with SATA drives. PIX-DOCK includes a six-foot Thunderbolt cable that connects to the PIX-CADDY using its eSATAp connection. It also offers a secure, latching connection to PIX-CADDY, and its weighted base prevents sliding on desktop surfaces.

“PIX-DOCK simplifies and speeds the transfer and management of files when using our PIX recorders,” says Jon Tatooles, managing director at Sound Devices. “By utilizing Thunderbolt, we are able provide our users with blazing fast and reliable transfers.”

The PIX 220, PIX 240 and PIX 260 record directly to QuickTime using Apple’s ProRes or Avid’s DNxHD codecs. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making the workflow simple and fast. The PIX 240 and PIX 260 add even more flexibility, with their time code, sync generator, and simultaneous SDI and HDMI outputs. All PIX recorders bring the company’s award-winning audio expertise and performance to their video products.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Clear-Com Introduces Tempest2400 Masterbelt at the 2012 NAB Show

All the Capabilities of the Tempest2400 BaseStation in a Compact and Portable Package

LAS VEGAS, APRIL 18, 2012 ? Clear-Com, a global leader in critical voice communication systems, today announces the Tempest2400 MasterBelt digital wireless intercom at the 2012 NAB Show (Booth C8008). Ideal for mobile productions, the Tempest2400 MasterBelt offers all the advanced features, reliability and robustness of the Tempest2400 rack-mount BaseStation, including the new version 3.0 features, in a compact, portable and easy-to-deploy package that can be conveniently worn on the hip.

The Tempest2400 MasterBelt provides mobile broadcasters the ability to coordinate and communicate hands-free within the form of a Tempest2400 BeltStation. The MasterBelt can be paired with any standard Tempest2400 CP-222 two-channel BeltStation to create a full-featured two-channel system in the 2.4 GHz band. The MasterBelt itself also functions as a BeltStation allowing up to six full-duplex wireless users to be in communications.

Designed to be comfortable, rugged and robust, the MasterBelt Station and all Tempest BeltStations can operate in harsh weather conditions and are protected by a durable, weather-resistant ABS co-polymer blend with a high performance polyurethane overmold. The MasterBelt is provided with a rechargeable Li-Polymer battery capable of up to eight hours of operation or can be powered by three Standard AA Alkaline batteries as backup, providing four hours of operations.

“The Tempest2400 system has proven itself as the “go-to” communications solution for remote productions operating interference-free even when other wireless devices are in the same vicinity,” says Craig Frederickson, Clear-Com wireless product manager. “The MasterBelt is the latest development in the Tempest2400 line, giving broadcasters an even more flexible alternative for mobile productions, such as reality TV, sports sideline communications or ENG, where a stationary BaseStation is not desirable, feasible or optimal.”

Tempest2400 operates in 80MHz of spectrum in the 2.4GHz ISM frequency band. Tempest wireless systems will not interfere with traditional wireless microphone, IFB or in-ear monitor systems that operate in the UHF TV band. Because of Frequency Hopping Spread Spectrum (FHSS) technology, the Tempest system does not compete with signals from other 2.4 GHz wireless devices, minimizing frequency coordination and enabling flawless performance. Further, with state-of-the-art Redundant Data Transmit (2xTX), which sends each packet of audio data twice on different frequencies, the system ensures uninterrupted audio communications.

Similar to all Tempest systems the Tempest MasterBelt offers three modes of operations: Normal, Shared and Split. Because the MasterBelt can also function as a BeltStation, up to six full-duplex wireless users can be in communication in Normal mode. In Shared mode, an unlimited number of wireless users can listen while five have PTT capability. In Split mode, four wireless users are full-duplex talk while an unlimited number may listen. The ‘fifth user slot’ is an unlimited single-channel shared between the users with momentary talk buttons only.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HME
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

Sound Devices Introduces Next-Generation Functionality for PIX 240 at the 2012 NAB Show

LAS VEGAS, APRIL 17, 2012 — Sound Devices, experts in portable audio and video products for field production, is pleased to introduce new functionality for its popular PIX 240 portable audio/video recorder at the 2012 NAB Show (Booth C2546). This latest firmware update, Version 2, now makes PIX 240 even more powerful with the addition of several monitoring features.

Sound Devices PIX 240 firmware Version 2 now enables users to monitor images in varying exposures through Exposure Assist, a feature that allows for false-color and zebra-stripes viewing. It is also equipped with Focus Assist, which includes a peaking filter and 1:1 pixel zoom. Monitor brightness, contrast and chroma adjustments are also now available. Version 2 of PIX 240 also includes standard definition recording (NTSC and PAL) and support for using simultaneous analog and SDI/HDMI audio inputs. These new features are available as a free firmware update to all PIX 240 users and can be downloaded by visiting http://www.sounddevices.com/download/pix-firmware.htm.

“Our new PIX line of audio/video recorders have received overwhelming support and interest from the industry as a whole,” says Jon Tatooles, managing director at Sound Devices. “We have listened to our customers’ needs and requests and are excited to officially launch Version 2 of PIX 240 at this year’s NAB show.”

PIX 240 is the perfect companion to a wide range of professional cameras used for feature films such as ARRI and RED as well as small-format HD cameras from Sony and Canon. PIX 240 connects to cameras with HDMI or SDI and records directly to QuickTime using Apple’s ProRes or Avid’s DNxHD codec. Since PIX recorders use Apple ProRes and Avid DNxHD, files recorded in the field can be used directly in post production, making the workflow simple and fast. PIX 240 includes a built-in Ambient Clockit time-code generator/reader with genlock output for multi-camera and double-system sound applications. The source time-code can be derived from the SDI stream, from an external source or from the built-in generator in PIX 240. Additional features include digital audio inputs on AES3 and an external eSATAp connection for direct connection to large SATA drives.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The thirteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Clear-Com Launches Helixnet Partyline at the 2012 NAB Show

World’s First Networked Partyline Intercom System Delivers Greater Efficiency, More Flexibility and Cost-Savings Through the Revolutionary Platform Design

LAS VEGAS, APRIL 17, 2012 Clear-Com, a global leader in critical voice communication systems, is pleased to announce the formal, worldwide release of the HelixNet Partyline Intercom System at the 2012 NAB show (Booth C8008). HelixNet Partyline is the industry’s first networked partyline intercom system with a set of unique capabilities for achieving greater efficiency, cost-savings and flexibility from set up to operation and maintenance. The initial release of HelixNet Partyline consists of the HMS-4X Main Station, HBP-2X HelixNet Beltpack, HLI-2W2 Two-wire Interface Module and the HLI-4W2 Four-wire Interface Module. The system begins shipping in June of 2012.

HelixNet Partyline is the first set of products to demonstrate a revolutionary platform with the superb audio clarity of the digitized Clear-Com sound, central administration of the entire system (firmware upgrades and maintenance) from the Main Station with a single cable and flexible cable options with the ability to leverage an existing cable infrastructure.

“For over 40 years, the Pro Audio community has been using the common, three-pin XLR microphone cable to carry audio for analog partyline systems,” says Chris Barry, Product Manager at Clear-Com. “In order to preserve our customers’ investments in intercom systems and cabling infrastructure, we had specifically designed HelixNet Partyline to transmit four channels of digital quality audio, plus program and power for beltpacks, over a single, shielded twisted-pair cable (ex. microphone cable, CAT5 or CAT6 cable). This capability alone is unprecedented in the history of intercom technology.”

Furthermore, the HelixNet Partyline system offers many unique features to create a much higher audio quality, increase efficiency during the set up and maintenance processes and simplify operations.

HMS-4X HelixNet Main Station and Interface Module

High channel density and high user capacity. The sleek 1RU HMS-4X HelixNet Main Station fits into any standard 19” rack and can provide power and four channels of audio to support up to 20 digital beltpacks.

No hum. No buzz. Unlike standard analog systems, the all-digital HelixNet system is immune to electro-magnetic interference and ground loops.

Highly flexible and offers intuitive user operations. System settings and menus are quickly accessible. Firmware maintenance and upgrades can be achieved easily via USB ports.

Greater connectivity with existing analog intercom systems and audio devices. The expansion bay in the Main Station allows optional HLI-2W2 two-wire and HLI-4W2 four-wire interface modules to connect easily with existing analog intercom systems and audio devices, while preserving the high audio quality that is free of hum and noise.

HBP-2X HelixNet Beltpack
High channel density and selectable channels to save resources. The rugged, ergonomically-designed HBP-2X HelixNet Beltpack is a two-channel beltpack that can access two of any four system channels and program audio over a single cable, along with individual level control. Networked audio is distributed over a single, shielded twisted pair, keeping the number of cables required, low.

Easy to operate and read. Optimally positioned buttons and volume knobs are easy to locate, identify and control on the beltpack. Channel labels are simple to read on the high-contrast 10-character OLED displays. Beltpacks can be set up in daisy chain or star configurations with no need for active split boxes.

Highly durable and flexible. HelixNet Beltpacks are highly durable, fabricated from lightweight cast aluminum, and come with a sturdy beltclip, rubber bumpons and an integrated strap guide to offer a variety of practical mounting options.

About Clear-ComClear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HMEHM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

132nd AES Convention Offers Diverse Tutorials

From Beach Boys Smile Sessions To Notes On The Brain

BUDAPEST: A destination for listening, learning and connecting, the 132nd AES Convention, will feature a uniquely varied assemblage of Tutorials. Scheduled for April 26-29 at the Novotel Budapest Congress & World Trade Center, the gathering will draw attendees from around the world.

Tutorial Event highlights include:

The Making of The Beach Boys Smile Sessions: Arguably the greatest “lost” album of all time, The Beach Boys’ Smile sessions were finally released last November, in a variety of CD, vinyl and other digital configurations. Producer/Educator Barry Marshall will conduct a rare interview with Project co-producer Mark Linett about the legendary 1966-67 sessions. Their discussion will include the producer role Brian Wilson played in the project, as well a look at the technical and logistical challenges of mixing and mastering this landmark production from 45-year-old tapes at different configurations, speeds and sizes.

Noise on the Brain-Hearing Damage on the Other Side: Presenter: Poppy Crum – Did you know that drinking a glass of orange juice every day may actually protect your hearing? Most discussions of hearing damage focus on what happens to the cochlea and inner ear. While this understanding is crucial to predicting and avoiding trauma that can lead to hearing loss, this session will explore the latest research regarding the effects of acoustic and chemical trauma. It will also consider recent research in chemically preserving hearing and combating these conditions.

How Does It Sound Now? The Evolution of Audio: Presenter: Gary Gottlieb – One day Chet Atkins was playing guitar when a woman approached him. She said, “That guitar sounds beautiful.” Chet immediately quit playing and asked, “How does it sound now?” The quality of sound in Chet’s case clearly rested with the player, not the instrument. The technical and aesthetic quality of recorded music lies with engineers and producers, not solely on their equipment. This Tutorial will address the differences and similarities between their standards for excellence.

Please visit http://www.aes.org/events/132/calendar/calendar.cfm for a complete list of event titles, abstracts and presentation times.

Photo: Novotel Budapest Congress & World Trade Center hosts the AES Convention April 26-29.

###

The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. With over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East, the organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit http://www.aes.org

Neumann Introduces KK 204 and KK 205 Microphone Capsules, Designed to Complement Sennheiser’s 2000 Series Wireless Handheld Transmitter

Old Lyme, Conn. – April 16, 2012: Premium audio brand Neumann announced that it will be showcasing its new KK 204 and KK 205 microphone capsules at the Sennheiser booth [C2632] during NAB 2012. The new capsules, which are available in cardioid (KK 204) and supercardioid (KK 205) patterns, are compatible with Sennheiser’s 2000 series of wireless handheld transmitters.

The acoustic features of the KK 204 and KK 205 capsule heads are derived from the multiple award-winning wired Neumann stage microphones, the KMS 104 and KMS 105. The KK 204, with its cardioid pattern, ensures the best possible suppression of sound originating from 180 degrees to the rear, while the supercardioid KK 205 has greater directivity, and maximizes incident sound from the front as compared to sound from the rear. Due to the “single polar pattern design,” the polar patterns are very uniform over the entire frequency range and provide excellent resistance to feedback.

Wolfgang Fraissinet, President of Neumann, commented: “Neumann capsules have already been used in combination with the Sennheiser SKM 5200 handheld transmitter for the past 10 years on some of the largest stages of the world, where the highest demands are placed on a high-resolution sound and transmission reliability. With the development of the KK 204 and KK 205 capsule heads, the Neumann sound is now also available for the Sennheiser 2000 Series. The synergies between the key areas of expertise of Sennheiser handheld transmitters and Neumann capsule sound permit us to offer our customers a wireless system of absolutely uncompromisingly quality, even for the most demanding live applications.”

In developing the new capsules, particular importance was placed on the effective damping of pop sounds and handling noise, as well as on the extremely low level of self-noise. The KK 204 and KK 205 capsule heads also have an extremely wide dynamic range and were designed to be very easy to service.

The aesthetic design complements the construction of the SKM 2000 handheld transmitter, and each capsule — like the SKM 2000 transmitter — is available in both nickel and black finishes. Each capsule includes a large nylon bag designed to hold the capsules, the handheld transmitter, battery packs and additional accessories.

    Both the KK 204 and KK 205 feature:

Reduced handling noise: Very low sensitivity to handling noise with a steep roll-off from approximately 78 Hz
Reduced plosives and sibilance: Both capsules feature a foam-lined grille to ensure smooth sound
Wide dynamic range with high SPL capability: 126 dB-A of dynamic range with 150 dB MAX SPL
Low feedback: Incredibly smooth and flat frequency response provided high gain before feedback
Easy to service components: Neumann understands the rigors of the road and has made the KK 204 and KK 205 exceptionally robust but easy to service if necessary

    Specifications:

Directional pattern: Cardioid (KK 204) / Super-cardioid (KK 205)
Frequency range: 40 Hz – 20 kHz
Sensitivity (at 1 kHz into 1 k?): 2.8 mV/Pa ± 1 dB
Equivalent noise level, CCIR1): 35 dB
Equivalent noise level, A-weighted1): 24 dB-A Max. SPL for 0.5% THD2) 150 dB
Dynamic range (A-weighted): >126 dB-A
Weight (including transmitter and power supply unit): Approx. 17.6 oz.
Dimensions (including SKM 2000)/length: 10.7 in., ø 2.2 in.

1) according to IEC 60268-1; CCIR-weighting according to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) measured as equivalent el. input signal

Sennheiser adds the SKP 300 G3 plug-on transmitter to its evolution wireless series

Old Lyme, Conn.–April 16, 2012– Audio specialist Sennheiser is extending its evolution wireless ew 300 G3 series with the addition of the SKP 300 G3 plug-on transmitter. Whether it is for a speaker’s podium or for fast mobile use in video productions, the SKP 300 G3 converts any conventional cabled microphone quickly and easily into a wireless version. The phantom power required by condenser microphones is also supplied by the rugged transmitter – a highly versatile device that enables cabled microphones to become wireless with ease.

“With the new SKP 300 G3, we are further expanding the application possibilities for the evolution wireless series,” explained Robb Blumenreder, channel manager for professional systems products at Sennheiser’s U.S. headquarters. “The plug-on transmitter comes with its own phantom power supply, enabling it to be combined with any microphone with an XLR-3 output.”

For applications in the Installed Sound sector, the plug-on transmitter can be combined with an EM 300 G3 rack-mount receiver, thus making it possible, for example, to have a speaker’s podium without the visual interference of cables or to implement mobile lecterns. For video journalists, the SKP 300 G3 is an ideal partner for the EK 100 G3 camera receiver.

The SKP 300 is powered by two AA batteries or the optional BA 2015 accupack. The plug-on transmitter is available in eight frequency ranges, and is quickly and easily synchronized with its receiver using an infrared link.

The SKP 300 will be available in April 2012.

Caption:
SKP 300.jpg: Wireless with ease: the SKP 300 G3 plug-on transmitter with switchable phantom power turns cabled microphones into wireless ones in next to no time

Technical Data: SKP 300

Modulation wideband FM
Frequency ranges A: 516–558 MHz; G: 566–608; GB: 606–648 MHz;
B: 626–668 MHz; C: 734–776 MHz; D: 780–822 MHz;
E: 823-865 MHz

Frequency banks 20 frequency banks each with up to 24
intermodulation-free presets; 6 frequency banks
with up to 24 frequencies freely selectable by the user
in 25 kHz steps
(Please note that the EK 100 G3 camera receiver has
only twelve frequencies per channel bank)

Switching bandwidth 42 MHz
RF output power 10/30 mW
Nominal/peak deviation ±24 kHz/±48 kHz
Phantom power 48 V ± 2 V
Compander system HDX
Audio frequency response 80–18,000 Hz
THD 0.9%
Signal-to-noise ratio > 120 dBA (1 mV peak deviation)
Audio input XLR-3F, balanced
Power supply 2 AA batteries (1.5 V) or BA 2015 accupack
Operating time typ. 8 hrs (30 mW RF power, without P48)
Dimensions 105 x 43 x 43 mm
Weight with batteries 195 g

Audio-Technica Offers More Reasons to Get Your Own Mic

http://www.youtube.com/watch?v=T3mcRXHAlbs&list=UU4Zvo2MGFsv-83wf40pG7Ig

Audio-Technica’s second humorous public service announcement graphically illustrates why NOT to share vocal microphones. Just like the first video, this new clip is an irreverent demonstration on why singers having their own microphones should be a basic right. Please take a look at this video, and feel free to post to your website, share on Facebook, add to newsletters, tweet or pass along to friends. Watch the video HERE

Audio-Technica has also prepared a new “Get Your Own Mic” landing page at http://www.audio-technica.com/getyourownmic, where visitors will be able to learn more about Audio-Technica’s vocal mics, and, of course, watch these acclaimed shorts.

RTW TM3 TouchMonitor Now Shipping Worldwide

Affordable, Compact Addition to TouchMonitor Range Supports Compliant Loudness Metering

LAS VEGAS, APRIL 16, 2012 — RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, is pleased to announce that it is now shipping worldwide the new TM3 TouchMonitor. The TM3 is the latest introduction in the company’s successful range of products marking the next generation in compliant professional audio signal metering, which will all be on display at the RTW booth (C1844) during NAB 2012.

The TM3 includes features of the larger TM7 and TM9 TouchMonitor versions and is controlled using a touch-sensitive display. With its budget-friendly base price, a 4.3-inch touch screen and stylish exterior allowing for horizontal and vertical placement, the TM3 is a highly appealing, compact solution ideal for editorial offices, edit suites and small control rooms.

“The TM3 has received such wonderful feedback thus far and there have already been a large number of units sold in advance, so we are thrilled to begin shipment,” says Andreas Tweitmann, CEO, RTW. “It was important to us to provide the broadcast community with a range of solutions that will help them meet CALM Act compliance standards by the end of this year. The timing of the TM3’s shipment could not be better.”

Featuring PPM and true-peak instruments, the TM3 offers comprehensive loudness metering in compliance with all globally relevant standards, including EBU R128, ITU BS.1770-2/1771, ATSC A/85 and ARIB. Instruments include single-channel and summing bar graphs, an LRA instrument and numerical displays. The basic version handles analog and digital stereo audio, while the 5.1 option adds the support of six-channel digital input.

Full technical details about the TM3 and all of RTW’s products can be found at www.rtw.de.

About RTW
RTW, based in Cologne (Germany), has more than 40 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller.

For more information, visit www.rtw.de or www.facebook.com/rtw.de, or call +49 (0) 221 709130.

Clear-Com Announces Seamless Roaming For Tempest2400 at the 2012 NAB Show

New Product Breakthrough Delivers Uninterrupted Coverage for Large-Scale Broadcasts

LAS VEGAS, APRIL 16, 2012 ? Clear-Com, a global leader in critical voice communication systems, today is pleased to unlock the Seamless Roaming capability for its Tempest2400 digital wireless intercom at the 2012 NAB Show (Booth C8008). Further enhancing one of the most feature-rich and robust system within Clear-Com’s wireless product line, Tempest Seamless Roaming will be most applicable in large mixed facilities that are separated by sizeable distances such as campus buildings, multi-studio environments and/or outdoor venues.

“With Seamless Roaming, a Tempest2400 wireless BeltStation can cover an extensive area with multiple zones that would not be adequately supported by a single BaseStation installation,” says Craig Fredrickson, Clear-Com’s wireless product manager. “This allows broadcasters to focus on critical production cues rather than having to change the settings on their wireless BeltStations when moving within a venue.”

Tempest Seamless Roaming is meant for individuals on the production team who must move freely and wirelessly from a given coverage area to another without interference or dropout of intercom communication. Base stations are linked together with the newest ZSync (Zero Synchronization) Technology. The ZSync Technology provides a zero sync reference that coordinates the hopping patterns of all connected BaseStations every time the system is powered up, irrespective of random time variation in power up sequences, to provide improved system performance and a seamless wireless experience.

With the Seamless Roaming feature, BeltStation users can migrate between as many as 16 different Tempest2400 BaseStations (coverage areas or zones). Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

The Tempest2400, designed with Frequency Hopping Spread Spectrum (FHSS) technology, utilizes a narrow band signal that is continually changing frequencies to powerfully burn through RF noise and interference. Because of FHSS technology, the Tempest system does not compete with signals from other 2.4 GHz wireless devices, minimizing frequency coordination and enabling flawless performance. Moreover, the wireless system features state-of-the-art 2xTX Transmission Voice Data Redundancy, which sends each packet of audio data twice on different frequencies and through different antennas, ensuring uninterrupted audio communications. Via four- and two-wire connections, it can interoperate with other Clear-Com intercom systems, as well as those from other manufacturers.

Tempest2400 offers three different modes of operations—Normal, Shared and Split. All modes are supported under the Seamless Roaming function. A single Tempest2400 in Normal mode can support between one and five full-duplex wireless users who always need to speak on the intercom system. However, in Split or Shared mode, an unlimited number of users can monitor the conversation and share talk capability. A combination of Tempest systems operating in either Normal or Shared mode can co-exist in the same environment for the ultimate in flexibility. Each digital BeltStation offers four audio channels. By stacking up to 10 BaseStations together, 50 independent, full-duplex wireless BeltStations can operate together in a single system.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HM Electronics, Inc. (HME)
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

About

The Radio magazine The Wire provides information from manufacturers and associations about industry news, products, technology and business announcements. The information shown here is posted by companies and their representatives and are not edited or previewed by the Radio magazine staff. The content providers are solely responsible for the content of their posts. If you would like your company's news and information to appear here, contact us.

Calendar

September 2014
S M T W T F S
« Aug    
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication